Francesco Tristano - On Early Music - COMPACT DISCS [CD]
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The acclaimed pianist and composer Francesco Tristano, returns to his first love -early music for his new studio album 'On Early Music'. The album presents Renaissance and early-Baroque works with five of his own Baroque-inspired piano pieces. Interspersed with these are works by some of early music's greatest English composers and organists -Orlando Gibbons, John Bull, and Peter Philips-and one of Tristano's greatest inspirations, Italian composer Girolamo Frescobaldi. Yet On Early Music is not merely a fitting homage to this repertoire; the works are given a fresh, contemporary twist thanks to Tristano's production skills, studio mastery, and keen eye for detail. All the works featured are tonally and melodically complimentary, and while some have been faithfully reproduced, others have been re-worked and reinterpreted. InchI wanted to bring something new to them,Inch he says. InchSomething original.Inch That led him to works that reflected another of the album's main themes, and something he wanted to focus on and bring to the fore -the gentle majesty of sunrise. InchEarly music has a reparative power, just like an early sunrise,Inch he says, Inchand these works give me an uplifting feeling. There's something really primitive about them, but something rejuvenating too.Inch For Tristano, this repertoire remains as joyful and inspiring as when it was composed over 500 years ago, and is thoroughly deserving of a contemporary audience. Album Tracks 1. Toccata 2. On John Bull Galliard in D 3. Fantasy in D minor 4. Serpentina 5. Laet Ons Met Herten Reijne 6. On Girolamo Frescobaldi Quattro Correnti 7. Partita Sopra L'aria Di Follia 8. Ritornello 9. On Cristóbal de Morales Circumdederunt Me 10. Pavan 11. Air & Alman 12. Italian Ground 13. Ground 14. Ciaccona Seconda 15. Cento Partite Sopra Passacagli 16. Aria for RS
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- GenreClassicalDescriptionThe acclaimed pianist and composer Francesco Tristano, returns to his first love -early music for his new studio album 'On Early Music'. The album presents Renaissance and early-Baroque works with five of his own Baroque-inspired piano pieces. Interspersed with these are works by some of early music's greatest English composers and organists -Orlando Gibbons, John Bull, and Peter Philips-and one of Tristano's greatest inspirations, Italian composer Girolamo Frescobaldi. Yet On Early Music is not merely a fitting homage to this repertoire; the works are given a fresh, contemporary twist thanks to Tristano's production skills, studio mastery, and keen eye for detail. All the works featured are tonally and melodically complimentary, and while some have been faithfully reproduced, others have been re-worked and reinterpreted. InchI wanted to bring something new to them,Inch he says. InchSomething original.Inch That led him to works that reflected another of the album's main themes, and something he wanted to focus on and bring to the fore -the gentle majesty of sunrise. InchEarly music has a reparative power, just like an early sunrise,Inch he says, Inchand these works give me an uplifting feeling. There's something really primitive about them, but something rejuvenating too.Inch For Tristano, this repertoire remains as joyful and inspiring as when it was composed over 500 years ago, and is thoroughly deserving of a contemporary audience. Album Tracks 1. Toccata 2. On John Bull Galliard in D 3. Fantasy in D minor 4. Serpentina 5. Laet Ons Met Herten Reijne 6. On Girolamo Frescobaldi Quattro Correnti 7. Partita Sopra L'aria Di Follia 8. Ritornello 9. On Cristóbal de Morales Circumdederunt Me 10. Pavan 11. Air & Alman 12. Italian Ground 13. Ground 14. Ciaccona Seconda 15. Cento Partite Sopra Passacagli 16. Aria for RSArtistFrancesco TristanoTitleOn Early MusicFormatCDLabelSony Masterworks
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The acclaimed pianist and composer Francesco Tristano, returns to his first love -early music for his new studio album 'On Early Music'. The album presents Renaissance and early-Baroque works with five of his own Baroque-inspired piano pieces. Interspersed with these are works by some of early music's greatest English composers and organists -Orlando Gibbons, John Bull, and Peter Philips-and one of Tristano's greatest inspirations, Italian composer Girolamo Frescobaldi. Yet On Early Music is not merely a fitting homage to this repertoire; the works are given a fresh, contemporary twist thanks to Tristano's production skills, studio mastery, and keen eye for detail. All the works featured are tonally and melodically complimentary, and while some have been faithfully reproduced, others have been re-worked and reinterpreted. InchI wanted to bring something new to them,Inch he says. InchSomething original.Inch That led him to works that reflected another of the album's main themes, and something he wanted to focus on and bring to the fore -the gentle majesty of sunrise. InchEarly music has a reparative power, just like an early sunrise,Inch he says, Inchand these works give me an uplifting feeling. There's something really primitive about them, but something rejuvenating too.Inch For Tristano, this repertoire remains as joyful and inspiring as when it was composed over 500 years ago, and is thoroughly deserving of a contemporary audience. Album Tracks 1. Toccata 2. On John Bull Galliard in D 3. Fantasy in D minor 4. Serpentina 5. Laet Ons Met Herten Reijne 6. On Girolamo Frescobaldi Quattro Correnti 7. Partita Sopra L'aria Di Follia 8. Ritornello 9. On Cristóbal de Morales Circumdederunt Me 10. Pavan 11. Air & Alman 12. Italian Ground 13. Ground 14. Ciaccona Seconda 15. Cento Partite Sopra Passacagli 16. Aria for RS
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Sometimes, dreams come true. For Francesco Tristano, the dream was twofold first a desire to project his art in the future by devoting himself to one of the most incontestably timeless figures in the history of music, Johann Sebastian Bach. This profound desire fuelled the creation of intothefuture, Francesco Tristano's very personal line of recordings, where sounds morph into an abstract and subtly poetic photographic imagery, which is found in the booklets. This first of these recordings, dedicated to the six Partitas (BWV 825 to BWV 830) is a perfect illustration of this concept. For this pianist from Luxembourg, this collection constituted the starting point of his patient exploration of Bach's work. In fact, it also represents the composer's supreme achievement in the genre of the keyboard dance suite. Also known as the InchGerman suitesInch, to differentiate them from the two collections of InchEnglishInch (BWV 806 to BWV 811) and InchFrenchInch (BWV 812 to BWV 817) suites, the 6 Partitas belong to the rare compositions that Bach had published during his lifetime, as the first part of the Clavier-ubung - from 1726 to 1730, then all six in 1731. Composed separately, probably one after the other, these six suites, an infinite kaleidoscope of moods, were to embody his plural and abundant art, in a supreme synthesis of the tastes of the time.With their lively tempos (Partita III, Fantasia; Partita I, Allemande; Partita V, Tempo di Minuetto; Partita VI, Corrente), their very lively phrasing (Partita I, Gigue; Partita II, Capriccio; Partita VI, Toccata; Partita II, Courante), the six Partitas according to Francesco Tristano, a musician with an inexhaustible vivacity of mind, celebrate life everywhere. This impression of a whirlwind, this sense of movement are irresistible! Once again, Francesco Tristano is here in a class of his own.24 SEPTEMBRE 2024
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