Jessica Moss - Phosphenes - VINYL LP
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A phosphene is Inchthe phenomenon of seeing light without light entering the eye.Inch The title of the heart-rending and resolute new album by composer/violinist Jessica Moss could not be better chosen. Moss is by now a seasoned practitioner of immersive isolation music; across three previously acclaimed solo records of minimal and maximal post-classicism, her acoustic, amplified, and electronically-shifted violin is the raw material for deeply expressive, palpably haunted, wholly committed compositions. But Phosphenes inscribes fleeting halos of refracted ghostly light out of a prevailing darkness with especially plangent determination and intensity.This is the most overtly searching, mournful and inexorable music Moss has made to date. The pieces on Phosphenes exquisitely navigate consonance and dissonance, building patiently from single notes to multiple voicings, harmonic stacks and clusters. These compositions channel themselves like slow-moving water in a dark cave, finding small eddies and catching glints of luminescence from within.Signal processing is kept to a minimum in the three-movement InchContemplationInch suite on Side One, where Moss deploys amplification chiefly in the service of activating overtones and pitch-shifts, thickening and widening the sonics, carving out her unique timbral space. Based on a four-note sequence that sets whole tones against one another, InchContemplationInch is a bona fide requiem that finds Moss at her most instrumentally naturalistic, measured, and modern. Side Two unfolds in a more foreboding vein InchLet DownInch is marked by cavernous octave-dropped arco and pizzicato, providing a gothically-inflected substratum upon which hauntingly wordless vocal invocations and cumulative gyres of violin melody unfurl. InchDistortion HarbourInch grinds with noisier grit and a more harrowing complexion, highlighting Moss's ambient-me
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VINYL- GenreRockDescriptionA phosphene is Inchthe phenomenon of seeing light without light entering the eye.Inch The title of the heart-rending and resolute new album by composer/violinist Jessica Moss could not be better chosen. Moss is by now a seasoned practitioner of immersive isolation music; across three previously acclaimed solo records of minimal and maximal post-classicism, her acoustic, amplified, and electronically-shifted violin is the raw material for deeply expressive, palpably haunted, wholly committed compositions. But Phosphenes inscribes fleeting halos of refracted ghostly light out of a prevailing darkness with especially plangent determination and intensity.This is the most overtly searching, mournful and inexorable music Moss has made to date. The pieces on Phosphenes exquisitely navigate consonance and dissonance, building patiently from single notes to multiple voicings, harmonic stacks and clusters. These compositions channel themselves like slow-moving water in a dark cave, finding small eddies and catching glints of luminescence from within.Signal processing is kept to a minimum in the three-movement InchContemplationInch suite on Side One, where Moss deploys amplification chiefly in the service of activating overtones and pitch-shifts, thickening and widening the sonics, carving out her unique timbral space. Based on a four-note sequence that sets whole tones against one another, InchContemplationInch is a bona fide requiem that finds Moss at her most instrumentally naturalistic, measured, and modern. Side Two unfolds in a more foreboding vein InchLet DownInch is marked by cavernous octave-dropped arco and pizzicato, providing a gothically-inflected substratum upon which hauntingly wordless vocal invocations and cumulative gyres of violin melody unfurl. InchDistortion HarbourInch grinds with noisier grit and a more harrowing complexion, highlighting Moss's ambient-meArtistJessica MossTitlePhosphenesFormatVINYLLabelConstellation
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A phosphene is Inchthe phenomenon of seeing light without light entering the eye.Inch The title of the heart-rending and resolute new album by composer/violinist Jessica Moss could not be better chosen. Moss is by now a seasoned practitioner of immersive isolation music; across three previously acclaimed solo records of minimal and maximal post-classicism, her acoustic, amplified, and electronically-shifted violin is the raw material for deeply expressive, palpably haunted, wholly committed compositions. But Phosphenes inscribes fleeting halos of refracted ghostly light out of a prevailing darkness with especially plangent determination and intensity.This is the most overtly searching, mournful and inexorable music Moss has made to date. The pieces on Phosphenes exquisitely navigate consonance and dissonance, building patiently from single notes to multiple voicings, harmonic stacks and clusters. These compositions channel themselves like slow-moving water in a dark cave, finding small eddies and catching glints of luminescence from within.Signal processing is kept to a minimum in the three-movement InchContemplationInch suite on Side One, where Moss deploys amplification chiefly in the service of activating overtones and pitch-shifts, thickening and widening the sonics, carving out her unique timbral space. Based on a four-note sequence that sets whole tones against one another, InchContemplationInch is a bona fide requiem that finds Moss at her most instrumentally naturalistic, measured, and modern. Side Two unfolds in a more foreboding vein InchLet DownInch is marked by cavernous octave-dropped arco and pizzicato, providing a gothically-inflected substratum upon which hauntingly wordless vocal invocations and cumulative gyres of violin melody unfurl. InchDistortion HarbourInch grinds with noisier grit and a more harrowing complexion, highlighting Moss's ambient-me

Double white colored vinyl LP pressing. 2024 . The Tortured Poets Department (also shortened to Tortured Poets) is the eleventh studio album by the American singer-songwriter Taylor Swift. Shortly after finishing work on Midnights, Swift conceived The Tortured Poets Department and developed it during the Eras Tour (2023-2024). She described the album as her InchlifelineInch record, a product of imperative songwriting. It consists of sixteen songs, featuring collaborations with the American rapper Post Malone features on InchFortnightInch and the English indie rock band Florence and the Machine on InchFlorida!!!Inch. Each of the four physical versions of the album include one additional bonus track. Album Tracks 1. Fortnight (Feat. Post Malone) 2. The Tortured Poets Department 3. My Boy Only Breaks His Favorite Toys 4. Down Bad 1. So Long London 2. But Daddy I Love Him 3. Fresh Out the Slammer 4. Florida!!! (Feat. Florence + the Machine) 1. Guilty As Sin? 2. Who's Afraid of Little Old Me? 3. I Can Fix Him (No Really I Can) 4. Loml 1. I Can Do It with a Broken Heart 2. The Smallest Man Who Ever Lived 3. The Alchemy 4. Clara Bow 5. The Manuscript (Bonus Track)
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