Karayev / Gandelmann / Yablonsky - Symphony 1 / Violin Concerto - COMPACT DISCS [CD]

Dmitry Kabalevsky found his mature style and achieved international success with his first opera Colas Breugnon, the overture of which was soon picked up as an orchestral showpiece in the West. The Second Symphony was likewise championed by conductors such as Arturo Toscanini, it's bittersweet sense of drama and lyricism comparable with Prokofiev. Dedicated to the 15th anniversary of the Bolshevik Revolution, the First Symphony illustrates progress from oppression to liberation, while the later Pathetique Overture is a rousing and highly effective reminder of Kabalevskys skill in orchestration. Founded in 1925, the Malmo Symphony Orchestra is one of the leading major orchestras in Sweden. Performing the full breadth of the symphonic repertoire, the MSO collaborates with prominent international conductors and soloists, including it's current chief conductor Marc Soustrot. Since 2015 the MSO has resided in Malmo Live Concert Hall, a state of the art facility known for it's world class acoustics. Album Tracks 1. Colas Breugnon, Op. 24 Overture [04 51] 2. I. Andante Molto Sostenuto [08 21] 3. II. Allegro Molto Agitato [10 28] 4. I. Allegro Quasi Presto [07 32] 5. II. Andante Non Troppo [08 57] 6. III. Prestissimo Scherzando [06 37] 7. Pathétique Overture, Op. 64 [04 14]

In this album, Sergey Khachatryan presents the first recording of Ysaye's 6 Solo Sonatas Op.27 on the composer's Guarneri del Gesù violin - a magnificent, hypnotic instrument! Ysaye's Op. 27 is not new to Sergey Khachatryan, who has been giving the cycle in concert for a long time. Today aged thirty- eight, and the precocious First Prize Winner of the International Sibelius Competition in 2000 and the Queen Elisabeth Competition in 2005, the Armenian violinist here once more demonstrates his radiant maturity, along the same lines as he did in his sumptuous recording, so personal, of Bach's Sonatas and Partitas (naive, 2008-2009, V 5181). Here Sergey Khachatryan delivers an interpretation of heightened feelings, where what might otherwise come across as impish is deliberately turned into something fierce (the Prelude of Sonata No. 2, which uses the opening motif of Bach's Partita No. 3), or that which is merely imitative becomes wild and relentless (the Finale of Sonata No. 4). He wilfully emphasises the popular inspiration underlying the complete collection, here replete with shadings and a sumptuousness previously unheard. Album Tracks 5. 6 sonatas for solo violin, Op. 27~Sonata No. 2 in A minor - I. Obsession. Prélude. Poco vivace - Meno mosso - Tempo vivo 11. 6 sonatas for solo violin, Op. 27~Sonata No. 4 in E minor - II. Sarabande. Quasi lento 15. 6 sonatas for solo violin, Op. 27~Sonata No. 6 in E major - Allegro giusto non troppo vivo - Poco lento - Più vivo - Allegretto poco scherzando - Allegro tempo primo

Album Tracks 1. Allegro Moderato 2. Adagio Con Moto 3. Allegro 4. Maestoso - Allegro Vivace 5. Adagio 6. Scherzo 7. Finale