Last Remains - Grasp For Existence :the Demo Anthology - COMPACT DISCS [CD]
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Last Remains took shape around 1989/1990 after guitarist Adam Tranquilli parted ways with New Jersey thrashers BLOOD FEAST, joining forces with former KILLIGY drummer Adam Kieffer, Bob McLynn on bass, and initial vocalist Rich Caputo. The group set out to develop a heavy-yet-melodic sound that would remain powerful without venturing toward the Inchballs-out speed thrashingInch Tranquilli had explored with BLOOD FEAST.In 1991, the quartet's debut two-song demo was recorded at Waterfront Studio with Doug Conroy (who had handled some of the BLOOD FEAST recordings, JERSEY DOGS, etc.), after which Caputo was replaced with a mysterious new singer referred to as simply O.T. This lineup tracked 1992's six-song Grasp for Existence demo at Studio E in Garfield, NJ with David Derr, becoming a bit more diverse and technical, unconcerned with any particular boundaries.O.T. seemingly vanished prior to another six-song demo,... And Then There Were Three, once more laid down with David Derr at Studio E in 1993. Now operating as a trio with Tranquilli and McLynn splitting lead vocal duties, this material represented a significant shift toward a more aggressive, groove-tinged brand of thrash, though not without the atypical twists and turns of Last Remains' prior compositions.Shortly after it's , the band was quickly signed to Pavement Music, decided upon a name change to HEADLOCK, and ultimately issued a lone full-length, It Found Me, the following year. This iteration would continue into the mid-'90s, at which point Tranquilli left, HEADLOCK morphed into a project called TRIGGERFISH, and then-with only McLynn remaining- THE STEP KINGS. Thus, not entirely lost to time, Last Remains/HEADLOCK was able to leave a proper mark on the scene, both through their recordings and having been able to perform live alongside a range of acts from HADES, KREATOR, and OVERKILL to MADBALL, M.O.D. and
- GenreHeavy MetalDescriptionLast Remains took shape around 1989/1990 after guitarist Adam Tranquilli parted ways with New Jersey thrashers BLOOD FEAST, joining forces with former KILLIGY drummer Adam Kieffer, Bob McLynn on bass, and initial vocalist Rich Caputo. The group set out to develop a heavy-yet-melodic sound that would remain powerful without venturing toward the Inchballs-out speed thrashingInch Tranquilli had explored with BLOOD FEAST.In 1991, the quartet's debut two-song demo was recorded at Waterfront Studio with Doug Conroy (who had handled some of the BLOOD FEAST recordings, JERSEY DOGS, etc.), after which Caputo was replaced with a mysterious new singer referred to as simply O.T. This lineup tracked 1992's six-song Grasp for Existence demo at Studio E in Garfield, NJ with David Derr, becoming a bit more diverse and technical, unconcerned with any particular boundaries.O.T. seemingly vanished prior to another six-song demo,... And Then There Were Three, once more laid down with David Derr at Studio E in 1993. Now operating as a trio with Tranquilli and McLynn splitting lead vocal duties, this material represented a significant shift toward a more aggressive, groove-tinged brand of thrash, though not without the atypical twists and turns of Last Remains' prior compositions.Shortly after it's , the band was quickly signed to Pavement Music, decided upon a name change to HEADLOCK, and ultimately issued a lone full-length, It Found Me, the following year. This iteration would continue into the mid-'90s, at which point Tranquilli left, HEADLOCK morphed into a project called TRIGGERFISH, and then-with only McLynn remaining- THE STEP KINGS. Thus, not entirely lost to time, Last Remains/HEADLOCK was able to leave a proper mark on the scene, both through their recordings and having been able to perform live alongside a range of acts from HADES, KREATOR, and OVERKILL to MADBALL, M.O.D. andArtistLast RemainsTitleGrasp For Existence :the Demo AnthologyFormatCDLabelDivebomb
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Last Remains took shape around 1989/1990 after guitarist Adam Tranquilli parted ways with New Jersey thrashers BLOOD FEAST, joining forces with former KILLIGY drummer Adam Kieffer, Bob McLynn on bass, and initial vocalist Rich Caputo. The group set out to develop a heavy-yet-melodic sound that would remain powerful without venturing toward the Inchballs-out speed thrashingInch Tranquilli had explored with BLOOD FEAST.In 1991, the quartet's debut two-song demo was recorded at Waterfront Studio with Doug Conroy (who had handled some of the BLOOD FEAST recordings, JERSEY DOGS, etc.), after which Caputo was replaced with a mysterious new singer referred to as simply O.T. This lineup tracked 1992's six-song Grasp for Existence demo at Studio E in Garfield, NJ with David Derr, becoming a bit more diverse and technical, unconcerned with any particular boundaries.O.T. seemingly vanished prior to another six-song demo,... And Then There Were Three, once more laid down with David Derr at Studio E in 1993. Now operating as a trio with Tranquilli and McLynn splitting lead vocal duties, this material represented a significant shift toward a more aggressive, groove-tinged brand of thrash, though not without the atypical twists and turns of Last Remains' prior compositions.Shortly after it's , the band was quickly signed to Pavement Music, decided upon a name change to HEADLOCK, and ultimately issued a lone full-length, It Found Me, the following year. This iteration would continue into the mid-'90s, at which point Tranquilli left, HEADLOCK morphed into a project called TRIGGERFISH, and then-with only McLynn remaining- THE STEP KINGS. Thus, not entirely lost to time, Last Remains/HEADLOCK was able to leave a proper mark on the scene, both through their recordings and having been able to perform live alongside a range of acts from HADES, KREATOR, and OVERKILL to MADBALL, M.O.D. and

Double white colored vinyl LP pressing. 2024 . The Tortured Poets Department (also shortened to Tortured Poets) is the eleventh studio album by the American singer-songwriter Taylor Swift. Shortly after finishing work on Midnights, Swift conceived The Tortured Poets Department and developed it during the Eras Tour (2023-2024). She described the album as her InchlifelineInch record, a product of imperative songwriting. It consists of sixteen songs, featuring collaborations with the American rapper Post Malone features on InchFortnightInch and the English indie rock band Florence and the Machine on InchFlorida!!!Inch. Each of the four physical versions of the album include one additional bonus track. Album Tracks 1. Fortnight (Feat. Post Malone) 2. The Tortured Poets Department 3. My Boy Only Breaks His Favorite Toys 4. Down Bad 1. So Long London 2. But Daddy I Love Him 3. Fresh Out the Slammer 4. Florida!!! (Feat. Florence + the Machine) 1. Guilty As Sin? 2. Who's Afraid of Little Old Me? 3. I Can Fix Him (No Really I Can) 4. Loml 1. I Can Do It with a Broken Heart 2. The Smallest Man Who Ever Lived 3. The Alchemy 4. Clara Bow 5. The Manuscript (Bonus Track)
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