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The Resonare Fibris project arises from the need to confront times, that is, to put them in dialogue and submit them to a game of mirrors. Superposition and mixture, contraposition, dissolution, decontextualization, deconstruction... ways of proposing an approach to music that goes beyond proposing a merely contemplative listening to become a challenge that of achieving an active listening. The meeting and dialogue with the pianist Mario Prisuelos, the poet Pilar Martín Gila and myself, gave shape to a proposal where music and poetry share a common point the reinterpretation of a past time, that of the Spanish Renaissance. This dialogue between the ancient and the present stems from essential voices among others, Tomás Luis de Victoria, Francisco Guerrero, Cristóbal de Morales or Sebastián de Vivanco. The work is written for piano and electronics, where the latter is conceived as a spatial extension of the instrument.
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The Resonare Fibris project arises from the need to confront times, that is, to put them in dialogue and submit them to a game of mirrors. Superposition and mixture, contraposition, dissolution, decontextualization, deconstruction... ways of proposing an approach to music that goes beyond proposing a merely contemplative listening to become a challenge that of achieving an active listening. The meeting and dialogue with the pianist Mario Prisuelos, the poet Pilar Martín Gila and myself, gave shape to a proposal where music and poetry share a common point the reinterpretation of a past time, that of the Spanish Renaissance. This dialogue between the ancient and the present stems from essential voices among others, Tomás Luis de Victoria, Francisco Guerrero, Cristóbal de Morales or Sebastián de Vivanco. The work is written for piano and electronics, where the latter is conceived as a spatial extension of the instrument.

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