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Axis/Another Revolvable Thing is the second installment of Blank Forms' archival reissues of the music of Japan's eternal revolutionary Masayuki Takayanagi, following April is the cruellest month, a 1975 studio record by his New Direction Unit. Comprised of recordings of a September 5, 1975 concert by the New Direction Unit at Yasuda Seimei Hall in Tokyo's Shinjuku district, the two volumes showcase Takayanagi in deep pursuit of what he began calling Inchnon-section musicInch after leaping beyond the confines of his prior descriptor Inchreal jazz.Inch The quartet of Takayanagi (guitar), Kenji Mori (reeds), Nobuyoshi Ino (bass, cello), and Hiroshi Yamazaki (percussion) deftly explores the twin poles of Takayanagi's spacious Inchgradually projectionInch and explosively virulent Inchmass projectionInch concepts across six pieces, titled Fragments I - VI and split between the two LPs.As part of his liner notes for Part 1 (newly translated for this edition), noted Japanese free jazz critic Teruto Soejima wrote New Direction Unit performances always emit the smell of blood. Fresh blood, never blood that is old or crusted. This is not the desiccated shell of music, it's sound through which pumps the blood of living human beings. Blood that seethes, that flows and counterflows, that blazes, runs, rises and congeals, blood that vomits and spurts. Vivid, scarlet blood. The ultimate beauty that Takayanagi aims at, is it not the color of this blood?Blood calls out to blood. For these four musicians, playing together means feasting on each other's blood. It is also a summon- ing to a secret blood oath, to the creation of solidarity with the audience. In the moment, truly, the situation and beauty are instanta- neously unified. To borrow the title of a movie by Koji Wakamatsu blood is redder than the sun.

The ninth installment in Numero's Cabinet of Curiosities is 100% chart smashes. Culled from the depths of the private press, Super Hits gathers 12 magical adaptations from the Me Decade's introspective songbook. Pop this oversized 8-Track into your Fleetwood Weltron and enjoy a motley crew of lounge singers, wedding bands, synth enthusiasts, trailer park dreamers, accountants, gym teachers, and more as they bring their own unique energy to classics by Steely Dan, War, Boz Scaggs, Neil Diamond, John Denver, Smokey Robinson, The Carpenters, Redbone, The Box Tops, Fleetwood Mac, and more. Tape warble not included. Album Tracks 1. Low Down 2. The Cisco Kid 3. Come and Get Your Love 4. Do It Again 5. Dreams 6. I Am I Said 7. Leaving on a Jet Plane 8. By the Time I Get to Phoenix (Spanish) 9. I Second That Emotion 10. Superstar 11. The Letter 12. Pure Imagination

Vinyl LP pressing. The universe feels real on The Turnpike Troubadours because the band resolved to let the album happen on it's own time. Moving out to the Prairie Sun recording complex in the desert country of Cotati, California, setting up in former chicken coops converted into studios, they metaphorically unplugged the clock and worked studiously through 12-hour sessions, wrapping up only when each story and every note rang true. There's Inch7 OaksInch, recounting a life made desperate by poverty, made more vivid by an incongruous hoedown accompaniment. InchBossier City,Inch focused on a sad mill worker who blows his pay regularly on gambling and booze. Album Tracks 1. The Bird Hunters 2. The Mercury 3. Down Here 4. Time of Day 5. Ringing in the Year 6. A Little Song 7. Long Drive Home 8. Easton & Main 9. 7 Oaks 10. Doreen 11. Fall Out of Love 12. Bossier City

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out