Mathias Vidal - Lully: Atys - COMPACT DISCS [CD]
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This new recording from March 2024 of Jean-Baptiste Lully's musical tragedy, premiered in Saint-Germain-en-Laye 348 years earlier, is the result of the most recent historical, musicological and organological research. The instructions in the 1676 libretto regarding the orchestra's layout, the number and distribution of musicians, and the instrumental colours, particularly of the wind instruments, have been scrupulously followed by Alexis Kossenko and Benoît Dratwicki, artistic director of the Centre de Musique Baroque de Versailles.The choice of soloists was as close as possible to the characteristics of the singers who performed the work when it was first created, as much is known about their vocal and theatrical qualities. This has resulted in a first-rate vocal ensemble, including Mathias Vidal, Véronique Gens, Sandrine Piau, Tassis Christoyannis, Hasnaa Bennani, Eléonore Pancrazi, Adrien Fournaison, David Witczak... as well as the Pages and Chantres du CMBV (bringing together children and adults) and Les Ambassadeurs - La Grande Écurie, all experts in this repertoire. Album Tracks 1. Atys-Prologue. Ouverture 2. Atys-Prologue. Récit. en Vain J'ai Respecté la Célèbre Mémoire 3. Atys-Prologue. Chœur. Ses Justes Lois, Ses Grands Exploits 4. Atys-Prologue. Premier Air Pour la Suite de Flore 5. Atys-Prologue. Récit. La Saison Des Frimas Peut-Elle Nous Offrir 6. Atys-Prologue. Duo Et Chœur. Les Plaisirs À Ses Yeux Ont Beau Se Présenter 7. Atys-Prologue. Deuxième Air Pour la Suite de Flore 8. Atys-Prologue. Air. Le Printemps, Quelquefois, Est Moins Doux 9. Atys-Prologue. Deuxième Air Pour la Suite de Flore (Reprise) 10. Atys-Prologue. Prélude Pour Melpomène 11. Atys-Prologue. Récit. Retirez-Vous, Cessez de Prévenir Le Temps 12. Atys-Prologue. Air Pour la Suite de Melpomène 13. Atys-Prologue. Ritournelle, Récit Et Duo. Cybèle Veut Que Flore Au
- GenreClassicalDescriptionThis new recording from March 2024 of Jean-Baptiste Lully's musical tragedy, premiered in Saint-Germain-en-Laye 348 years earlier, is the result of the most recent historical, musicological and organological research. The instructions in the 1676 libretto regarding the orchestra's layout, the number and distribution of musicians, and the instrumental colours, particularly of the wind instruments, have been scrupulously followed by Alexis Kossenko and Benoît Dratwicki, artistic director of the Centre de Musique Baroque de Versailles.The choice of soloists was as close as possible to the characteristics of the singers who performed the work when it was first created, as much is known about their vocal and theatrical qualities. This has resulted in a first-rate vocal ensemble, including Mathias Vidal, Véronique Gens, Sandrine Piau, Tassis Christoyannis, Hasnaa Bennani, Eléonore Pancrazi, Adrien Fournaison, David Witczak... as well as the Pages and Chantres du CMBV (bringing together children and adults) and Les Ambassadeurs - La Grande Écurie, all experts in this repertoire. Album Tracks 1. Atys-Prologue. Ouverture 2. Atys-Prologue. Récit. en Vain J'ai Respecté la Célèbre Mémoire 3. Atys-Prologue. Chœur. Ses Justes Lois, Ses Grands Exploits 4. Atys-Prologue. Premier Air Pour la Suite de Flore 5. Atys-Prologue. Récit. La Saison Des Frimas Peut-Elle Nous Offrir 6. Atys-Prologue. Duo Et Chœur. Les Plaisirs À Ses Yeux Ont Beau Se Présenter 7. Atys-Prologue. Deuxième Air Pour la Suite de Flore 8. Atys-Prologue. Air. Le Printemps, Quelquefois, Est Moins Doux 9. Atys-Prologue. Deuxième Air Pour la Suite de Flore (Reprise) 10. Atys-Prologue. Prélude Pour Melpomène 11. Atys-Prologue. Récit. Retirez-Vous, Cessez de Prévenir Le Temps 12. Atys-Prologue. Air Pour la Suite de Melpomène 13. Atys-Prologue. Ritournelle, Récit Et Duo. Cybèle Veut Que Flore AuArtistMathias VidalTitleLully: AtysFormatCDLabelAlpha
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This new recording from March 2024 of Jean-Baptiste Lully's musical tragedy, premiered in Saint-Germain-en-Laye 348 years earlier, is the result of the most recent historical, musicological and organological research. The instructions in the 1676 libretto regarding the orchestra's layout, the number and distribution of musicians, and the instrumental colours, particularly of the wind instruments, have been scrupulously followed by Alexis Kossenko and Benoît Dratwicki, artistic director of the Centre de Musique Baroque de Versailles.The choice of soloists was as close as possible to the characteristics of the singers who performed the work when it was first created, as much is known about their vocal and theatrical qualities. This has resulted in a first-rate vocal ensemble, including Mathias Vidal, Véronique Gens, Sandrine Piau, Tassis Christoyannis, Hasnaa Bennani, Eléonore Pancrazi, Adrien Fournaison, David Witczak... as well as the Pages and Chantres du CMBV (bringing together children and adults) and Les Ambassadeurs - La Grande Écurie, all experts in this repertoire. Album Tracks 1. Atys-Prologue. Ouverture 2. Atys-Prologue. Récit. en Vain J'ai Respecté la Célèbre Mémoire 3. Atys-Prologue. Chœur. Ses Justes Lois, Ses Grands Exploits 4. Atys-Prologue. Premier Air Pour la Suite de Flore 5. Atys-Prologue. Récit. La Saison Des Frimas Peut-Elle Nous Offrir 6. Atys-Prologue. Duo Et Chœur. Les Plaisirs À Ses Yeux Ont Beau Se Présenter 7. Atys-Prologue. Deuxième Air Pour la Suite de Flore 8. Atys-Prologue. Air. Le Printemps, Quelquefois, Est Moins Doux 9. Atys-Prologue. Deuxième Air Pour la Suite de Flore (Reprise) 10. Atys-Prologue. Prélude Pour Melpomène 11. Atys-Prologue. Récit. Retirez-Vous, Cessez de Prévenir Le Temps 12. Atys-Prologue. Air Pour la Suite de Melpomène 13. Atys-Prologue. Ritournelle, Récit Et Duo. Cybèle Veut Que Flore Au

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