
Metal Priestess is the 1981 EP by punk-metal band The Plasmatics, fronted by Wendy O. Williams. Dan Hartman, who produced acts such as 38 Special and James Brown, among others, had been working on a session in LA when he picked up a copy of Beyond the Valley of 1984 and couldn't stop playing it. It was Inchground breaking,Inch he said. InchI knew I wanted to meet these people and do something with them.Inch Dan came down to the Tribeca loft where he met Wendy O. Williams and Rod Swenson and a month later he and Rod Swenson were working on the production of the Metal Priestess EP. The creation of the EP is a result of the need to something due to their increasing popularity, with an album being premature, partly because Capitol Records was now making overtures for the next one. Metal Priestess was recorded at Dan's private studio off his schoolhouse turned home and studio in Connecticut and released early in the fall of 1981. Album Tracks 1. Lunacy 5 04 2. Doom Song 5 23 3. S*x Junkie 3 08 1. Black Leather Monster 3 39 2. 12 Noon 3 31 3. Masterplan Bass, Keyboards - Jean Beauvoir Drums - Tony Petri Engineer - Eddie Ciletti Mixed By - Dan Hartman, Rod Swenson Producer - Rod Swenson 4 48
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Metal Priestess is the 1981 EP by punk-metal band The Plasmatics, fronted by Wendy O. Williams. Dan Hartman, who produced acts such as 38 Special and James Brown, among others, had been working on a session in LA when he picked up a copy of Beyond the Valley of 1984 and couldn't stop playing it. It was Inchground breaking,Inch he said. InchI knew I wanted to meet these people and do something with them.Inch Dan came down to the Tribeca loft where he met Wendy O. Williams and Rod Swenson and a month later he and Rod Swenson were working on the production of the Metal Priestess EP. The creation of the EP is a result of the need to something due to their increasing popularity, with an album being premature, partly because Capitol Records was now making overtures for the next one. Metal Priestess was recorded at Dan's private studio off his schoolhouse turned home and studio in Connecticut and released early in the fall of 1981. Album Tracks 1. Lunacy 5 04 2. Doom Song 5 23 3. S*x Junkie 3 08 1. Black Leather Monster 3 39 2. 12 Noon 3 31 3. Masterplan Bass, Keyboards - Jean Beauvoir Drums - Tony Petri Engineer - Eddie Ciletti Mixed By - Dan Hartman, Rod Swenson Producer - Rod Swenson 4 48

Khruangbin's fourth studio album, A La Sala (InchTo the RoomInch in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald InchDJInch Johnson, Jr. And guitarist Mark InchMarkoInch Speer approach music. If 2020's Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band's musical reputation far and wide, then A La Sala is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. It's a window onto the bounties powering Khruangbin's vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.The trio's collective musical DNA, the years spent constructing it in Houston's local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko's reverb-heavy electric, dancing gently around Laura Lee's minimalist almost-dub bass triangles, while DJ's drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there's a freshness to A La Sala's instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world's external wonders. Where prior albums strived towards music's polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin's sonic touch-points - whether spaghetti-western film scores (on InchFifteen Fifty-ThreeInch), West African discos (on InchPon PónInch), G-funk fantasias (InchTodavía VivaInch), living room dancing moments (the first single, InchA Love InternationalInch), or even

Extremely limited double red vinyl LP pressing. Absolute Treasures' is the expanded reissue of the soundtrack for the 40th anniversary of the 1975 cult musical film The Rocky Horror Picture Show starring Tim Curry, Susan Sarandon, and Meat Loaf. The album includes ALL songs from the film for the first time, including ''Planet Schmanet Janet,' 'Once In A While,' 'The Sword of Damocles,'' and ''Planet Hot Dog''! The Rocky Horror Picture Show is a 1975 British-American musical comedy horror film directed by Jim Sharman. The screenplay was written by Sharman and Richard O'Brien based on the 1973 musical stage production, The Rocky Horror Show, music, book and lyrics by O'Brien. The production is a satirical tribute to the science fiction and horror B movies of the late 1930s through early 1970s. The film stars Curry, Sarandon and Barry Bostwick along with cast members from the original Royal Court Theatre, Roxy Theatre and Belasco Theatre productions. Album Tracks 1. Science Fiction / Double Feature 2. Dammit Janet 3. Over at the Frankenstein Place 4. The Time Warp 5. Sweet Transvestite 6. The Sword of Damocles 7. I Can Make You a Man 8. Hot Patootie - Bless My Soul 9. I Can Make You a Man (Reprise) 10. Touch-A, Touch-A, Touch Me 11. Once in a While 12. Eddie 13. Planet Schmanet Janet 14. Planet Hot Dog 15. Rose Tint My World / Floorshow 16. Fanfare /Don't Dream It 17. Wild and Untamed Thing 18. I'm Going Home 19. Super Heroes 20. Science Fiction / Double Feature (Reprise)

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX