Miles Davis - On The Corner - VINYL LP
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Get Down and Make It Funky Miles Davis' Groundbreaking On the Corner Focuses on the Groove and Bottom EndMastered From the Original Master Tapes Mobile Fidelity 180g LP Reveals Multiple Levels of Rhythm, Visceral Bass, and Pioneering Production Techniques In Transparent FashionExotic, Bold, Streetwise Spirited 1972 Album Embraces Davis Jungle Sound' With Percussive Foundations, Trance Loops, and Transformational ArrangementsMiles Davis' boundlessly influential On the Corner was so far ahead of it's time upon in 1972, the jazz cognoscenti rejected it's groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches - the likes of which fill Davis' boldest and most controversial - undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling.Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's numbered limited-edition 180g LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid audiophile-grade sonics. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can even discern the multiple levels of rhythm Davis employed on complex tracks such as 'Black Satin,' as On the Corner stands as his first effort to use overdubbing and multiple tape machines.New degrees of spaciousness and airiness - equally important to the musique concrete arrangements - give the impression Davis and Co.'s creations float in space. Ins
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- GenreJazzDescriptionGet Down and Make It Funky Miles Davis' Groundbreaking On the Corner Focuses on the Groove and Bottom EndMastered From the Original Master Tapes Mobile Fidelity 180g LP Reveals Multiple Levels of Rhythm, Visceral Bass, and Pioneering Production Techniques In Transparent FashionExotic, Bold, Streetwise Spirited 1972 Album Embraces Davis Jungle Sound' With Percussive Foundations, Trance Loops, and Transformational ArrangementsMiles Davis' boundlessly influential On the Corner was so far ahead of it's time upon in 1972, the jazz cognoscenti rejected it's groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches - the likes of which fill Davis' boldest and most controversial - undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling.Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's numbered limited-edition 180g LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid audiophile-grade sonics. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can even discern the multiple levels of rhythm Davis employed on complex tracks such as 'Black Satin,' as On the Corner stands as his first effort to use overdubbing and multiple tape machines.New degrees of spaciousness and airiness - equally important to the musique concrete arrangements - give the impression Davis and Co.'s creations float in space. InsArtistMiles DavisTitleOn The CornerFormatVINYLLabelMobile Fidelity
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Get Down and Make It Funky Miles Davis' Groundbreaking On the Corner Focuses on the Groove and Bottom EndMastered From the Original Master Tapes Mobile Fidelity 180g LP Reveals Multiple Levels of Rhythm, Visceral Bass, and Pioneering Production Techniques In Transparent FashionExotic, Bold, Streetwise Spirited 1972 Album Embraces Davis Jungle Sound' With Percussive Foundations, Trance Loops, and Transformational ArrangementsMiles Davis' boundlessly influential On the Corner was so far ahead of it's time upon in 1972, the jazz cognoscenti rejected it's groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches - the likes of which fill Davis' boldest and most controversial - undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling.Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's numbered limited-edition 180g LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid audiophile-grade sonics. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can even discern the multiple levels of rhythm Davis employed on complex tracks such as 'Black Satin,' as On the Corner stands as his first effort to use overdubbing and multiple tape machines.New degrees of spaciousness and airiness - equally important to the musique concrete arrangements - give the impression Davis and Co.'s creations float in space. Ins
Limited 180gm vinyl LP pressing of this 1972 album from the Jazz great. Music on Vinyl. Album Tracks 1. On the Corner (2 58) 2. New York Girl (1 32) 3. Thinkin' One Thing and Doin' Another (6 45) 4. Vote for Miles (8 45) 5. Black Satin (5 16) 6. One and One (6 09) 7. Helen Butte (16 06) 8. Mr. Freedom X (7 13)
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