
Exotic, Streetwise, Futuristic On the Corner Embraces Miles Davis Jungle Sound' with Percussive Foundations, Trance Loops, and Transformational ArrangementsSourced From the Original Master Tapes and Pressed at RTI on MoFi SuperVinyl Mobile Fidelity's 180g 33RPM SuperVinyl LP Reveals Multiple Levels of Rhythm, Visceral Bass, and Pioneering Production TechniquesNumbered-Edition Reissue of 1972 Landmark Features Ultra-Low Noise Floor, Dead-Quiet Surfaces, and Superb Groove DefinitionMiles Davis' boundlessly influential On the Corner was so far ahead of it's time upon in 1972, the jazz cognoscenti rejected it's groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches - the likes of which fill Davis' boldest and most controversial - undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as 'Black Satin,' as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would've loved MoFi's groundbreaking SuperVin
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Exotic, Streetwise, Futuristic On the Corner Embraces Miles Davis Jungle Sound' with Percussive Foundations, Trance Loops, and Transformational ArrangementsSourced From the Original Master Tapes and Pressed at RTI on MoFi SuperVinyl Mobile Fidelity's 180g 33RPM SuperVinyl LP Reveals Multiple Levels of Rhythm, Visceral Bass, and Pioneering Production TechniquesNumbered-Edition Reissue of 1972 Landmark Features Ultra-Low Noise Floor, Dead-Quiet Surfaces, and Superb Groove DefinitionMiles Davis' boundlessly influential On the Corner was so far ahead of it's time upon in 1972, the jazz cognoscenti rejected it's groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches - the likes of which fill Davis' boldest and most controversial - undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as 'Black Satin,' as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would've loved MoFi's groundbreaking SuperVin

To celebrate the 15th anniversary of Gods of the Earth, The Sword presents a newly remixed and remastered edition of their seminal second album on vinyl. Each song has been remixed from the original recording sessions by engineer J. Robbins. LP is housed in a deluxe mirrorboard jacket with printed inner sleeve and download card. Album Tracks 1. The Sundering 2. The Frost-Giant's Daughter 3. How Heavy This Axe 4. Lords 5. Fire Lances of the Ancient Hyperzephyrians 6. To Take the Black 1. Maiden, Mother & Crone 2. Under the Boughs 3. The Black River 4. The White Sea 5. To Take the Black (Reprise)

Limited colored vinyl LP pressing. Originally released in 2007, Fear Of A Blank Planet was Porcupine Tree's ninth studio album. It was the band's biggest selling album at the time, was their first album to break into the Billboard top 100 in the U.S. as well as charting across Europe, earned the band a Grammy nomination and has been featured in Rolling Stone's Greatest Prog Albums Of All Time. Fear Of A Blank Planet is an ambitious 50 minute piece of music made of tracks that flow together to create a cohesive whole. The British art-rockers created a concept album here based on the Bret Easton Ellis novel Lunar Park, with lyrics that addressed how the adolescent protagonist battled his bipolar and attention-deficit disorders with a regimen of prescription drugs and Internet over stimulation. The music used sprawling vocal melodies, atmospheric guitars and drums that tumbled through chaotic passages to echo the main character's manic-depressive states.