Montanari / Mossi / Valentini / Standage - Maestro Corelli's Violins - COMPACT DISCS [CD]
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Album Tracks 1. I. Largo 2. II. Allegro 3. III. Grave - Allegro 4. IV. Presto 5. V. Adagio 6. VI. Allegro Assai 7. I. Adagio 8. II. Allegro 9. III. Adagio 10. IV. Allegro 11. I. Allegro 12. II. Adagio 13. III. Allegro 14. I. Adagio E Staccato - Andante - Adagio 15. II. Allegro 16. III. Adagio 17. IV. Allegro 18. I. Presto 19. II. Allegro 20. III. Adagio 21. IV. Allegro 22. I. Adagio E Comme STÀ 23. II. Allegro 24. III. Adagio 25. IV. Allegro
- GenreClassicalDescriptionAlbum Tracks 1. I. Largo 2. II. Allegro 3. III. Grave - Allegro 4. IV. Presto 5. V. Adagio 6. VI. Allegro Assai 7. I. Adagio 8. II. Allegro 9. III. Adagio 10. IV. Allegro 11. I. Allegro 12. II. Adagio 13. III. Allegro 14. I. Adagio E Staccato - Andante - Adagio 15. II. Allegro 16. III. Adagio 17. IV. Allegro 18. I. Presto 19. II. Allegro 20. III. Adagio 21. IV. Allegro 22. I. Adagio E Comme STÀ 23. II. Allegro 24. III. Adagio 25. IV. AllegroArtistMONTANARI / MOSSI / VALENTINI / STANDAGETitleMaestro Corelli's ViolinsFormatCDLabelChandos
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Of the many important anniversaries occurring in 2018, it is worth remembering the 350th death anniversary of the violin virtuoso Francesco Maria Veracini. What better occasion to rediscover Enrico Gatti's first reference recording for the tag Arcana? The fierce Florentine violinist played throughout Europe leaving indelible marks in towns such as Dresden, London, Frankfurt and Prague. His violin sonatas show a lively imagination and personal verve combined with a brilliant instrumental technique. This presents a selection from the two volumes of violin sonatas 2 chamber sonatas from Op. 1 (1721), a collection of 12, divided into 6 chamber sonatas containing Overtures or Preludes followed by suites of dances and 6 church sonatas in five movements, where the violin part notably more daring than in Corelli's austere style, and 2 from the Academic Sonatas op. 2 (1744), distinguished not only for the originality and excellence of the music, but also for the presence of dynamic signs and unusual performing indications, a frequent use of the long bowing typical of the Italian virtuosi, an abundant variety of bow strokes and idiomatic inventions of great effect.
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