
Three years ago, Jérôme Leclercq and I from Mediatoon Licensing came up with the idea of creating a cinema concert to celebrate the 20th anniversary of Naruto. Why a cinema concert? The music is part of the success of the licence and fans have a particular attachment to the credits and the original soundtracks. The originality of the music by Toshio Masuda, the composer of Naruto, comes from the clever mix of traditional Japanese instruments, such as the Shakuhachi or the Shamisen, with guitar and other pop/rock instruments. So we came up with the idea of bringing this music to the stage with a 50-strong orchestra, accompanied by an original montage of the best moments from the anime. This orchestra is made up of three parts symphonic instruments, pop/rock instruments and traditional instruments. To do this, we approached the ODINO orchestra and it's conductor Sylvain Audinovski. The ODINO orchestra is one of those capable of mixing musical styles while maintaining a very high level of performance. We have also chosen traditional Japanese instrumentalists to complete the orchestra's core, especially for the show. The arrangements and musical direction are the fruit of a collaboration between Quentin Benayoun, Sébastien Caviggia and myself. My two accomplices, with whom I formed the group P.U.S.S. in 2007, have a great mastery of rock and orchestral music writing. This mix is essential to keep the promise made to the fans of the series and required several months' work to select the music and write the scores for the whole orchestra. How do you tell the story of Naruto to fans, but also to those who don't know the anime? That's the real challenge of this unique film-concert. How do you select the best moments in the story of this young ninja apprentice from the vastness of the first 220 episodes? Six months of selection and research enabled me to choose the key images
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Three years ago, Jérôme Leclercq and I from Mediatoon Licensing came up with the idea of creating a cinema concert to celebrate the 20th anniversary of Naruto. Why a cinema concert? The music is part of the success of the licence and fans have a particular attachment to the credits and the original soundtracks. The originality of the music by Toshio Masuda, the composer of Naruto, comes from the clever mix of traditional Japanese instruments, such as the Shakuhachi or the Shamisen, with guitar and other pop/rock instruments. So we came up with the idea of bringing this music to the stage with a 50-strong orchestra, accompanied by an original montage of the best moments from the anime. This orchestra is made up of three parts symphonic instruments, pop/rock instruments and traditional instruments. To do this, we approached the ODINO orchestra and it's conductor Sylvain Audinovski. The ODINO orchestra is one of those capable of mixing musical styles while maintaining a very high level of performance. We have also chosen traditional Japanese instrumentalists to complete the orchestra's core, especially for the show. The arrangements and musical direction are the fruit of a collaboration between Quentin Benayoun, Sébastien Caviggia and myself. My two accomplices, with whom I formed the group P.U.S.S. in 2007, have a great mastery of rock and orchestral music writing. This mix is essential to keep the promise made to the fans of the series and required several months' work to select the music and write the scores for the whole orchestra. How do you tell the story of Naruto to fans, but also to those who don't know the anime? That's the real challenge of this unique film-concert. How do you select the best moments in the story of this young ninja apprentice from the vastness of the first 220 episodes? Six months of selection and research enabled me to choose the key images

Symbolic stands as a monumental in the discography of Death, a band that has significantly shaped the trajectory of death metal. Released in 1995, this album not only encapsulates the evolution of the genre but also showcases Death's transition toward a more progressive and technically sophisticated sound. The craftsmanship of Chuck Schuldiner, the band's frontman and principal songwriter, shines throughout the album with intricate guitar work and thoughtful lyrics that explore themes of existence and human emotion far beyond the typical confines of metal. The album's complexity and depth have earned it critical acclaim and a devoted following, making it a sought-after gem for collectors and audiophiles alike. Notably, InchSymbolicInch stands out in the vinyl community due to it's rarity, being the only album from Death's catalog that hasn't been reissued on vinyl in recent years, even though it's often cited as the cornerstone album in one of the most impressive death metal discographies of all time. Album Tracks 1. Symbolic 2. Zero Tolerance 3. Empty Words 4. Sacred Serenity 5. 1,000 Eyes 6. Without Judgement 7. Crystal Mountain 8. Misanthrope 9. Perennial Quest

Minecraft - Volume Alpha is the work of German composer and musician Daniel Rosenfeld. Using C418 as his moniker, Rosenfeld crafted the sweeping soundtrack and vibrant sound design which helped breathe life into Minecraft's voxel-based universe. Fans and critics were universally enamored with his beatless, nuanced electronic pieces upon . Popular gaming site Kotaku named it among The Best Game Music of 2011, calling the music Inchremarkably soothing,Inch and The Guardian has compared Rosenfeld's delicate piano and sparse ambient motifs to legendary artists Erik Satie and Brian Eno. In an interview feature with C418, Polygon distilled Volume Alpha to it's essence InchIt's not bound by the retro aesthetic of Minecraft's graphics. It transcends them. The album is an attempt to uplift the combined game/music experience into the sublime.Inch Album Tracks 1. Subwoofer Lullaby 2. Living Mice 3. Moog City 4. Haggstrom 5. Minecraft 6. Clark 7. Mice on Venus 8. Dry Hands 9. Wet Hands 10. Sweden 11. Cat 12. Danny

Box Set featuring red foil text treatment containing the first ever official physical releases of Wiz Khalifa's Cabin Fever 1-3 mixtapes on red vinyl. Album Tracks 1. Phone Numbers (Feat. Big Sean, Trae Tha Truth) 2. Cabin Fever 3. Gangbang (Feat. Big Sean) 4. Errday (Feat. Juicy J) 5. Taylor Gang (Feat. Chevy Woods) 6. Hustlin 7. Middle of You (Feat. Chevy Woods, Nikkiya, Mdma) 8. WTF 9. Homicide (Feat. Chevy Woods) 10. Bout Me (Feat. Problem, Iamsu!) 11. Fucc S**t (Feat. Menace) 12. Mia (Feat. Juicy J) 13. Pacc Talk (Feat. Juicy J, Problem) 14. Ridin Round (Feat. Juicy J) 15. Smokin Drink (Feat. Problem) 16. Stu (Feat. Juicy J) 17. Bout That 18. I'm Feelin (Feat. Problem, J.R. Donato, Juicy J) 19. Deep Sleep 20. 100 Bottles (Feat. Problem) 21. Thuggin (Feat. Chevy Woods, Lavish) 22. Tweak Is Heavy 23. Nothin Like the Rest (Feat. French Montana) 24. Respect (Feat. Juicy J, K Camp) 25. Move on (Feat. Kevin Gates) 26. Prequel (Feat. Curren$Y) 27. Freak Dips (Feat. Chevy Woods) 28. S**t Starters (Feat. 2 Chainz) 29. No Worries (Feat. Chevy Woods) 30. Finish Line (Feat. Project Pat) 31. Call Again (Feat. Problem, Juicy J) 32. Gangster 101 (Feat. King los) 33. Left (Feat. Yo Gotti) 34. Fucc Day
| Pros for Sylvain Audinovski - Naruto Symphonic Experience (Original Soundtrack) - VINYL LP | |||
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| There were no pros for this product— | There were no pros for this product— | Overall Performance, Vinyl Color | There were no pros for this product— |