Paganini / Biondi / Pinardi - Sonatas for Violin & Guitar - COMPACT DISCS [CD]
About This Item
- Details
- Genre: Classical
- Description: Fabio Biondi has chosen a selection of delightful virtuoso chamber music pieces by Niccolò Paganini to mark his tenth album for Glossa. Together with his long-term colleague from Europa Galante, the plucked-string specialist Giangiacomo Pinardi (here playing an original romantic guitar from c1825), Biondi delivers one of the most special Glossa albums of recent times. The works, composed between 1804 and c1828, are mainly two-movement sonatas contained in the Centone di sonate collection, although the album also includes the popular Sonata concertata in A major. Recorded in Valencia by the engineer and producer Fabio Framba (another well-known component of Biondi's recording setups), the booklet of this album includes a highly original essay signed by Pierre Élie Mamou, in which he looks into the Devil/God dichotomy as applied to the figure of Paganini by his own contemporaries. The graphic design for the album takes it's inspiration from this idea, for another typically Glossa look, listen and read experience Album Tracks 1. I. Larghetto Cantabile 2. II. Rondo Allegro Assai 3. I. Andante Cantabile 4. II. Rondo Allegretto 5. I. Allegro Spiritoso 6. II. Adagio Assai Espressivo 7. III. Allegretto Con Brio, Scherzando 8. I. Andante - Adagietto 9. II. Rondo Allegro Molto Vivace 10. I. Adagio Cantabile 11. II. Rondoncino Andantino - Tempo Di Polacca 12. I. Allegro Giusto 13. II. Polacca. Andantino Allegretto 14. I. Andante Largo 15. II. Allegretto Motteggiando
- Artist: PAGANINI / BIONDI / PINARDI
- Title: Sonatas for Violin & Guitar
- Format: CD
- Label: Glossa
- Release Date: 06/22/2018
- Genre: Classical
- Other
- Product Name: Paganini / Biondi / Pinardi - Sonatas for Violin & Guitar - COMPACT DISCS
- UPC: 8424562234109
Fabio Biondi has chosen a selection of delightful virtuoso chamber music pieces by Niccolò Paganini to mark his tenth album for Glossa. Together with his long-term colleague from Europa Galante, the plucked-string specialist Giangiacomo Pinardi (here playing an original romantic guitar from c1825), Biondi delivers one of the most special Glossa albums of recent times. The works, composed between 1804 and c1828, are mainly two-movement sonatas contained in the Centone di sonate collection, although the album also includes the popular Sonata concertata in A major. Recorded in Valencia by the engineer and producer Fabio Framba (another well-known component of Biondi's recording setups), the booklet of this album includes a highly original essay signed by Pierre Élie Mamou, in which he looks into the Devil/God dichotomy as applied to the figure of Paganini by his own contemporaries. The graphic design for the album takes it's inspiration from this idea, for another typically Glossa look, listen and read experience Album Tracks 1. I. Larghetto Cantabile 2. II. Rondo Allegro Assai 3. I. Andante Cantabile 4. II. Rondo Allegretto 5. I. Allegro Spiritoso 6. II. Adagio Assai Espressivo 7. III. Allegretto Con Brio, Scherzando 8. I. Andante - Adagietto 9. II. Rondo Allegro Molto Vivace 10. I. Adagio Cantabile 11. II. Rondoncino Andantino - Tempo Di Polacca 12. I. Allegro Giusto 13. II. Polacca. Andantino Allegretto 14. I. Andante Largo 15. II. Allegretto Motteggiando
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Fabio Biondi has chosen a selection of delightful virtuoso chamber music pieces by Niccolò Paganini to mark his tenth album for Glossa. Together with his long-term colleague from Europa Galante, the plucked-string specialist Giangiacomo Pinardi (here playing an original romantic guitar from c1825), Biondi delivers one of the most special Glossa albums of recent times. The works, composed between 1804 and c1828, are mainly two-movement sonatas contained in the Centone di sonate collection, although the album also includes the popular Sonata concertata in A major. Recorded in Valencia by the engineer and producer Fabio Framba (another well-known component of Biondi's recording setups), the booklet of this album includes a highly original essay signed by Pierre Élie Mamou, in which he looks into the Devil/God dichotomy as applied to the figure of Paganini by his own contemporaries. The graphic design for the album takes it's inspiration from this idea, for another typically Glossa look, listen and read experience Album Tracks 1. I. Larghetto Cantabile 2. II. Rondo Allegro Assai 3. I. Andante Cantabile 4. II. Rondo Allegretto 5. I. Allegro Spiritoso 6. II. Adagio Assai Espressivo 7. III. Allegretto Con Brio, Scherzando 8. I. Andante - Adagietto 9. II. Rondo Allegro Molto Vivace 10. I. Adagio Cantabile 11. II. Rondoncino Andantino - Tempo Di Polacca 12. I. Allegro Giusto 13. II. Polacca. Andantino Allegretto 14. I. Andante Largo 15. II. Allegretto Motteggiando
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