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Polina Pastirchak - Dvorak: Stabat Mater, Op. 58 - COMPACT DISCS [CD]

SKU: 10580967

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From an artistic point of view, Dvorak reacted with this work to the Stabat Mater by the German church musician and priest Franz Xaver Witt, the founder of the Cecilia Society, which was performed in Prague in 1875. This work, scored for only choir and organ, was a pontifically approved version of contemporary church music. In the nineteenth century, the Vatican generally supported a return to the sober a cappella style of Palestrina while being critical of orchestral sacred works. Dvorak, at the time organist at the Prague church of St. Adalbert, did not agree with this view. He had a different idea of a Catholic choral work, and his Stabat Mater is more in line with Ludwig van Beethoven's symphonic conception of the Missa solemnis Album Tracks 1. Stabat Mater op. 58~Stabat Mater dolorosa 2. Stabat Mater op. 58~Quis est homo 3. Stabat Mater op. 58~Eja, Mater, fons amoris 4. Stabat Mater op. 58~Fac, ut ardeat cor meum 5. Stabat Mater op. 58~Tui nati vulnerati 6. Stabat Mater op. 58~Fac me vere tecum flere 7. Stabat Mater op. 58~Virgo virginum praeclara 8. Stabat Mater op. 58~Fac, ut portem Christi mortem 9. Stabat Mater op. 58~Inflammatus et accensus 10. Stabat Mater op. 58~Quando corpus morietur

Specifications

  • Genre
    Classical
    Description
    From an artistic point of view, Dvorak reacted with this work to the Stabat Mater by the German church musician and priest Franz Xaver Witt, the founder of the Cecilia Society, which was performed in Prague in 1875. This work, scored for only choir and organ, was a pontifically approved version of contemporary church music. In the nineteenth century, the Vatican generally supported a return to the sober a cappella style of Palestrina while being critical of orchestral sacred works. Dvorak, at the time organist at the Prague church of St. Adalbert, did not agree with this view. He had a different idea of a Catholic choral work, and his Stabat Mater is more in line with Ludwig van Beethoven's symphonic conception of the Missa solemnis Album Tracks 1. Stabat Mater op. 58~Stabat Mater dolorosa 2. Stabat Mater op. 58~Quis est homo 3. Stabat Mater op. 58~Eja, Mater, fons amoris 4. Stabat Mater op. 58~Fac, ut ardeat cor meum 5. Stabat Mater op. 58~Tui nati vulnerati 6. Stabat Mater op. 58~Fac me vere tecum flere 7. Stabat Mater op. 58~Virgo virginum praeclara 8. Stabat Mater op. 58~Fac, ut portem Christi mortem 9. Stabat Mater op. 58~Inflammatus et accensus 10. Stabat Mater op. 58~Quando corpus morietur
    Artist
    Polina Pastirchak
    Title
    Dvorak: Stabat Mater, Op. 58
    Format
    CD
    Label
    Coviello Classics
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Polina Pastirchak - Dvorak: Stabat Mater, Op. 58 - COMPACT DISCS [CD]
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Not Yet Reviewed

From an artistic point of view, Dvorak reacted with this work to the Stabat Mater by the German church musician and priest Franz Xaver Witt, the founder of the Cecilia Society, which was performed in Prague in 1875. This work, scored for only choir and organ, was a pontifically approved version of contemporary church music. In the nineteenth century, the Vatican generally supported a return to the sober a cappella style of Palestrina while being critical of orchestral sacred works. Dvorak, at the time organist at the Prague church of St. Adalbert, did not agree with this view. He had a different idea of a Catholic choral work, and his Stabat Mater is more in line with Ludwig van Beethoven's symphonic conception of the Missa solemnis Album Tracks 1. Stabat Mater op. 58~Stabat Mater dolorosa 2. Stabat Mater op. 58~Quis est homo 3. Stabat Mater op. 58~Eja, Mater, fons amoris 4. Stabat Mater op. 58~Fac, ut ardeat cor meum 5. Stabat Mater op. 58~Tui nati vulnerati 6. Stabat Mater op. 58~Fac me vere tecum flere 7. Stabat Mater op. 58~Virgo virginum praeclara 8. Stabat Mater op. 58~Fac, ut portem Christi mortem 9. Stabat Mater op. 58~Inflammatus et accensus 10. Stabat Mater op. 58~Quando corpus morietur

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The InchStabat materInch by the Bohemian composer Antonin Dvorák, well-known in it's later orchestral version, was initially composed with piano accompaniment. This rarely-heard original version has now been recorded for BR-KLASSIK, featuring the excellent Bavarian Radio Chorus under the direction of Howard Arman, and accompanied by Julius Drake on the piano. The young Dvorák was a well-studied and experienced church musician. Having graduated from the organ school in Prague, he spent three pious years as an organist in the city's St. Adalbert's Church. The search for a Inchtruly sacred musicInch preoccupied him from the very start. The contemporary Caecilian Movement for church music reform led him, like many of his colleagues, to re-examine the Palestrina style, which represented a return to the more modest, less ostentatious and yet at the same time contrapuntally ingenious church music of a previous epoch. He duly composed a InchStabat materInch without orchestral splendour and with a simple piano accompaniment. Shortly before Dvorák wrote down this first version of his InchStabat materInch between February 19 and May 7, 1876, a heavy blow had struck the young family. On December 19, 1875, his daughter Josefa died two days after she was born. Dvorák did not set all the verses of the hymn to music, and chose an ensemble of four soloists, a choir and a piano. This original version from the spring of 1876, with it's seven-movement structure, is not a fragment, draft or piano reduction but an independent and self-contained work in it's own right. In the autumn of 1877, when he composed the missing four verses and scored his InchStabat materInch for a large orchestra, he effectively created a new and different work.

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Various Artists - Stabat Mater [COMPACT DISCS] date 05/18/2010

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