Sayaka Shoji - Mozart: Sonatas for Fortepiano & Violin, K301, K378 & K454 - COMPACT DISCS [CD]
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Boasting a musical partnership of over 15 years, during which they have played in concerts throughout the world (recently at the Wigmore Hall in London and the Suntory Hall in Tokyo), the violinist Sayaka Shoji and the pianist Gianluca Cascioli have already recorded the complete violin and piano sonatas by Beethoven on modern instruments (Deutsche Grammophon, 4CDs, 2010-15). After adopting a Inchhistorically informedInch outlook that has matured through long study and important collaborations, they now tackle the Mozart sonatas with an approach that begins with their choice of instruments the extraordinary Stradivarius 'Recamier' mounted with gut strings and a Paul McNulty fortepiano (copy of Anton Walter) already used by Cascioli on his recent Beethoven recital (InchSimply some of the most effervescent, creative and invigorating piano-playing I have heard in a long time.Inch - International Piano). This , which initiates a four-album cycle, marks the beginning of Shoji's collaboration with Arcana. Album Tracks 1. Sonata for piano and violin in G major K301/293a~I. Allegro con spirito 2. Sonata for piano and violin in G major K301/293a~II. Allegro 3. Sonata for piano and violin in B-flat major K378/317d~I. Allegro moderato 4. Sonata for piano and violin in B-flat major K378/317d~II. Andantino sostenuto e cantabile 5. Sonata for piano and violin in B-flat major K378/317d~III. Rondeau. Allegro 6. Sonata for piano and violin in B-flat major K454~I. Largo - Allegro 7. Sonata for piano and violin in B-flat major K454~II. Andante 8. Sonata for piano and violin in B-flat major K454~III. Allegretto
- GenreClassicalDescriptionBoasting a musical partnership of over 15 years, during which they have played in concerts throughout the world (recently at the Wigmore Hall in London and the Suntory Hall in Tokyo), the violinist Sayaka Shoji and the pianist Gianluca Cascioli have already recorded the complete violin and piano sonatas by Beethoven on modern instruments (Deutsche Grammophon, 4CDs, 2010-15). After adopting a Inchhistorically informedInch outlook that has matured through long study and important collaborations, they now tackle the Mozart sonatas with an approach that begins with their choice of instruments the extraordinary Stradivarius 'Recamier' mounted with gut strings and a Paul McNulty fortepiano (copy of Anton Walter) already used by Cascioli on his recent Beethoven recital (InchSimply some of the most effervescent, creative and invigorating piano-playing I have heard in a long time.Inch - International Piano). This , which initiates a four-album cycle, marks the beginning of Shoji's collaboration with Arcana. Album Tracks 1. Sonata for piano and violin in G major K301/293a~I. Allegro con spirito 2. Sonata for piano and violin in G major K301/293a~II. Allegro 3. Sonata for piano and violin in B-flat major K378/317d~I. Allegro moderato 4. Sonata for piano and violin in B-flat major K378/317d~II. Andantino sostenuto e cantabile 5. Sonata for piano and violin in B-flat major K378/317d~III. Rondeau. Allegro 6. Sonata for piano and violin in B-flat major K454~I. Largo - Allegro 7. Sonata for piano and violin in B-flat major K454~II. Andante 8. Sonata for piano and violin in B-flat major K454~III. AllegrettoArtistSayaka ShojiTitleMozart: Sonatas for Fortepiano & Violin, K301, K378 & K454FormatCDLabelArcana Records
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Boasting a musical partnership of over 15 years, during which they have played in concerts throughout the world (recently at the Wigmore Hall in London and the Suntory Hall in Tokyo), the violinist Sayaka Shoji and the pianist Gianluca Cascioli have already recorded the complete violin and piano sonatas by Beethoven on modern instruments (Deutsche Grammophon, 4CDs, 2010-15). After adopting a Inchhistorically informedInch outlook that has matured through long study and important collaborations, they now tackle the Mozart sonatas with an approach that begins with their choice of instruments the extraordinary Stradivarius 'Recamier' mounted with gut strings and a Paul McNulty fortepiano (copy of Anton Walter) already used by Cascioli on his recent Beethoven recital (InchSimply some of the most effervescent, creative and invigorating piano-playing I have heard in a long time.Inch - International Piano). This , which initiates a four-album cycle, marks the beginning of Shoji's collaboration with Arcana. Album Tracks 1. Sonata for piano and violin in G major K301/293a~I. Allegro con spirito 2. Sonata for piano and violin in G major K301/293a~II. Allegro 3. Sonata for piano and violin in B-flat major K378/317d~I. Allegro moderato 4. Sonata for piano and violin in B-flat major K378/317d~II. Andantino sostenuto e cantabile 5. Sonata for piano and violin in B-flat major K378/317d~III. Rondeau. Allegro 6. Sonata for piano and violin in B-flat major K454~I. Largo - Allegro 7. Sonata for piano and violin in B-flat major K454~II. Andante 8. Sonata for piano and violin in B-flat major K454~III. Allegretto
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Edvard Grieg himself established a classification of his three sonatas for violin and piano the First is naïve and prolix, the Second nationalistic and the Third opens up new horizons. The First Sonata dates from 1865 and was written in Denmark; full of inspired freshness, it is characterized by melodic purity and is ever in song. The Second, composed two years later, corresponds to Grieg's return to Norway and his marriage; the composer expresses here a honeymoon there is love and of course dance, the central figure of Grieg's music. Another 20 years would pass before the Third Sonata was born after a difficult gestation; no doubt the most often played albeit the most demanding, the folklore is secondary to a more adventurous expressive research, to more elaborate harmonies and some uncommon displays of power. The Latvian violinist Vineta Sareika- first violin of the Artemis Quartet- and the French pianist Amandine Savary have been partners on the most prestigious concert platforms, both of them at the time founding members of the Trio Dali. From this friendship was born the desire to continue to make music together. Their respective capacities for listening, their musical complicity shine forth in this performance of a monument of chamber music.
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