Schutz - Venice 1629 - COMPACT DISCS [CD]
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1629 was a remarkable year for new music in Venice. Heinrich Schutz, came to the city to learn of the latest music from Claudio Monteverdi and his contemporaries, publishing the seminal first volume of his 'Symphoniae Sacrae' during his visit. With the publication of further landmark collections from Dario Castello, Alessandro Grandi and Biagio Marini, this particular year provided a key moment in the development of the Italian Baroque style. Acclaimed period ensemble The Gonzaga Band makes it's Resonus debut with a fascinating programme of works from this period that chart the journey through this incredible year for music. The Gonzaga Band was formed by cornettist Jamie Savan in 1997, with a mission to explore the intimate relationship between vocal and instrumental performance practice in the early Modern period. The ensemble takes it's name from the ducal family of Mantua the Gonzagas were powerful and influential patrons of the arts in the late Renaissance, who employed Claudio Monteverdi as their maestro della musica at the turn of the seventeenth century. Monteverdi wrote some of his most innovative music for the Gonzagas his third, fouth and fifth books of madrigals, the operas Orfeo and Arianna, and the Vespers of 1610. Album Tracks 1. Sonata Terza 2. Exulta, Filia Sion 3. Canzon Prima, Per Quattro Violini, Ò Cornetti 4. Paratum Cor Meum 5. Sonata Per L'organo, Violino, Ò Cornetto 6. Regina Caeli 7. Corrente Detta la Granda 8. Plaudite, Cantate 9. Capriccio, Che Due Violini, Sonano Quatto Parti 10. Congratulamini Mihi 11. Maria Virgo 12. Salva Me, Salutaris Hostia 13. Lilia Convallium 14. Corrente Detta la Priula 15. Sonata Senza Cadenza 16. Exultavit Cor Meum 17. Sonata Decima Settima, in Ecco
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- GenreClassicalDescription1629 was a remarkable year for new music in Venice. Heinrich Schutz, came to the city to learn of the latest music from Claudio Monteverdi and his contemporaries, publishing the seminal first volume of his 'Symphoniae Sacrae' during his visit. With the publication of further landmark collections from Dario Castello, Alessandro Grandi and Biagio Marini, this particular year provided a key moment in the development of the Italian Baroque style. Acclaimed period ensemble The Gonzaga Band makes it's Resonus debut with a fascinating programme of works from this period that chart the journey through this incredible year for music. The Gonzaga Band was formed by cornettist Jamie Savan in 1997, with a mission to explore the intimate relationship between vocal and instrumental performance practice in the early Modern period. The ensemble takes it's name from the ducal family of Mantua the Gonzagas were powerful and influential patrons of the arts in the late Renaissance, who employed Claudio Monteverdi as their maestro della musica at the turn of the seventeenth century. Monteverdi wrote some of his most innovative music for the Gonzagas his third, fouth and fifth books of madrigals, the operas Orfeo and Arianna, and the Vespers of 1610. Album Tracks 1. Sonata Terza 2. Exulta, Filia Sion 3. Canzon Prima, Per Quattro Violini, Ò Cornetti 4. Paratum Cor Meum 5. Sonata Per L'organo, Violino, Ò Cornetto 6. Regina Caeli 7. Corrente Detta la Granda 8. Plaudite, Cantate 9. Capriccio, Che Due Violini, Sonano Quatto Parti 10. Congratulamini Mihi 11. Maria Virgo 12. Salva Me, Salutaris Hostia 13. Lilia Convallium 14. Corrente Detta la Priula 15. Sonata Senza Cadenza 16. Exultavit Cor Meum 17. Sonata Decima Settima, in EccoArtistSchutzTitleVenice 1629FormatCDLabelResonus Classics
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