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In late 2019, Kurt Wagner was experimenting with something new, something that would eventually reveal itself as Lambchop's Showtunes. By taking simple guitar tracks and converting them into MIDI piano tracks, InchSuddenly I discovered I could 'play' the piano,Inch he says. InchIt was a revelation that from those conversions, I was able to manipulate each note and add, subtract, arrange the chords and melody into a form that didn't have any of the limitations I had with my previous methods of writing with a guitar.Inch Removing these limitations led to a surprising new sound, something akin to show tunes but with edges sanded down and viewed through Kurt's own specific lens. InchIn general, it's a genre I was none too fond of,Inch he admits, Inchwith the exceptions of a few Great American Songbook-type of stuff or some of the works of artists like Tom Waits or early Randy Newman or even Gershwin or Carmichael. I'd always wanted to make songs with a similar feel, but my skills were limited until now.InchInchNow that the door reopened up, I realized that anything is possible given time and space to do it,Inch Kurt says. This led to the addition of one more key player, an effortlessly natural fit and one that for many will feel overdue. For the first time, longtime friend and collaborator James McNew of Yo La Tengo joins on upright bass. InchFor as long as I've known him, James McNew has been a like-minded artist and one who I've dreamed of working with,Inch Kurt says. InchThis seemed like the right fit for what he does, and he graciously agreed to be part of this creation. For many years, I've longed for what an upright bass could add to our sound. Now with that, this work was complete.Inch Album Tracks 1. A Chef's Kiss 2. Drop C 3. Papa Was a Rolling Stone Journalist 4. Fuku 5. Unknown Man 6. Blue Leo 7. Impossible Meatballs 8. The Last Benedict
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In late 2019, Kurt Wagner was experimenting with something new, something that would eventually reveal itself as Lambchop's Showtunes. By taking simple guitar tracks and converting them into MIDI piano tracks, InchSuddenly I discovered I could 'play' the piano,Inch he says. InchIt was a revelation that from those conversions, I was able to manipulate each note and add, subtract, arrange the chords and melody into a form that didn't have any of the limitations I had with my previous methods of writing with a guitar.Inch Removing these limitations led to a surprising new sound, something akin to show tunes but with edges sanded down and viewed through Kurt's own specific lens. InchIn general, it's a genre I was none too fond of,Inch he admits, Inchwith the exceptions of a few Great American Songbook-type of stuff or some of the works of artists like Tom Waits or early Randy Newman or even Gershwin or Carmichael. I'd always wanted to make songs with a similar feel, but my skills were limited until now.InchInchNow that the door reopened up, I realized that anything is possible given time and space to do it,Inch Kurt says. This led to the addition of one more key player, an effortlessly natural fit and one that for many will feel overdue. For the first time, longtime friend and collaborator James McNew of Yo La Tengo joins on upright bass. InchFor as long as I've known him, James McNew has been a like-minded artist and one who I've dreamed of working with,Inch Kurt says. InchThis seemed like the right fit for what he does, and he graciously agreed to be part of this creation. For many years, I've longed for what an upright bass could add to our sound. Now with that, this work was complete.Inch Album Tracks 1. A Chef's Kiss 2. Drop C 3. Papa Was a Rolling Stone Journalist 4. Fuku 5. Unknown Man 6. Blue Leo 7. Impossible Meatballs 8. The Last Benedict

Joyce Manor was conceived in the back of a car in the Disneyland parking lot the kind of beginning California dreams are made of. Their first self-titled album in 2011 exploded out of nowhere; across two albums, they discovered what Joyce Manor really sounded like the speed and sense of melody of fellow South Bay band the Descendents, the artfully bittersweet lyricism of Jawbreaker and the undeniable heart-on-sleeve honesty of the first two Weezer albums. InchNever Hungover AgainInch is an album of pop-punk in paradox, right down to the title and photo on the cover. From the first song, it's ten precisely put-together songs about how things fall apart, with some of the saddest lyrics you'd ever shout along to from the front row. Album Tracks 1. Christmas Card 2. Falling in Love Again 3. End of the Summer 4. Victoria 5. Schley 6. Heart Tattoo 7. The Jerk 8. In the Army Now 9. Catalina Fight Song 10. Heated Swimming Pool

Limited vinyl LP pressing. Hellbilly Deluxe is the solo debut studio album by musician and filmmaker Rob Zombie. The album serves as his first outside of the band White Zombie, with whom he released two multi-platinum studio albums. Hellbilly Deluxe was released on August 25, 1998 through Geffen Records. Musically, the project portrays Zombie's love for classic horror films with heavy metal and electronic music. The album's lyrics speak of murder, chaos, and supernatural forces. The majority of Hellbilly Deluxe was recorded in California, and was produced by both Zombie and Scott Humphrey; Zombie is credited as the sole writer on all of the songs. Album Tracks 1. Call of the Zombie 2. Superbeast 3. Dragula 4. Living Dead Girl 5. Perversion 99 6. Demonoid Phenomenon 1. Spookshow Baby 2. How to Make a Monster 3. Meet the Creeper 4. The Ballad of Resurrection Joe and Rosa Whore 5. What Lurks on Channel X? 6. Return of the Phantom Stranger 7. The Beginning of the End