Steely Dan - The Royal Scam - SUPER-AUDIO CD [Super Audio CD (SACD)]

Japanese single layer SACD pressing. Designed To Play In SACD Players Only. Universal.

Elixir was the third album from the Grammy-nominated smooth jazz supergroup comprised of pianist Bob James guitarist Lee Ritenour, bassist Nathan East, and drummer Harvey Mason. The follow-up to the band's gold-certified first two albums - 1991's Fourplay and 1993's Between The Sheets - 1995's star-studded Elixir featured vocal cameos from Phil Collins ('Why Can't It Wait Till Morning') together with Patti Austin and Peabo Bryson, who duetted on a fabulous remake of Roberta Flack and Donny Hathaway's classic soul hit, 'The Closer I Get To You.' Other highlights include the instrumentals 'Play Lady Play, Magic Carpet Ride', and the simmering title track, which all highlight the band's tasteful alchemy. Elixir has sold over 500,000 copies in the United States and was certified gold by the RIAA. The 30th anniversary edition of Elixir is newly remastered from the original tapes. Released by evosound on 180g One Step Pressing Transparent Double Black Vinyl LP, SACD Hybrid Multi-channel (with new 5.1 mix) and DolbyAtmos on digital. Details 1. Elixir 2. Dream Come True 3. Play Lady Play 4. Why Can't It Wait TLLL Morning 5. Magic Carpet Ride 6. Whisper in My Ear 7. Fannie Mae 8. The Closer I Get to You 9. East 2 West 10. Licorice 11. In My Corner 12. Any Time of Day

'Exorcising personal demons and reflecting on midlife circumstance, Paul Simon frames Still Crazy After All These Years as a post-divorce statement yet retains cutting humor and lighthearted cynicism that make every song universally appealing. A succession of brooding vocals, jazz-laden arrangements, contagious hooks, and an appearance by the famed Muscle Shoals rhythm section further conspire to make the record a lasting template for mature pop music that offers meaningful contemplation of relationships, transitions, disillusionment, and responsibility. A chart-topping statement that coincided with Simon's ascent as a superstar solo artist, it now sounds more immediate, cunning, and refined courtesy of painstaking restoration. Mastered from the original master tapes, Mobile Fidelity's numbered hybrid SACD enhances the music for generations to come. Featuring sublime sonics, it strips away remaining film and limitations to provide a clear, transparent, ultra-dynamic view of a record that won Grammy Awards for Album of the Year and Best Male Pop Vocal Performance. The expanse and depth of the soundstage, fullness of detail, reach of the omnipresent electric piano, and natural rise and decay of individual notes will leave you breathless. The newfound immediacy, presence, texture, and dark-black backgrounds showcase the scope and craft of Simon's alluring melodies - as well as the intentional conflict between the tense lyrical content and the deceivingly pleasant aura. Still Crazy After All These Years resonates with a decided nasty streak and delves into adult romance with rapier wit. Indeed, in it's original review of the album, Rolling Stone pertinently observes, 'There is something ominous about the disparity between Simon and Phil Ramone's typically elaborate, creamy production and the downbeat theme of the album.' Nowhere is the distinction more pronounced than on