Pinback - Summer in Abaddon - VINYL LP

Phoebe Bridgers wrote her first song at age 11, spent her adolescence at open mic nights, and busked through her teenage years at farmers markets in her native Los Angeles. By age 20, she'd caught the ear of Ryan Adams, who listened to her perform her song InchKillerInch in his L.A. studio, inviting her to come back and record it there the next day. The session blossomed into the three-song 'Killer' EP, released to much acclaim on Adams's Pax-Am tag in 2015. In the two short years since, Bridgers has toured or played with Conor Oberst, Julien Baker, City and Colour, Violent Femmes, Mitski, Television and Blake Babies among others. Phoebe Bridgers debut full-length, Stranger In The Alps. From the weeping strings and Twin Peaks twangs of opening track Smoke Signals, to the simple heartbreak of Funeral and melancholic crescendo of Scott Street, Stranger in the Alps is a swooningly beautiful record with a gothic heart.

By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction. His innate talent for composition and his deep understanding of how music can elevate storytelling have left an indelible mark on the world of cinema, and a haunting presence in people's record collections.Anthology II continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter.The compilation opens with InchChariots of PumpkinsInch from Halloween III that perfectly captures the eerie essence of the cult classic film with it's pulsating synths and haunting melodies. The listener is engulfed by a sense of unease and anticipation, before being thrust into Inch69th St. BridgeInch from Escape From New York, a dynamic track that encapsulates the futuristic and gritty nature of the film via the use of throbbing bass lines, driving rhythms, and electronic textures. The record has also an isolating tone as it skulks through ambient leaning tracks such as InchFuchsInch and InchTo Mac's ShackInch from The Thing, and InchWalk to the LighthouseInch from The Fog, all of which display a slower tempo, foreboding undertones and an ethereal atmosphere that feels like a distant whisper. All of which has been cautiously laid in preparation to the grand finale. The iconic and instantly recognizable InchLaurie's ThemeInch from the original Halloween. It's simple yet menacing piano melody which has become synonymous with the horror genre, concludes the album by striking fear into the hearts of listeners.These tracks represent just a fraction of John Carpenter's impressive musical repertoire. With eac