Tabea Zimmermann - Solo II - COMPACT DISCS [CD]
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We need Bach's music, regardless of the instrument (Tabea Zimmermann) Ten years after her acclaimed album InchSoloInch with the first two cello suites of Johann Sebastian Bach, violist Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág's cycle InchGames, Signs & MessagesInch, selecting six numbers to form her own personal homage to Bach. For what kind of instruments did Bach write his solo suites BWV 1007-1012? How did they sound, what did they look like? This subject still gives rise to much speculation. Johann Peter Kellner's manuscript copy from the early 1700s is one of the two main sources for the six solo suites, and it indicates a viola basso. The violoncello had not yet become standardized in terms of size, construction, and playing technique; Bach probably had instruments in mind such as the violoncello piccolo or the viola da spalla. The latter was a viola attached in front of the body by a strap Bach performed the viola da spalla in public himself - possibly these suites. Tabea Zimmermann has not switched her musical hardware for this recording here she plays her 1980 Vatelot viola with a classical bow. In 2009, the album InchSoloInch (MYR003) launched Tabea Zimmermann's collaboration with the myrios classics tag. The was crowned with a multitude of international awards Gramophone Editor's Choice, InchStern des MonatsInch in Fono Forum, 4f in Télérama and 5 Stars in the Italian magazine Musica; moreover, in response to that groundbreaking recording, the jury of the coveted German ECHO Klassik Prize selected Tabea Zimmermann as Inch2010 Instrumentalist of the YearInch.
- GenreClassicalDescriptionWe need Bach's music, regardless of the instrument (Tabea Zimmermann) Ten years after her acclaimed album InchSoloInch with the first two cello suites of Johann Sebastian Bach, violist Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág's cycle InchGames, Signs & MessagesInch, selecting six numbers to form her own personal homage to Bach. For what kind of instruments did Bach write his solo suites BWV 1007-1012? How did they sound, what did they look like? This subject still gives rise to much speculation. Johann Peter Kellner's manuscript copy from the early 1700s is one of the two main sources for the six solo suites, and it indicates a viola basso. The violoncello had not yet become standardized in terms of size, construction, and playing technique; Bach probably had instruments in mind such as the violoncello piccolo or the viola da spalla. The latter was a viola attached in front of the body by a strap Bach performed the viola da spalla in public himself - possibly these suites. Tabea Zimmermann has not switched her musical hardware for this recording here she plays her 1980 Vatelot viola with a classical bow. In 2009, the album InchSoloInch (MYR003) launched Tabea Zimmermann's collaboration with the myrios classics tag. The was crowned with a multitude of international awards Gramophone Editor's Choice, InchStern des MonatsInch in Fono Forum, 4f in Télérama and 5 Stars in the Italian magazine Musica; moreover, in response to that groundbreaking recording, the jury of the coveted German ECHO Klassik Prize selected Tabea Zimmermann as Inch2010 Instrumentalist of the YearInch.ArtistTabea ZimmermannTitleSolo IIFormatCDLabelMyrios Classics
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We need Bach's music, regardless of the instrument (Tabea Zimmermann) Ten years after her acclaimed album InchSoloInch with the first two cello suites of Johann Sebastian Bach, violist Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág's cycle InchGames, Signs & MessagesInch, selecting six numbers to form her own personal homage to Bach. For what kind of instruments did Bach write his solo suites BWV 1007-1012? How did they sound, what did they look like? This subject still gives rise to much speculation. Johann Peter Kellner's manuscript copy from the early 1700s is one of the two main sources for the six solo suites, and it indicates a viola basso. The violoncello had not yet become standardized in terms of size, construction, and playing technique; Bach probably had instruments in mind such as the violoncello piccolo or the viola da spalla. The latter was a viola attached in front of the body by a strap Bach performed the viola da spalla in public himself - possibly these suites. Tabea Zimmermann has not switched her musical hardware for this recording here she plays her 1980 Vatelot viola with a classical bow. In 2009, the album InchSoloInch (MYR003) launched Tabea Zimmermann's collaboration with the myrios classics tag. The was crowned with a multitude of international awards Gramophone Editor's Choice, InchStern des MonatsInch in Fono Forum, 4f in Télérama and 5 Stars in the Italian magazine Musica; moreover, in response to that groundbreaking recording, the jury of the coveted German ECHO Klassik Prize selected Tabea Zimmermann as Inch2010 Instrumentalist of the YearInch.
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Brahms was one of the first composers to write for pairs of violins, violas and cellos, blazing the trail for Dvorak, Tchaikovsky, Korngold and Schoenberg. His two sextets are early works, composed in 1860 and 1865 respectively. Brahms wrote to his that the second was in 'the same joyful vein' as the first. Yet the composer's life was somber at this time his mother died suddenly and his romantic relationship with soprano Agathe von Siebold ended in failure; indeed, the first movement of the sextet opens with a viola motif on the notes A-G-A-D-B-E (AGADHE in German notation)... The members of the Belcea Quartet called in their friends Tabea Zimmermann and Jean-Guihen Queyras to record these peaks of the chamber repertory following a concert tour to some of Europe's major venues.
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For Nikolaus Brass, the Inchconcrete confrontation with the existential fragility of human existence, with new beginnings and happiness, but also pain, infirmity and deathInch acted Inchlike a compass in the search for expression.Inch He refers to his music as characterised by Inchflowing time processes, questions of order and disturbance, the scanning of the acoustic outer surface for what it harbours as an echo, as well as aspects of human existence, Inch within a Inchpermanent circle of losing and finding again.Inch This musica viva CD features three of his compositions, created between 2012 and 2023.Nikolaus Brass studied medicine and composition in Munich and Berlin, and with Helmut Lachenmann in Hanover. He took part in the Darmstadt Summer Course from 1980 to 1986. His works have been regularly performed at festivals since 1981. In addition to his profession as a medical doctor, which he practised for many years, he has composed numerous works, including several commissioned by the Stuttgart Radio Symphony Orchestra, the Berlin Radio Symphony Orchestra, the Bavarian Radio Symphony Orchestra (as part of the musica viva series), the Munich Chamber Orchestra, the Donaueschingen Music Days and the Wittener Tage fur neue Kammermusik. In 2009, Brass was awarded the Music Prize of the City of Munich. He has been a member of the Bavarian Academy of Fine Arts since 2014.Brass' composition InchIn der Farbe von ErdeInch (InchIn the colour of earthInch) - music for viola, 44 strings and two percussionistsInch was first performed on February 17, 2023, with Tabea Zimmermann and the Bavarian Radio Symphony Orchestra conducted by Vimbayi Kaziboni. The work was commissioned by musica viva of Bayerischer Rundfunk. The title of the composition refers to a short text by the French-speaking Swiss poet Philippe Jaccottet (1925-2021).InchDer goldene SteigInch (InchThe Golden PathInch
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