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Broadly speaking, shredders are the pro wrestlers of music, trafficking in overwrought drama but devoid of soul, the realm of finger-tappers, fretboard lubricators, and those prone to viewing music as a competitive brawl. As such, the axe-slinger of conscience steers clear of shredding behavior, albeit every-so-often dexterously running the neck to tip listeners off that, you know, they 'really know how to play.' But for the typical avant-string consumer, shredding is beyond the pale.Which brings us to Cyrus Pireh's new Palilalia Thank You, Guitar, his latest stab at 'transcendental shred electric guitar music.' (Check out 'If I Can Play Fast Enough It Will Turn into Food and Shelter' on Bandcamp for a long-form embodiment of exactly what this means). Pireh, a self-professed anarchist and presumed enemy of music-as-sport, upcycles the 32nd-note neck sprint into a mesmeric boil played and recorded with little intervening electronic trickery other than a Digitech DD5 and mysterious amp modifications.The end result sounds like Pireh's plugged a quarter-inch jack into each of the listener's eardrums, a quick digital delay ping-ponging across the frontal lobes, the wet and dry signal of his 9-string axe all but indistinguishable. Indeed, Pireh views his maximalist double-handed scrabble as a mirror in which the listener might visualize all manner of details in it's rapidly self-propagating tonal and rhythmic tapestry.The title track, it's hairpin turns echoing Fred Frith's 'Hello Music'-another startling LP-opener-establishes this methodology immediately. ('What Are We Doing What Could Be Done', another Bandcamp track, taps this same ecstatic mojo). But far from languishing in razzle dazzle, each song tracks different tangential vectors, some (like 'Free Palestine') employing tape delay to smear the sounds into a muzzy, proto-psychedelic modality, with others stretching
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Broadly speaking, shredders are the pro wrestlers of music, trafficking in overwrought drama but devoid of soul, the realm of finger-tappers, fretboard lubricators, and those prone to viewing music as a competitive brawl. As such, the axe-slinger of conscience steers clear of shredding behavior, albeit every-so-often dexterously running the neck to tip listeners off that, you know, they 'really know how to play.' But for the typical avant-string consumer, shredding is beyond the pale.Which brings us to Cyrus Pireh's new Palilalia Thank You, Guitar, his latest stab at 'transcendental shred electric guitar music.' (Check out 'If I Can Play Fast Enough It Will Turn into Food and Shelter' on Bandcamp for a long-form embodiment of exactly what this means). Pireh, a self-professed anarchist and presumed enemy of music-as-sport, upcycles the 32nd-note neck sprint into a mesmeric boil played and recorded with little intervening electronic trickery other than a Digitech DD5 and mysterious amp modifications.The end result sounds like Pireh's plugged a quarter-inch jack into each of the listener's eardrums, a quick digital delay ping-ponging across the frontal lobes, the wet and dry signal of his 9-string axe all but indistinguishable. Indeed, Pireh views his maximalist double-handed scrabble as a mirror in which the listener might visualize all manner of details in it's rapidly self-propagating tonal and rhythmic tapestry.The title track, it's hairpin turns echoing Fred Frith's 'Hello Music'-another startling LP-opener-establishes this methodology immediately. ('What Are We Doing What Could Be Done', another Bandcamp track, taps this same ecstatic mojo). But far from languishing in razzle dazzle, each song tracks different tangential vectors, some (like 'Free Palestine') employing tape delay to smear the sounds into a muzzy, proto-psychedelic modality, with others stretching

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX

Limited splatter colored vinyl LP pressing. Meteora, Linkin Park's ground-breaking second album, was released in March 2003 and includes the global hit singles InchSomewhere I BelongInch, InchFaintInch, InchNumbInch, InchBreaking The HabitInch and InchFrom The Inside.Inch It has sold over 8 million copies in the US and has been certified multi-platinum, platinum, or gold in 15 countries.

Standard vinyl LP pressing. Digitally remixed 50th Anniversary edition of The Beatles' musical masterpiece. This Abbey Road features the new stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album's original stereo mix supervised by his father, George Martin. It is time to experience Abbey Road again! Album Tracks 1. Come Together 2. Something 3. Maxwell's Silver Hammer 4. Oh! Darling 5. Octopus's Garden 6. I Want You (She's So Heavy) 1. Here Comes the Sun 2. Because 3. You Never Give Me Your Money 4. Sun King 5. Mean Mr Mustard 6. Polythene Pam 7. She Came in Through the Bathroom Window 8. Golden Slumbers 9. Carry That Weight 10. The End 11. Her Majesty
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| There were no pros for this product— | There were no pros for this product— | There were no pros for this product— | Sound Quality |