
2xVinyl LP pressing. 2017 from the acclaimed rockers. Hundreds of epic shows, memory lapses, unexplained injuries, one year-long detour with Iggy Pop and multiple Grammy nominations later, Queens of the Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, out August 25 on Matador Records. Produced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens of the Stone Age since 2013's... Like Clockwork gave the band it's first #1 album in the U.S. Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took... Like Clockwork around the world and back are as unmistakable as ever, though coexisting with sufficient new twists to induce recurring double takes. As Homme himself puts it, InchThe most important aspect of making this record was redefining our sound, asking and answering the question 'what do we sound like now?' If you can't make a great first record, you should just stop - but if you can make a great record but you keep making records and your sound doesn't evolve, you become a parody of that original sound.Inch Longtime Queens cohort co-producer Mark Rankin added, InchAfter the baptism of fire that was... Like Clockwork, I was excited to get into the studio again with the challenge of pushing the sound for this record, especially with the the addition of Ronson into the creative mix... What we've made is forward looking yet unmistakably Queens.Inch InchThe title Villains isn't a political statement. It has nothing to do with Trump or any of that S**t. It's simply 1) a word that looks fantastic and 2) a comment on the three versions of every scenario yours, mine and what actually happened... Everyone needs someone or something to rail against - their villain - same as it ever was. Yo
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2xVinyl LP pressing. 2017 from the acclaimed rockers. Hundreds of epic shows, memory lapses, unexplained injuries, one year-long detour with Iggy Pop and multiple Grammy nominations later, Queens of the Stone Age reemerge from the desert newly scarred and somehow strangely prettier with lucky seventh album, Villains, out August 25 on Matador Records. Produced by Mark Ronson and co-produced by Mark Rankin and mixed by Alan Moulder, Villains is the first full album offering from Queens of the Stone Age since 2013's... Like Clockwork gave the band it's first #1 album in the U.S. Like the stunning artwork of returning illustrator Boneface, the sonic signatures of the lineup that took... Like Clockwork around the world and back are as unmistakable as ever, though coexisting with sufficient new twists to induce recurring double takes. As Homme himself puts it, InchThe most important aspect of making this record was redefining our sound, asking and answering the question 'what do we sound like now?' If you can't make a great first record, you should just stop - but if you can make a great record but you keep making records and your sound doesn't evolve, you become a parody of that original sound.Inch Longtime Queens cohort co-producer Mark Rankin added, InchAfter the baptism of fire that was... Like Clockwork, I was excited to get into the studio again with the challenge of pushing the sound for this record, especially with the the addition of Ronson into the creative mix... What we've made is forward looking yet unmistakably Queens.Inch InchThe title Villains isn't a political statement. It has nothing to do with Trump or any of that S**t. It's simply 1) a word that looks fantastic and 2) a comment on the three versions of every scenario yours, mine and what actually happened... Everyone needs someone or something to rail against - their villain - same as it ever was. Yo

US 120 gram vinyl pressing. The stunning debut album that incorporates so many postpunk influences Joy Division, Television, Morrissey,. Album Tracks 1. Untitled 2. Obstacle 1 3. NYC 4. Pda 5. Say Hello to the Angels 6. Hands Away 7. Obstacle 2 8. Stella Was a Diver and She Was Always Down 9. Roland 10. The New 11. Leif Erikson

1xLP, Gatefold Jacket, Black Vinyl, Protective Poly-lined Sleeves, Marketing Sticker. Rising multi-faceted artist Shaboozey is building a world of his own, carving a distinct lane in contemporary Country music. Born to parents of Nigerian descent and raised in the small town of Woodbridge, VA, Shaboozey grew up on an eclectic mix of music encompassing everything from Country and Blues to classic hip-hop and R&B. A true crossover artist, he set the stage for the InchModern CowboyInch takeover in 2024. Shaboozey's epic run began in October 2023 with the of InchLet It BurnInch which quickly engaged audiences and caught the attention of Beyoncé. The single organically led to Shaboozey being featured on Beyonceì's culture shifting album COWBOY CARTER-the only artist with multiple appearances on the project. Shaboozey's latest body of work, the critically acclaimed Where I've Been, Isn't Where I'm Going, debuted in the top five of the Billboard 200 and was praised by NPR for being Inchthe future of country music.Inch The album's smash single InchA Bar Song (Tipsy),Inch made history as Shaboozey became the first Black male artist to reach the top of both the Billboard Hot 100 and Billboard Hot Country Charts for multiple weeks. He also became the first artist in history to reach the top of the charts at 4 radio formats - Country, Top 40, Rhythm and Hot Adult Contemporary. The song is now the most consumed song of 2024 according to Luminate data, 4X RIAA-certified platinum, launched him to mainstream stardom and has become the Inchsong of the summerInch as described by Rolling Stone. With the meteoric rise of InchA Bar Song (Tipsy),Inch Shaboozey and Beyonceì became the first Black artists to score back-to-back leaders in the Billboard Hot Country Songs' 66-year history. True to his Virginia roots, Shaboozey aims to continue the region's long-standing tradition of prolific

Limited half-speed master. Vinyl LP pressing. Diamond Dogs was the eighth studio album by David Bowie, originally released in 1974. Bowie produced the album and recorded it in early 1974 in London and the Netherlands, following the disbanding of his backing band the Spiders from Mars and the departure of producer Ken Scott. Musically, it was Bowie's final album in the glam rock genre, though some songs were influenced by funk and soul music, which Bowie embraced on his next album, Young Americans (1975). Album Tracks 1. Future Legend (2016 Remaster) 2. Diamond Dogs (2016 Remaster) 3. Sweet Thing (2016 Remaster) 4. Candidate (2016 Remaster) 5. Sweet Thing (Reprise) [2016 Remaster] 6. Rebel Rebel (2016 Remaster) 1. Rock 'N' Roll with Me (2016 Remaster) 2. We Are the Dead (2016 Remaster) 3. 1984 (2016 Remaster) 4. Big Brother (2016 Remaster) 5. Chant of the Ever Circling Skeletal Family (2016 Remaster)