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Vogler Quartet - String Quartets 1 - COMPACT DISCS [CD]

SKU: 10594643

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Dvorak's quartets number among the gems of their genre. A new recording by one and the same ensemble is long overdue and the fact that the Vogler Quartet has taken on this gigantic task is very good luck indeed. The Vogler Quartet is a phenomenon. It's membership has remained unchanged since 1985 and over the years the individual and team talent of it's musicians has secured them a place among the world's top chamber ensembles. Album Tracks 1. String Quartet Op. 96 2. Zypressen for String Quartet 3. Bagatelles Op. 47 for 2 Violins, Violoncello & Harmonium 1. String Quartets Opp. 34 & 51

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  • Genre
    Classical
    Description
    Dvorak's quartets number among the gems of their genre. A new recording by one and the same ensemble is long overdue and the fact that the Vogler Quartet has taken on this gigantic task is very good luck indeed. The Vogler Quartet is a phenomenon. It's membership has remained unchanged since 1985 and over the years the individual and team talent of it's musicians has secured them a place among the world's top chamber ensembles. Album Tracks 1. String Quartet Op. 96 2. Zypressen for String Quartet 3. Bagatelles Op. 47 for 2 Violins, Violoncello & Harmonium 1. String Quartets Opp. 34 & 51
    Artist
    Vogler Quartet
    Title
    String Quartets 1
    Format
    CD
    Label
    Cpo Records
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Vogler Quartet - String Quartets 1 - COMPACT DISCS [CD]

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Individuality that unfolds in the common effort - it is here that we are likely to find the secret of the Vogler Quartet, an ensemble that has pursued a unique career with the same membership ever since 1985. InchThe Vogler Quartet demonstrates that homogeneity, tonal warmth, and rich sonority need not stand in opposition to transparency and clarity. This is congenial performing on a benchmark level!Inch This is what klassik-heute wrote of the preceding in our edition of Dvorák's quartets. We are now presenting Dvorák's Quartets Nos. 2 and 5 and the Terzett op. 74 on Vol. 4 in this edition with these highly acclaimed interpreters. To paraphrase Hartmut Schick, the author of the most important German-language monograph on Dvorák's quartets, the formal idea to return to the essential themes of the preceding movements in the finale of a cyclical work in order to form a summation from them at the end played a significant role in Dvorák's composition of instrumental music in more than one movement. In his last works, such as his ninth symphony, he developed this process to it's fullest potential, and it is also a factor in his young Quartet No. 2. In his Quartet No. 5, however, the composer again sought close contact with the Classical quartet tradition. Nevertheless, it is unusual that all four movements of the quartet are in F minor. His Terzett op. 74 is not a four-movement sonata cycle but a freer collection of four character pieces. This was the way that Dvorák stylized Slavic folk music In the main part he interlocks 2/4 time and 3/4 time in the manner of a furiant. The theme of the A major trio has a second beat with syncopated accentuation and resultant lengthening pointing to closeness to the slow mazurka type. The last movement is formed by a series of variations on a theme invented by Dvorák in the manner of an instrumental recitative and then varied a total

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