Skip to contentGo to Product Search
Roseville
1643 County Road B2Roseville, MN 55113Open until 9 pm
Find Another Store
Main Content

Tim Vogler Quartet - String Quartets 4 - COMPACT DISCS [CD]

SKU: 10378139

Reviews coming soon

Sold & shipped by

About this product

Individuality that unfolds in the common effort - it is here that we are likely to find the secret of the Vogler Quartet, an ensemble that has pursued a unique career with the same membership ever since 1985. InchThe Vogler Quartet demonstrates that homogeneity, tonal warmth, and rich sonority need not stand in opposition to transparency and clarity. This is congenial performing on a benchmark level!Inch This is what klassik-heute wrote of the preceding in our edition of Dvorák's quartets. We are now presenting Dvorák's Quartets Nos. 2 and 5 and the Terzett op. 74 on Vol. 4 in this edition with these highly acclaimed interpreters. To paraphrase Hartmut Schick, the author of the most important German-language monograph on Dvorák's quartets, the formal idea to return to the essential themes of the preceding movements in the finale of a cyclical work in order to form a summation from them at the end played a significant role in Dvorák's composition of instrumental music in more than one movement. In his last works, such as his ninth symphony, he developed this process to it's fullest potential, and it is also a factor in his young Quartet No. 2. In his Quartet No. 5, however, the composer again sought close contact with the Classical quartet tradition. Nevertheless, it is unusual that all four movements of the quartet are in F minor. His Terzett op. 74 is not a four-movement sonata cycle but a freer collection of four character pieces. This was the way that Dvorák stylized Slavic folk music In the main part he interlocks 2/4 time and 3/4 time in the manner of a furiant. The theme of the A major trio has a second beat with syncopated accentuation and resultant lengthening pointing to closeness to the slow mazurka type. The last movement is formed by a series of variations on a theme invented by Dvorák in the manner of an instrumental recitative and then varied a total

Specifications

  • Genre
    Classical
    Description
    Individuality that unfolds in the common effort - it is here that we are likely to find the secret of the Vogler Quartet, an ensemble that has pursued a unique career with the same membership ever since 1985. InchThe Vogler Quartet demonstrates that homogeneity, tonal warmth, and rich sonority need not stand in opposition to transparency and clarity. This is congenial performing on a benchmark level!Inch This is what klassik-heute wrote of the preceding in our edition of Dvorák's quartets. We are now presenting Dvorák's Quartets Nos. 2 and 5 and the Terzett op. 74 on Vol. 4 in this edition with these highly acclaimed interpreters. To paraphrase Hartmut Schick, the author of the most important German-language monograph on Dvorák's quartets, the formal idea to return to the essential themes of the preceding movements in the finale of a cyclical work in order to form a summation from them at the end played a significant role in Dvorák's composition of instrumental music in more than one movement. In his last works, such as his ninth symphony, he developed this process to it's fullest potential, and it is also a factor in his young Quartet No. 2. In his Quartet No. 5, however, the composer again sought close contact with the Classical quartet tradition. Nevertheless, it is unusual that all four movements of the quartet are in F minor. His Terzett op. 74 is not a four-movement sonata cycle but a freer collection of four character pieces. This was the way that Dvorák stylized Slavic folk music In the main part he interlocks 2/4 time and 3/4 time in the manner of a furiant. The theme of the A major trio has a second beat with syncopated accentuation and resultant lengthening pointing to closeness to the slow mazurka type. The last movement is formed by a series of variations on a theme invented by Dvorák in the manner of an instrumental recitative and then varied a total
    Artist
    Tim Vogler Quartet
    Title
    String Quartets 4
    Format
    CD
    Label
    Cpo Records
Sponsored

Reviews

This product doesn't have any reviews yet.

Compare similar products

Tim Vogler Quartet - String Quartets 4 - COMPACT DISCS [CD]
Tim Vogler Quartet - String Quartets 4 - COMPACT DISCS [CD]
Not Yet Reviewed

Individuality that unfolds in the common effort - it is here that we are likely to find the secret of the Vogler Quartet, an ensemble that has pursued a unique career with the same membership ever since 1985. InchThe Vogler Quartet demonstrates that homogeneity, tonal warmth, and rich sonority need not stand in opposition to transparency and clarity. This is congenial performing on a benchmark level!Inch This is what klassik-heute wrote of the preceding in our edition of Dvorák's quartets. We are now presenting Dvorák's Quartets Nos. 2 and 5 and the Terzett op. 74 on Vol. 4 in this edition with these highly acclaimed interpreters. To paraphrase Hartmut Schick, the author of the most important German-language monograph on Dvorák's quartets, the formal idea to return to the essential themes of the preceding movements in the finale of a cyclical work in order to form a summation from them at the end played a significant role in Dvorák's composition of instrumental music in more than one movement. In his last works, such as his ninth symphony, he developed this process to it's fullest potential, and it is also a factor in his young Quartet No. 2. In his Quartet No. 5, however, the composer again sought close contact with the Classical quartet tradition. Nevertheless, it is unusual that all four movements of the quartet are in F minor. His Terzett op. 74 is not a four-movement sonata cycle but a freer collection of four character pieces. This was the way that Dvorák stylized Slavic folk music In the main part he interlocks 2/4 time and 3/4 time in the manner of a furiant. The theme of the A major trio has a second beat with syncopated accentuation and resultant lengthening pointing to closeness to the slow mazurka type. The last movement is formed by a series of variations on a theme invented by Dvorák in the manner of an instrumental recitative and then varied a total

Dvorak / Vogler Quartett / Masurenko / Triendl - Dvorak: String Quintet, Op. 97 - Piano Quintet, Op. - COMPACT DISCS [CD]
Dvorak / Vogler Quartett / Masurenko / Triendl - Dvorak: String Quintet, Op. 97 - Piano Quintet, Op. - COMPACT DISCS [CD]
Not Yet Reviewed

Album Tracks 1. I. Allegro Non Tanto 2. II. Allegro Vivo 3. III. Larghetto 4. IV. Finale Allegro Giusto 5. I. Allegro Ma Non Tanto 6. II. Dumka Andante Con Moto 7. III. Scherzo (Furiant) Molto Vivace 8. IV. Finale Allegro

Vogler Quartet - String Quartets 1 - COMPACT DISCS [CD]
Vogler Quartet - String Quartets 1 - COMPACT DISCS [CD]
Not Yet Reviewed

Dvorak's quartets number among the gems of their genre. A new recording by one and the same ensemble is long overdue and the fact that the Vogler Quartet has taken on this gigantic task is very good luck indeed. The Vogler Quartet is a phenomenon. It's membership has remained unchanged since 1985 and over the years the individual and team talent of it's musicians has secured them a place among the world's top chamber ensembles. Album Tracks 1. String Quartet Op. 96 2. Zypressen for String Quartet 3. Bagatelles Op. 47 for 2 Violins, Violoncello & Harmonium 1. String Quartets Opp. 34 & 51

Les Lunes du Cousin Jacques - L'allegro Il Penseroso Ed Il Moderato - COMPACT DISCS [CD]
Les Lunes du Cousin Jacques - L'allegro Il Penseroso Ed Il Moderato - COMPACT DISCS [CD]
Not Yet Reviewed

Composed in 1740, L'Allegro, il Penseroso, ed il Moderato is Handel's setting of poetry by John Milton, with additional verses (in the third part of three) by Charles Jennens. This oratorio is a kind of moderated dialogue between two personalities - the merry and carefree, and the thoughtful and ruminative. Jennens added Inchil ModeratoInch - the moderate man who balances the other two types. It seems not to have been Handel's intention to instruct listeners as to the most favorable type. Instead, he must have been most attracted by Milton's poetry, and by the opportunity to compose the sort of pastoral entertainment which he had found so congenial in earlier compositions. Sometimes the third part, entirely set to verses by Jennens, is dropped. This was the case even in Handel's time; it was felt that Jennens could not hold a candle to Milton. Some of the work's first recordings (for example, a 1960 version conducted by Sir David Willcocks) do the same, and also rearrange the remaining movements. This new version is given complete, however. Album Tracks 1. A Tempo Giusto/Allegro/Adagio - Joachim Carlos Martini 2. Hence, Loathed Meloncholy - Knut Schoch 3. Henc, Vain Deluding Joys - Linda Perillo 4. Come, Thou Goddess Fair and Free - Barbara Hannigan 5. Come Rather, Goddes, Sage and Holy - Linda Perillo 6. Haste Thee, Nymph - Chorus 7. Come and Trip It - Chorus 8. Come, Pensive Nun - Linda Perillo 9. Come, But Keep Thy Wonted State - Linda Perillo 10. There, Held in Holy Passion Still/Join with Thee - Chorus 11. Hence, Loathed Melancholy - Knut Schoch 12. Mirth, Admit Me of Thy Crew - Barbara Hannigan 13. First and Chief, on Golden Wing - Linda Perillo 14. Sweet Bird - Linda Perillo 15. If I Give Thee Hounour Due - Stephan MacLeod 16. Mirth, Admit Me of Thy Crew - Stephan MacLeod 17. Oft, on a Plat of Rising Ground - Linda Perillo

Specs

Be the first to ask a question.

We’ll try to get your question answered within 24 hours by a Best Buy customer or brand representative.

Ask a question
No content
Sponsored
Sponsored
Sponsored