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This is a limited edition, one-time color pressing of this classic live record from Austin City Limits. Celebrate 50 years of this iconic TV show with a Baby Blues Eyes Crying record. Album Tracks 1. Whiskey River 2. Stay a Little Longer 3. Good-Hearted Woman 4. Funny 5. Crazy 6. Night Life 7. If You've Got the Money I've Got the Time 1. Nothing I Can Do About It Now 2. Help Me Make It Through the Night 3. Me and Bobby McGee 4. Loving Her Was Easier (Than Anything I'll Ever Do Again) 5. Bloody Mary Morning 1. Blue Eyes Crying in the Rain 2. On the Road Again 3. Always on My Mind 4. Still Is Still Moving to Me W/ Shelby Lynne 5. Milk Cow Blues W/ Shelby Lynne 1. Angels Flying Too Close to the Ground 2. The Workin' Mans Blues 3. Praise the Lord, I Saw the Light

Double orange colored vinyl LP pressing. 2016 debut album from multi-platinum Dallas, TX artist Post Malone. Stoney contains additional production from DJ Mustard, FKi, Illangelo, Pharrell, and others. Post Malone has spent 2016 blazing towards superstardom. His breakout single 'White Iverson' earned RIAA triple-platinum status. In addition to tearing up stages supporting Justin Bieber on the sold out global Purpose Tour and Fetty Wap on the Welcome to the Zoo Tour, he delivered a show-stopping performance on ABC's Jimmy Kimmel Live! His August 26 mixtape landed to critical applause. Both Kanye West and 50 Cent have sought him out for high-profile collaborations, following the explosion of 'White Iverson'. He will undoubtedly cement his place amongst music's upper echelon with Stoney. Album Tracks 1. Broken Whiskey Glass 2. Big Lie 3. Deja Vu - Post Malone, Justin Bieber 4. No Option 5. Cold 6. White Iverson 7. I Fall Apart 8. Patient 2. Go Flex 3. Feel - Post Malone, Kehlani 11. Too Young 5. Congratulations - Post Malone, Quavo 13. Up There 7. Yours Truly, Austin Post

Ahoy, Straw Hat Crew! One Piece is a bona-fide global phenomenon, and our friends at Netflix gave Luffy and the Straw Hat Pirates new life through a faithful reimagining of the iconic manga, born again for a new generation, via their critically acclaimed live-action series. With lively visuals, lovely-world building, and unforgettably nautical music, One Piece captivates lifelong fans and brand-new landlubbers alike. Album Tracks 1. Wealth Fame Power 2. My Sails Are Set (Feat. Aurora) 3. Wanted Dead or Alive 4. Zoro Vs Mihawk (Feat. Marcin) 5. Bink's Brew 6. Let's Disappear 7. We Are! 8. Windmill Village 9. Smells Like Butter, Soy Sauce and Meat 10. Captain Alvida 11. Good Marines Bad Marines 12. One Piece Tango 13. Chop Chop Cannon 14. I'm Gonna Be King of the Pirates / We Are! 15. Wado Ichimonji 16. The World's Greatest Swordsman or Woman 17. Training Montage 18. Buggy the Clown 19. Luffy Help Me 20. I Owe You My Life 21. Kaya & Usopp 22. Be Good Luffy 23. Roronoa Zoro 24. Wounds on the Back Are a Swordsman's Greatest Shame (Feat. Marcin) 25. Gotta Feed the Brain

Khruangbin's fourth studio album, A La Sala (InchTo the RoomInch in Spanish), is an exercise in returning in order to go further, and doing so on your own terms. It continues the mystery and sanctity that is the key to how bassist Laura Lee Ochoa, drummer Donald InchDJInch Johnson, Jr. And guitarist Mark InchMarkoInch Speer approach music. If 2020's Mordechai, the last studio LP Khruangbin made without collaborators, was a party record that enhanced the band's musical reputation far and wide, then A La Sala is the measured morning after. It's a gorgeously airy record completed only in the company of the group's longtime engineer Steve Christensen, with minimal overdubs. It's a window onto the bounties powering Khruangbin's vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.The trio's collective musical DNA, the years spent constructing it in Houston's local-meets-global cultural stew, ensures the band continues to sound like no one but itself. A cascade of crisp melodies emanates from Marko's reverb-heavy electric, dancing gently around Laura Lee's minimalist almost-dub bass triangles, while DJ's drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place. Yet there's a freshness to A La Sala's instrumental interactivity, less concerned with getting further out than going deeper in, a profound desire to celebrate the world's external wonders. Where prior albums strived towards music's polyglot edges, such inquiries now sound like beloved intimacies. Here, Khruangbin's sonic touch-points - whether spaghetti-western film scores (on InchFifteen Fifty-ThreeInch), West African discos (on InchPon PónInch), G-funk fantasias (InchTodavía VivaInch), living room dancing moments (the first single, InchA Love InternationalInch), or even
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