Yunus Kaya - Klavierstucke 116-119 - COMPACT DISCS [CD]
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It is important to Yunus Kaya to let his interpretation seem spontaneous, almost improvisational, with all the care of rehearsal. Ilona Eibenschütz, a student of Clara Schumann who met Brahms personally and visited him during his summer stay in Bad Ischl, was allowed to hear his Opera 118 and 119 by the composer himself. In her memoirs, she describes his piano playing as Inchvery free-spirited - as if he were improvising - with heart and soul...Inch During the recording, Kaya wanted to make these two aspects palpable the loneliness and introversion on the one hand, and the openness to the spontaneous in sound and tempo shaping on the other. No feeling, no pain can be felt and described in the same way every day. From this basic attitude, Yunus Kaya has sought the balance between fidelity to the musical text and artistic freedom of the performer. Album Tracks 1. 7 Fantasien Op. 116~1. Capriccio. Presto energico (D minor) 2. 7 Fantasien Op. 116~2. Intermezzo. Andante (A minor) 3. 7 Fantasien Op. 116~3. Capriccio. Allegro passionato (G minor) 4. 7 Fantasien Op. 116~4. Intermezzo. Adagio (E major) 5. 7 Fantasien Op. 116~5. Intermezzo. Andante con grazia ed intimissimo sentimento (E minor) 6. 7 Fantasien Op. 116~6. Intermezzo. Andantino teneramente (E major) 7. 7 Fantasien Op. 116~7. Capriccio. Allegro agitato (D minor) 8. 3 Intermezzi Op. 117~1. Intermezzo. Andante moderato (E-flat major) 9. 3 Intermezzi Op. 117~2. Intermezzo. Andante non troppo (B-flat minor) 10. 3 Intermezzi Op. 117~3. Intermezzo. Andante con moto (C-sharp minor) 11. 6 Klavierstücke Op. 118~1. Intermezzo. Allegro non assai (A minor) 12. 6 Klavierstücke Op. 118~2. Intermezzo. Andante teneramente (A major) 13. 6 Klavierstücke Op. 118~3. Ballade. Allegro energico (G minor) 14. 6 Klavierstücke Op. 118~4. Intermezzo. Allegretto un poco agitato (F minor) 15. 6 Klavierstücke
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- GenreClassicalDescriptionIt is important to Yunus Kaya to let his interpretation seem spontaneous, almost improvisational, with all the care of rehearsal. Ilona Eibenschütz, a student of Clara Schumann who met Brahms personally and visited him during his summer stay in Bad Ischl, was allowed to hear his Opera 118 and 119 by the composer himself. In her memoirs, she describes his piano playing as Inchvery free-spirited - as if he were improvising - with heart and soul...Inch During the recording, Kaya wanted to make these two aspects palpable the loneliness and introversion on the one hand, and the openness to the spontaneous in sound and tempo shaping on the other. No feeling, no pain can be felt and described in the same way every day. From this basic attitude, Yunus Kaya has sought the balance between fidelity to the musical text and artistic freedom of the performer. Album Tracks 1. 7 Fantasien Op. 116~1. Capriccio. Presto energico (D minor) 2. 7 Fantasien Op. 116~2. Intermezzo. Andante (A minor) 3. 7 Fantasien Op. 116~3. Capriccio. Allegro passionato (G minor) 4. 7 Fantasien Op. 116~4. Intermezzo. Adagio (E major) 5. 7 Fantasien Op. 116~5. Intermezzo. Andante con grazia ed intimissimo sentimento (E minor) 6. 7 Fantasien Op. 116~6. Intermezzo. Andantino teneramente (E major) 7. 7 Fantasien Op. 116~7. Capriccio. Allegro agitato (D minor) 8. 3 Intermezzi Op. 117~1. Intermezzo. Andante moderato (E-flat major) 9. 3 Intermezzi Op. 117~2. Intermezzo. Andante non troppo (B-flat minor) 10. 3 Intermezzi Op. 117~3. Intermezzo. Andante con moto (C-sharp minor) 11. 6 Klavierstücke Op. 118~1. Intermezzo. Allegro non assai (A minor) 12. 6 Klavierstücke Op. 118~2. Intermezzo. Andante teneramente (A major) 13. 6 Klavierstücke Op. 118~3. Ballade. Allegro energico (G minor) 14. 6 Klavierstücke Op. 118~4. Intermezzo. Allegretto un poco agitato (F minor) 15. 6 KlavierstückeArtistYunus KayaTitleKlavierstucke 116-119FormatCDLabelArs Produktion
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It is important to Yunus Kaya to let his interpretation seem spontaneous, almost improvisational, with all the care of rehearsal. Ilona Eibenschütz, a student of Clara Schumann who met Brahms personally and visited him during his summer stay in Bad Ischl, was allowed to hear his Opera 118 and 119 by the composer himself. In her memoirs, she describes his piano playing as Inchvery free-spirited - as if he were improvising - with heart and soul...Inch During the recording, Kaya wanted to make these two aspects palpable the loneliness and introversion on the one hand, and the openness to the spontaneous in sound and tempo shaping on the other. No feeling, no pain can be felt and described in the same way every day. From this basic attitude, Yunus Kaya has sought the balance between fidelity to the musical text and artistic freedom of the performer. Album Tracks 1. 7 Fantasien Op. 116~1. Capriccio. Presto energico (D minor) 2. 7 Fantasien Op. 116~2. Intermezzo. Andante (A minor) 3. 7 Fantasien Op. 116~3. Capriccio. Allegro passionato (G minor) 4. 7 Fantasien Op. 116~4. Intermezzo. Adagio (E major) 5. 7 Fantasien Op. 116~5. Intermezzo. Andante con grazia ed intimissimo sentimento (E minor) 6. 7 Fantasien Op. 116~6. Intermezzo. Andantino teneramente (E major) 7. 7 Fantasien Op. 116~7. Capriccio. Allegro agitato (D minor) 8. 3 Intermezzi Op. 117~1. Intermezzo. Andante moderato (E-flat major) 9. 3 Intermezzi Op. 117~2. Intermezzo. Andante non troppo (B-flat minor) 10. 3 Intermezzi Op. 117~3. Intermezzo. Andante con moto (C-sharp minor) 11. 6 Klavierstücke Op. 118~1. Intermezzo. Allegro non assai (A minor) 12. 6 Klavierstücke Op. 118~2. Intermezzo. Andante teneramente (A major) 13. 6 Klavierstücke Op. 118~3. Ballade. Allegro energico (G minor) 14. 6 Klavierstücke Op. 118~4. Intermezzo. Allegretto un poco agitato (F minor) 15. 6 Klavierstücke

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