Faye Webster - Atlanta Millionaires Club - VINYL LP
About This Item
- Details
- Genre: Rock
- Description: Atlanta Millionaires Club is in Faye Webster's feelings, and that's the way she likes it. InchEverything is way personal, Inch Webster says. InchI have to write about very personal things for me to even want to write.Inch On the 21-year-old Atlanta native's new album, the omnipresence of pedal steel eschews bluegrass trappings, flexible under Webster's genre-bending direction. Webster didn't set out to make it sound like any artist in particular, but she cites Aaliyah as her main musical inspiration for how she uses sound. InchThat's where I first heard, 'Oh, there's this weird guitar that's bendy and it could totally be in a country song, ' but the way she's using it is what makes her music so special to me, Inch Webster explains. InchI try to do that. I try to change the way pedal steel is supposed to sound, or keys, to make it more R&B.Inch Pulling from a familial lineage of folk storytelling and time spent in Atlanta's hip-hop scene, Webster's work is a study of duality, weaving through her own introversion and heartbreak; it's an idiosyncratic sadness punctuated by fleeting observations and an unexpected, sly sense of humor. And like the way Webster takes the traditional instrumentation of Americana and flips it into something else, she uses her own calm, laid-back demeanor to say you can be boldly and unapologetically yourself in a quiet way, too. Album Tracks 1. Room Temperature 2. Right Side of My Neck 3. Hurts Me Too 4. Pigeon 5. Jonny 6. Kingston 7. Come to Atlanta 8. What Used to Be Mine 9. Flowers (Feat. Father) 10. Jonny (Reprise)
- Artist: Faye Webster
- Title: Atlanta Millionaires Club
- Format: VINYL
- Label: Secretly Canadian
- Release Date: 05/24/2019
- Genre: Rock
- Other
- Product Name: Faye Webster - Atlanta Millionaires Club - VINYL LP
- UPC: 656605037615
Atlanta Millionaires Club is in Faye Webster's feelings, and that's the way she likes it. InchEverything is way personal, Inch Webster says. InchI have to write about very personal things for me to even want to write.Inch On the 21-year-old Atlanta native's new album, the omnipresence of pedal steel eschews bluegrass trappings, flexible under Webster's genre-bending direction. Webster didn't set out to make it sound like any artist in particular, but she cites Aaliyah as her main musical inspiration for how she uses sound. InchThat's where I first heard, 'Oh, there's this weird guitar that's bendy and it could totally be in a country song, ' but the way she's using it is what makes her music so special to me, Inch Webster explains. InchI try to do that. I try to change the way pedal steel is supposed to sound, or keys, to make it more R&B.Inch Pulling from a familial lineage of folk storytelling and time spent in Atlanta's hip-hop scene, Webster's work is a study of duality, weaving through her own introversion and heartbreak; it's an idiosyncratic sadness punctuated by fleeting observations and an unexpected, sly sense of humor. And like the way Webster takes the traditional instrumentation of Americana and flips it into something else, she uses her own calm, laid-back demeanor to say you can be boldly and unapologetically yourself in a quiet way, too. Album Tracks 1. Room Temperature 2. Right Side of My Neck 3. Hurts Me Too 4. Pigeon 5. Jonny 6. Kingston 7. Come to Atlanta 8. What Used to Be Mine 9. Flowers (Feat. Father) 10. Jonny (Reprise)
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Atlanta Millionaires Club is in Faye Webster's feelings, and that's the way she likes it. InchEverything is way personal, Inch Webster says. InchI have to write about very personal things for me to even want to write.Inch On the 21-year-old Atlanta native's new album, the omnipresence of pedal steel eschews bluegrass trappings, flexible under Webster's genre-bending direction. Webster didn't set out to make it sound like any artist in particular, but she cites Aaliyah as her main musical inspiration for how she uses sound. InchThat's where I first heard, 'Oh, there's this weird guitar that's bendy and it could totally be in a country song, ' but the way she's using it is what makes her music so special to me, Inch Webster explains. InchI try to do that. I try to change the way pedal steel is supposed to sound, or keys, to make it more R&B.Inch Pulling from a familial lineage of folk storytelling and time spent in Atlanta's hip-hop scene, Webster's work is a study of duality, weaving through her own introversion and heartbreak; it's an idiosyncratic sadness punctuated by fleeting observations and an unexpected, sly sense of humor. And like the way Webster takes the traditional instrumentation of Americana and flips it into something else, she uses her own calm, laid-back demeanor to say you can be boldly and unapologetically yourself in a quiet way, too. Album Tracks 1. Room Temperature 2. Right Side of My Neck 3. Hurts Me Too 4. Pigeon 5. Jonny 6. Kingston 7. Come to Atlanta 8. What Used to Be Mine 9. Flowers (Feat. Father) 10. Jonny (Reprise)
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Karen Dalton's 1971 album, In My Own Time, stands as a true masterpiece by one of music's most mysterious, enigmatic, and enduringly influential artists. Light in the Attic is honored to celebrate the 50th anniversary of In My Own Time with a special edition of this monumental classic. Featuring Dalton's interpretations of songs like InchAre You Leaving for the Country,Inch InchWhen a Man Loves a Woman,Inch InchKatie Cruel,Inch and her posthumously recognized signature performance, InchSomething On Your Mind,Inch will be available in a 50th anniversary Deluxe Edition, which expands exponentially upon Light in the Attic's 2006 reissue of the album, co-produced by Nicholas Hill. This 50th Anniversary Deluxe Edition features the newly remastered (2021) In My Own Time album, presented on three sides of 45-RPM, 180-gram vinyl pressed at Record Technology Inc. (RTI), with the fourth side showcasing alternate takes from the album sessions. The set also contains two 7-inch singles, featuring previously-unreleased live recordings captured at Germany's Beat Club in 1971, both pressed at Third Man Record Pressing and housed in tip-on jackets. All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters. A 20-page booklet-featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart-rounds out the package, which comes housed in a special trifold jacket. The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear Inchthe jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York.' Armed with a long-necked banjo and a 12-stringed guitar, Dalton set her