4th Movement - 4th Movement - VINYL LP
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Vinyl LP pressing. 1980 it was the dawn of a new age. Built on the broken backs and bodies of those who had hoped and dreamed for a better world, the '80s made it clear that world wasn't coming. A generation and more plunged into the abyss. But what of Death? The Hackney brothers were no different from anybody else - in the heat and tumult of the 1970s, they'd seen that new world coming. They'd raised their voices righteously, transforming with outrage and hunger their all-in-the-family power-trio Rock Funk Fire Express into the legends called Death. The combination of Bobby and Dennis' pile-driving rhythm, older brother David's hard-rock guitar leads and an effervescent combination of lyrical angst, missionary zeal and vision-spirit were an unknown hybrid on the African-American side of Detroit in the mid-'70s. These were the sounds the world knows today as For the Whole World to See - but at the time, the brothers managed only to self- two songs on a basically undistributed 7? record, which caused no tag anywhere to express any interest in a record deal for the band called Death. It was time for The 4th Movement.
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- GenreRockDescriptionVinyl LP pressing. 1980 it was the dawn of a new age. Built on the broken backs and bodies of those who had hoped and dreamed for a better world, the '80s made it clear that world wasn't coming. A generation and more plunged into the abyss. But what of Death? The Hackney brothers were no different from anybody else - in the heat and tumult of the 1970s, they'd seen that new world coming. They'd raised their voices righteously, transforming with outrage and hunger their all-in-the-family power-trio Rock Funk Fire Express into the legends called Death. The combination of Bobby and Dennis' pile-driving rhythm, older brother David's hard-rock guitar leads and an effervescent combination of lyrical angst, missionary zeal and vision-spirit were an unknown hybrid on the African-American side of Detroit in the mid-'70s. These were the sounds the world knows today as For the Whole World to See - but at the time, the brothers managed only to self- two songs on a basically undistributed 7? record, which caused no tag anywhere to express any interest in a record deal for the band called Death. It was time for The 4th Movement.Artist4th MovementTitle4th MovementFormatVINYLLabelDrag City
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Vinyl LP pressing. 1980 it was the dawn of a new age. Built on the broken backs and bodies of those who had hoped and dreamed for a better world, the '80s made it clear that world wasn't coming. A generation and more plunged into the abyss. But what of Death? The Hackney brothers were no different from anybody else - in the heat and tumult of the 1970s, they'd seen that new world coming. They'd raised their voices righteously, transforming with outrage and hunger their all-in-the-family power-trio Rock Funk Fire Express into the legends called Death. The combination of Bobby and Dennis' pile-driving rhythm, older brother David's hard-rock guitar leads and an effervescent combination of lyrical angst, missionary zeal and vision-spirit were an unknown hybrid on the African-American side of Detroit in the mid-'70s. These were the sounds the world knows today as For the Whole World to See - but at the time, the brothers managed only to self- two songs on a basically undistributed 7? record, which caused no tag anywhere to express any interest in a record deal for the band called Death. It was time for The 4th Movement.
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Marko Nikodijevic presents himself on this portrait with three large orchestral works interpreted by the Rundfunk-Sinfonieorchester Berlin (RSB) and the hr-Sinfonieorchester Frankfurt. The pieces look back to the past in different ways sometimes they tie up with musical or cultural traditions, sometimes with personal memories. Like most of the composer's works InchABSOLUTIOInch unfolds from a simple but strict formal principle, in this case a three-note chord. Later, a spiral-like, whirling construction of ever-increasing gravitational pull arises, with the remote outlines of a 'sonata form'. InchabgesangInch, in turn, has very personal references to the composer's past. The work sets to music a symmetrically constructed poem by his former piano teacher Mátyás Molcer, which describes an autumnal cemetery landscape. It was written in 1995 when the composer's homeland, the former Yugoslavia, was in civil war. In Inchda ispravitsja / gebetsraum mit nachtwacheInch the composer goes back even further in his memories and deals with the cultural heritage of his homeland, with the music and liturgy of the Serbian Orthodox church. Using his characteristic, electronically inspired means such as reverberation, resonance and echo, he creates a dark, church-like acoustic space in this work.
When the first bars of Schubert's InchUnfinishedInch Symphony reached the recording equipment in March of 2018, it wasn't merely the musicians' Inchdaily grindInch but rather the birth of an ensemble the chamber orchestra Klangkollektiv Wien. The mission of the Klangkollektiv Wien is to perform the music of the Viennese Classical era with care and love, beyond more routine. This is why we- musicians from all of Vienna's orchestras- came together for the first time. This music, which was at the onset of the development of the modern orchestra- with which we handle a diverse program of works from all different eras every day- becomes ever more an oasis of tranquility through it's clear form and inner beauty, the epicenter of our lives as musicians. Our goal is to give these works the attention they deserve, to communicate their message to listeners. This first document of our common passion came about in collaboration with the conductor Remy Ballot and the record tag Gramola, who were involved in this project's development from the very beginning.
The Mess - Under Attack [VINYL LP] date 05/17/2024
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