Aaron West & the Roaring Twenties - Routine Maintenance - VINYL LP

Deluxe limited double 180 gram splatter colored vinyl LP pressing in gatefold sleeve with unique artwork. 2015 from the Phish leader. Produced by Anastasio and longtime collaborator Bryce Goggin, Paper Wheels was recorded last year at The Barn, the Phish founding guitarist's famed Jeffersonville, VT farmhouse-turned-rehearsal space/recording studio. The Barn was reconstructed between 1996 and 1998 from an existing structure, the Alan Irish Barn. The Barn has been used by Phish and most of Anastasio's projects since 1999. Trey is noted for his work with the rock band Phish, and his solo career, including the Trey Anastasio Band and the orchestral InchEvenings with Trey AnastasioInch performed with the New York Philharmonic, the Los Angeles Philharmonic, the Atlanta Symphony Orchestra, the Baltimore Symphony, the Pittsburgh Symphony, and the Colorado Symphony.

With the third and final installment of the Aaron West trilogy, Aaron West and the Roaring Twenties presents In Lieu Of Flowers - a concept album that must be heard in full, an album that's very existence tests the noble idea of shared communal experience, and an album that exudes humanity through the cloud of existential dread and despair. From the heart and mind of Dan Campbell (frontman of Philadelphia pop punk legends, The Wonder Years), and produced by Ace Enders (The Early November), In Lieu Of Flowers tells a story of rock bottom and redemption in the form of raw emotion, beautifully-crafted storytelling, and exquisite instrumentation. Fully-backed by The Roaring Twenties (featuring members of The Wonder Years, Driver Friendly, and Dryjacket), the project that started with a man and his guitar has transformed into a rich slice of Americana harkening to Bruce Springsteen and The Mountain Goats. Purple & Clear Split Vinyl Variant

On their duet records, John Renbourn and Stefan Grossman meet on the common turf of American blues and Celtic fiddle tunes and airs. Under The Volcano is collection of seven duets, including an extended four-part work for which the album is named, and one solo by each of the players, the album has what has come to be the characteristic sound of the duo. Reflecting what Stefan quite accurately describes as Inchan interweaving of styles,Inch it is quite difficult, and somewhat pointless, to tell which of the two is playing the lead in most parts of the album. The original compositions are at once down-home and high-flown, brimming with contrapuntal funkiness, and the music manages to sound both loose and precise. Grossman and Renbourn contribute equally to the composition and arrangement of the traditional material. They aren't uptight about overdubbing or using the occasional electric guitar texture, either. But the lingering impression is one of crisp, snapping strings and air being moved by wooden-boxed guitars. InchThe material is a mix of traditional and original, the playing superb. Grossman and Renbourn combine their talents and mix of styles here to produce appealing instrumental music of rare beauty and taste.Inch - AllMusic