Ablaze - DVD
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The true story of the first Aboriginal filmmaker William InchBillInch Onus, a truly heroic cultural and political figure who revived his people's culture in the 1940s and ignited a civil rights movement that would, against enormous odds, change the course of history. Told by his grandson Tiriki through rare archival footage, state-of-the-art animation, vividly created digital motion graphics and eye-witness accounts, Ablaze is the compelling tale of how Bill and supporters brilliantly orchestrated their campaign for equality and outsmarted mighty forces seeking to destroy Indigenous cultures, languages, and communities.
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- GenreDocumentaryDescriptionThe true story of the first Aboriginal filmmaker William InchBillInch Onus, a truly heroic cultural and political figure who revived his people's culture in the 1940s and ignited a civil rights movement that would, against enormous odds, change the course of history. Told by his grandson Tiriki through rare archival footage, state-of-the-art animation, vividly created digital motion graphics and eye-witness accounts, Ablaze is the compelling tale of how Bill and supporters brilliantly orchestrated their campaign for equality and outsmarted mighty forces seeking to destroy Indigenous cultures, languages, and communities.TitleAblazeFormatDVDMPAA RatingPGStudioUmbrella Ent
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The true story of the first Aboriginal filmmaker William InchBillInch Onus, a truly heroic cultural and political figure who revived his people's culture in the 1940s and ignited a civil rights movement that would, against enormous odds, change the course of history. Told by his grandson Tiriki through rare archival footage, state-of-the-art animation, vividly created digital motion graphics and eye-witness accounts, Ablaze is the compelling tale of how Bill and supporters brilliantly orchestrated their campaign for equality and outsmarted mighty forces seeking to destroy Indigenous cultures, languages, and communities.

Accidentally Preserved Volume 2 contains nine more short films from the Undercrank Productions archive, made from 1920-1928 that only exist because 16mm prints were made in the 1920s and 1930s for home rentals. The films are all new to DVD - three of them have not been seen by anyone in several decades - and have new musical scores on piano or theatre organ by Ben Model. During the 1930s and 1940s companies like the Kodascope and Universal Show-At-Home libraries made 16mm copies of silent movies for people to rent and watch at home. It was like Netflix for the art deco era. Because these movies were on 16mm safety film, many of them have outlived the original 35mm nitrate prints of silent films that are now lost or extremely rare. It's as if these movies were... Accidentally Preserved. Unavailable to the public for decades, these delightful comedy shorts - as well as the educational blasting cap safety film - return to screens to entertain us once more. The films of Accidentally Preserved volume 2 Bobby Vernon in WHY WILD MEN GO WILD (1920) - Chaplin cartoon CHARLEY ON THE FARM (1919) - Alberta Vaughn in SHERLOCK'S HOME (1924) - Neely Edwards in THE LITTLE PEST (1927) - Lloyd Hamilton in PAPA'S BOY (1927) - Malcolm InchBig BoyInch Sebastian in HELTER SKELTER - Henry Murdock in COOK, PAPA, COOK (1928) - Blasting Cap Safety HOW JIMMY WON THE GAME (1928) - Animated ad CHRISTMAS SEALS FILM (1925). Region 0.

In the golden age of documentaries, who benefits? SUBJECT reveals the unintended consequences - good, bad, and complicated - of having your life shared on screen. Featuring the protagonists of acclaimed documentaries The Staircase, Hoop Dreams, The Wolfpack, Capturing the Friedmans, and The Square, as well as the filmmakers of An Inconvenient Truth, Cameraperson, MLK/FBI, and more.

Alfred Hitchcock. Muhammed Ali. Meryl Streep. LL Cool J. James Hamilton has captured them all. In Uncropped, a legendary Village Voice photojournalist recounts the stories behind iconic images taken over the course of a five-decade career. A visual chronicle of New York City and a window into the heyday of alternative print media. Executive Produced by Wes Anderson.
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