Adult. - Kissing Luck Goodbye - COMPACT DISCS [CD]
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ADULT. Is not cooperating. For over 25 years, the dystopian Detroit synth-punk institution founded by Nicola Kuperus and Adam Lee Miller has embodied steadfast frustration, distrust, and apprehension. One might expect the edges to soften with time, but ADULT. Is not interested in the comforts of legacy. The duo's music has never sounded as visceral, urgent, and downright angry as it does on the culminating, uncompromising Kissing Luck Goodbye. Built with upgraded gear and a new library of sounds, the material is crushingly dynamic, louder-yet-clearer, with Kuperus' commanding delivery given greater prominence in the mix, outlining an arsenal of vivid, caustic calls, chants, and musings. Laughter, whether in the lyrics or as a possessed presence, serves as a leitmotif that speaks to the menacing absurdity of modern times. InchTHE CHAOS IS WHAT THEY WANT,Inch she sings on InchR U 4 $ALEInch, doubling as a declaration of intent to meet a burning world of greed and disarray with defiant, masterfully assembled chaos. InchYou have two choices in this hellscape we're living in right now, which is either fight or be depressed,Inch says Miller. InchEither one is okay. But, you know, the choice was simple.Inch ADULT. Is known for high-stakes catharsis on stage, and recently deployed their back catalog of bass guitar songs from the 2000s, retracing the prescient Anxiety Always-era partially out of necessity given the temperature of today's political and technological dread. The response was instant and palpable InchWe were in Paris, and the kids were stage diving. And I was like, this is rad. This is kind of the energy I want to get back into,Inch Kuperus says. The epiphany coincided with a series of setbacks - Kuperus' bouts with chronic vertigo, the loss of their close friend and collaborator Douglas McCarthy of Nitzer Ebb, whom the album is dedicated to - all made profoundl
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- GenreRockDescriptionADULT. Is not cooperating. For over 25 years, the dystopian Detroit synth-punk institution founded by Nicola Kuperus and Adam Lee Miller has embodied steadfast frustration, distrust, and apprehension. One might expect the edges to soften with time, but ADULT. Is not interested in the comforts of legacy. The duo's music has never sounded as visceral, urgent, and downright angry as it does on the culminating, uncompromising Kissing Luck Goodbye. Built with upgraded gear and a new library of sounds, the material is crushingly dynamic, louder-yet-clearer, with Kuperus' commanding delivery given greater prominence in the mix, outlining an arsenal of vivid, caustic calls, chants, and musings. Laughter, whether in the lyrics or as a possessed presence, serves as a leitmotif that speaks to the menacing absurdity of modern times. InchTHE CHAOS IS WHAT THEY WANT,Inch she sings on InchR U 4 $ALEInch, doubling as a declaration of intent to meet a burning world of greed and disarray with defiant, masterfully assembled chaos. InchYou have two choices in this hellscape we're living in right now, which is either fight or be depressed,Inch says Miller. InchEither one is okay. But, you know, the choice was simple.Inch ADULT. Is known for high-stakes catharsis on stage, and recently deployed their back catalog of bass guitar songs from the 2000s, retracing the prescient Anxiety Always-era partially out of necessity given the temperature of today's political and technological dread. The response was instant and palpable InchWe were in Paris, and the kids were stage diving. And I was like, this is rad. This is kind of the energy I want to get back into,Inch Kuperus says. The epiphany coincided with a series of setbacks - Kuperus' bouts with chronic vertigo, the loss of their close friend and collaborator Douglas McCarthy of Nitzer Ebb, whom the album is dedicated to - all made profoundlArtistAdult.TitleKissing Luck GoodbyeFormatCDLabelDais
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ADULT. Make a triumphant return after their 2018 album This Behavior, dubbed Inch one of the best records of their careerInch by Ryan Lathan of Pop Matters. This chilling continuation takes the form of Perception is/as/of Deception, an anxiety fueled cyclone of pandemonium that only ADULT. #would know how to harness. While This Behavior was recorded in the isolated snow-covered woods of northern Michigan, Perception is/as/of Deception was given life in a temporary space the duo created by painting their windowless basement entirely black, with the sole intention to deprive their senses, question their perceptions, and witness the resulting ramifications. With over 23 years and a sprawling discography left in their wake, Adam Lee Miller and Nicola Kuperus have spent their entire career as ADULT. #obscuring any defined genre or style. With a history as uncanny as ADULT., the pieces that making up Perception is/as/of Deception might be perceived as their most punk-infused and introspective work to date. The elements of frustration and apprehension that have consistently woven throughout their material are at full mast, although augmented by a strident and more Inchhead-onInch approach. Tracks like Have I Started at the End successfully maintain the duo's classic EBM signatures and synthesized aggression, cradled by a suspicious mantra that questions... what's the point? Why Always Why offers a disorienting mutation of the heralded sounds of classic dance music, like a remix that escaped prison and is on the run. The dystopian anthem, Total Total Damage, comes in full force with an frantic energy which jolts any bystanders to attention, with only the defiant chants of Kuperus' vocals outlining the ever-degenerating state of societal affairs. The dramatically glam synth parts scattered throughout the album, while at times ominous in nature, seem to also act as a merciful r
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