Agustin Pereyra Lucena - Puertos De Alternativa - COMPACT DISCS [CD]

Warm Guitar Sketches from Argentina for late night moods. Easy Listening, made with care. The following guitars were used on this album Francisco Estrada Gomez, Fernando Estrada, Del Vecchio, Jorge Demonte and Fernandez Hnos. Recorded at Studio 'Fidelius', 24 Track Digital, Buenos Aires, Argentin. Recording Engineer Daniel Albano

Chansons Argentines Et D'Aileurs - Chansons Argentines Et D'aileurs [COMPACT DISCS] date 01/01/2004

Michel Corrette (1707-1795) was born in a musical family, his father was organist, his grandfather dancing master. He was a famous composer, teacher and organist, his long lifetime seeing the cultural change from the Baroque to the Classical era.The album contains suites of dances and character pieces in the French manner, following the model established by Francois Couperin and Jean-Philippe Rameau. Typical movements include allemandes, courantes, sarabandes, and gigues, alongside more descriptive works with evocative titles. These pieces reflect the French fondness for portraying moods, personalities, or even humorous caricatures through music. At the same time, Corrette demonstrates a flair for lively rhythms and bright textures that hint at the Italianate energy fashionable in Paris during the 1730s.Unlike Couperin, who sought refinement and subtle elegance, Corrette often favored a more direct and accessible style. His Premier livre was intended not only for professional musicians but also for skilled amateurs, aligning with his lifelong mission to make music approachable. Historically, the collection occupies an interesting position it came at a moment when the harpsichord was at the height of it's prestige in France but just before the emerging galant style began to dominate keyboard writing. As such, Corrette's first book of harpsichord pieces serves as both a continuation of the French clavecin tradition and an early sign of stylistic transition. Today, it stands as a testament to Corrette's versatility and his role in bridging established Baroque forms with the new musical aesthetics of the mid-18th century.Agustin Alvarez, trained in the Caracas Conservatory and the Royal Superior Music Conservatory of Madrid, studied harpsichord and basso continuo with Tony Millan. He has received lessons from great maestros such as Christophe Rousset, Elisabeth Joye, Jac