Airbourne - No Guts. No Glory - VINYL LP

Australian rockers Airbourne have never been ones to think small. But on their self-titled sixth studio album, they've outdone themselves. Airbourne, a name that has, after all, become synonymous with bombastic, beer-soaked, dangerous, sexy rock'n'roll. InchThis record distils everything we stand for into one album,Inch explains Ryan of the title. InchIt's the best album that we could possibly make. InchReuniting with the powerhouse production team of Brian Howes (who produced 2013's Black Dog Barking) and engineer Mike Fraser (who worked on 2016's Breakin' Outta Hell and 2010's No Guts. No Glory. ), the band knuckled down at Music Farm Studio in Inchthe jungleInch outside Byron Bay. The complex boasts the original Neve console from Alberts Studios, on which bands like AC/DC, Rose Tattoo and The Angels recorded their landmark early albums. It's all presented in a meticulously crafted package mixed by Zakk Cervini (BMTH, Architects) that captures the passion, fire and sweat-soaked danger of a band at the peak of their powers, complete with drums that sound like canons and guitars that cut like buzzsaws.

Australian rockers Airbourne have never been ones to think small. But on their self-titledsixth studio album, they've outdone themselves. Airbourne, a name that has, after all, become synonymous with bombastic, beer-soaked, dangerous, sexy rock'n'roll. InchThis record distils everything we stand for into one album,Inch explains Ryan of the title. InchIt's the best album that we could possibly make. InchReuniting with the powerhouse production team of Brian Howes (who produced 2013's Black Dog Barking) and engineer Mike Fraser (who worked on 2016's Breakin' Outta Hell and 2010's No Guts. No Glory. ), the band knuckled down at Music Farm Studio in Inchthe jungleInch outside Byron Bay. The complex boasts the original Neve console from Alberts Studios, on which bands like AC/DC, Rose Tattoo and The Angels recorded their landmark early albums. It's all presented in a meticulously crafted package mixed by Zakk Cervini (BMTH, Architects) that captures the passion, fire and sweat-soaked danger of a band at the peak of their powers, complete with drums that sound like canons and guitars that cut like buzzsaws.

Ian F. Svenonius and the philosopher of fuzz, black-jacket beat-bopper, bandstand bolshevik, single note savant, tear-stained tape deck, last refuge of ineptitude, sin is in group Escape-Ism stopped by our Detroit location one afternoon last spring and recorded this pan-sonic polymorphously perverse plastic platter live on the Blue Stage. Album Tracks 1. Crime Wave Rock 2. Bodysnatcher