Alan Evans - Nothing To Say - COMPACT DISCS [CD]

Alan Parsons Project - Essential Alan Parsons Project [COMPACT DISCS] Holland - Import date 07/26/2011

British Conductor Steven Lloyd-Gonzalez makes his debut recording for First Hand Records with the BBC National Orchestra of Wales and the 6th & 9th Symphonies of Dmitri Shostakovich; two of the composer's more enigmatic and intimate works. The scale and breadth of the 6th Symphony's opening nocturnal Largo contrasted with the livelier and shorter 2nd and 3rd movements emphasizes the work's unique form and place in the 20th century symphonic oeuvre. The 9th Symphony's Haydnesque first movement with it's notorious gate-crashing trombone is followed by one of Shostakovich's most searching and atmospheric of movements. The Presto, by contrast, is a whirlwind of virtuosity before unexpectedly running out of steam and leading 'attaca' to the brutalist lower brass fanfare opening of the 4th movement, which in turn lays bare the ground for a desolate bassoon cadenza, here featuring Joshua Wilson as soloist. The Allegretto - Allegro finale once again evokes the classical sound world of the 1st movement, but now with a sense of nonchalance and aplomb.

Alan Vega's name is synonymous with unfettered, tireless creativity. Beginning in the late 1950s, when he was a fine art student at Brooklyn College, through his years playing in Suicide, and all the way up until his death in 2016, Vega was constantly creating. That process naturally led to a wealth of material that didn't see the light of day immediately when it was recorded, which came to be known as the Vega Vault. Mutator is the first in a series of archival releases from the Vault that will come out on Sacred Bones Records. Mutator was recorded alongside Vega's longtime collaborator Liz Lamere at his NYC studio from 1995-1996, and it serves as a document of a particularly fertile time in his creative life. He had 11 full-length solo albums come out during the '80s, '90s and '00s - plus numerous collaborations, and Suicide records A Way of Life and Why Be Blue. Mutator wasn't shelved intentionally, but Vega's back-to-the-grindstone M.O. meant that he had moved on to making his next record before this one was finished. Lamere and Vega's friend and confidante Jared Artaud (The Vacant Lots) rediscovered the raw, unmixed recordings from the Mutator sessions in the Vault in 2019. Soon after, they mixed and produced them into the visionary album that was lurking within those tapes. InchOur primary purpose for going into the studio was to experiment with sound, not to 'make records,'Inch Lamere recalls. InchI was playing the machines with Alan manipulating sounds. I played riffs while Alan morphed the sounds being channeled through the machines.InchAt the time of the Mutator sessions, Vega was massively inspired by what was happening in the streets of New York - not only the hip hop scenes that were exploding throughout the outer boroughs, but also the literal sounds of the streets, the traffic noise and industrial ambience of city living. That influence trickled into th