Albis Quartet - String Quartets 1 & 4 - COMPACT DISCS [CD]

A Sonic Dialogue Across Borders and DisciplinesString Quartets brings together three visionary composers-Stephan Thelen, Gebhard Ullmann, and Udo Agnesens-in a compelling exploration of contemporary string quartet writing. Performed with striking intensity and nuance by the Al Pari Quartet, this album spans a landscape of sonic textures, rhythmic complexity, and deeply personal expression.The Composers & WorksStephan Thelen contributes two powerful pieces-InchUrgent CallInch and InchContinuum in 9Inch-bridging minimalist structure and progressive rock energy. Drawing from his background as a mathematician and founder of the band Sonar, Thelen's music embraces polyrhythmic layering and mathematical precision while retaining an almost visceral emotional charge. InchUrgent CallInch is a driving invocation of Thelen's sonic ideals, while InchContinuum in 9Inch melds crackling textures with electric urgency, breaking boundaries between concert hall and rock stage.Gebhard Ullmann's String Quartet No. 1 unfolds as a meditative, melodic journey across movements that shimmer with emotional clarity. A prominent jazz saxophonist and clarinetist, Ullmann here turns to composition as a space of reflection. His quartet opens with ethereal sul tasto textures and builds into complex interrelations of melody, memory, and transformation. Inspired by themes from his own creative archives, Ullmann's music resonates with a sense of transience and transcendence.Udo Agnesens, represented by String Quartet No. 23, offers the most introspective contribution. Though a prolific composer with over 30 quartets to his name, Agnesens often writes without seeking performance-his focus lies in creation over dissemination. The 23rd quartet is marked by a solemn pace and emotional depth, demanding immense control from the performers. It draws listeners inward, revealing it's subtle beauty through patie

Quatuor Ebene - String Quartets [COMPACT DISCS] date 10/14/2008

Unchanged since it's formation more than a decade ago, the Quartetto Noûs has made albums for the Amadeus tag and the Italian division of Warner Classics, but this is the ensemble's first recording to receive international distribution and attention. Having studied with the Quartetto di Cremona but also quartet luminaries such as Gunter Pichler and Rainer Schmidt, they combine an Italian warmth of collective sonority with the incisive musical instincts of modern-European schools of quartet playing. Pesenting five of Shostakovich's best-known quartets, this volume presents the first in a projected series of the complete quartets for on Brilliant Classics. Contemporaneous with the postwar Ninth Symphony which attracted censure for it's unsettling humor, the Third Quartet of 1946 remained one of the composer's own favorite works, and it's five-movement form dives deep into dark waters before finding uneasy rest in one of Shostakovich's most characteristically edgy finales. It was following the death of Stalin in 1953 that several of Shostakovich's works began to feature his musical monogram, DSCH transliterated into notation, and the Fifth Quartet is one of the first such pieces. The contrapuntal working of the quartet makes it one of the most satisfying in the cycle, while the Seventh presents the composer once more as oddball clown, the Fool to the King Lear of the Eighth Quartet, where the DSCH motif finds a tragic apotheosis. The five-movement form once more serves Shostakovich well in the Ninth but signs of his refined and austere 'late style' begin to appear in the solemn simplicity of the slow music and the pithy exhilaration of the finale, which is almost a quartet in itself and the most Bartókian movement of the entire cycle.