Alchemy Of Scott Lafaro: Young Meteor Of Thebass - Alchemy Of Scott Lafaro: Young Meteor Of The Bass - COMPACT DISCS [CD]
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Comprehensive 3CD set celebrating the life and work of Scott LaFaro. Scott LaFaro burst onto the scene in 1957-58 with breathtaking performances on the albums 'This is Pat Moran' and 'The Arrival of Victor Feldman'. He played with Monk and Dolphy and a host of others and studied the music of Sonny Rollins and Anton Webern along the way. He participated in the Inchsonic revolutionInch of Ornette Coleman's 'Free Jazz' Double Quartet and was an equal voice in one of the most wonderfully integrated units in the history of jazz, the first Bill Evans Trio. While still in his early twenties, LaFaro developed bass playing to a new level of facility. He had a gorgeous tone and unflagging melodicism; a lyrical sensibility that reached full expression with the extraordinary recordings of the Evans Trio made in late June of 1961 at the Village Vanguard, just days before the tragic automobile accident that took his life and robbed the jazz world of the most influential bassist of modern times. Scott set himself exacting standards and was rarely satisfied. While technically advanced, his development was grounded in feeling. His playing was cultured and exciting and it could break your heart. This anthology showcases some of the considerable recorded highlights of Scott LaFaro's short career including 'The Arrival of Victor Feldman' and 'Free Jazz A Collective Improvisation by the Ornette Coleman Double Quartet' in their entirety and a quantity of selections from the Bill Evans Trio albums 'Sunday at the Village Vanguard' and 'Waltz for Debby'.
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- GenreJazzDescriptionComprehensive 3CD set celebrating the life and work of Scott LaFaro. Scott LaFaro burst onto the scene in 1957-58 with breathtaking performances on the albums 'This is Pat Moran' and 'The Arrival of Victor Feldman'. He played with Monk and Dolphy and a host of others and studied the music of Sonny Rollins and Anton Webern along the way. He participated in the Inchsonic revolutionInch of Ornette Coleman's 'Free Jazz' Double Quartet and was an equal voice in one of the most wonderfully integrated units in the history of jazz, the first Bill Evans Trio. While still in his early twenties, LaFaro developed bass playing to a new level of facility. He had a gorgeous tone and unflagging melodicism; a lyrical sensibility that reached full expression with the extraordinary recordings of the Evans Trio made in late June of 1961 at the Village Vanguard, just days before the tragic automobile accident that took his life and robbed the jazz world of the most influential bassist of modern times. Scott set himself exacting standards and was rarely satisfied. While technically advanced, his development was grounded in feeling. His playing was cultured and exciting and it could break your heart. This anthology showcases some of the considerable recorded highlights of Scott LaFaro's short career including 'The Arrival of Victor Feldman' and 'Free Jazz A Collective Improvisation by the Ornette Coleman Double Quartet' in their entirety and a quantity of selections from the Bill Evans Trio albums 'Sunday at the Village Vanguard' and 'Waltz for Debby'.ArtistALCHEMY OF SCOTT LAFARO: YOUNG METEOR OF THEBASSTitleAlchemy Of Scott Lafaro: Young Meteor Of The Bass - Anthology / VariousFormatCDLabelEl Records
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Comprehensive 3CD set celebrating the life and work of Scott LaFaro. Scott LaFaro burst onto the scene in 1957-58 with breathtaking performances on the albums 'This is Pat Moran' and 'The Arrival of Victor Feldman'. He played with Monk and Dolphy and a host of others and studied the music of Sonny Rollins and Anton Webern along the way. He participated in the Inchsonic revolutionInch of Ornette Coleman's 'Free Jazz' Double Quartet and was an equal voice in one of the most wonderfully integrated units in the history of jazz, the first Bill Evans Trio. While still in his early twenties, LaFaro developed bass playing to a new level of facility. He had a gorgeous tone and unflagging melodicism; a lyrical sensibility that reached full expression with the extraordinary recordings of the Evans Trio made in late June of 1961 at the Village Vanguard, just days before the tragic automobile accident that took his life and robbed the jazz world of the most influential bassist of modern times. Scott set himself exacting standards and was rarely satisfied. While technically advanced, his development was grounded in feeling. His playing was cultured and exciting and it could break your heart. This anthology showcases some of the considerable recorded highlights of Scott LaFaro's short career including 'The Arrival of Victor Feldman' and 'Free Jazz A Collective Improvisation by the Ornette Coleman Double Quartet' in their entirety and a quantity of selections from the Bill Evans Trio albums 'Sunday at the Village Vanguard' and 'Waltz for Debby'.

Released in December 1971, Ten Man Mop is Steeleye Span's third studio album and a defining statement in British folk rock. Recorded at Sound Techniques in London, it captures the band's transition from acoustic purity to a more electrified, experimental sound. The lineup - Maddy Prior, Tim Hart, Martin Carthy, Peter Knight, and Ashley Hutchings - delivers a rich blend of traditional balladry and bold instrumental interplay. The album's title references a medieval job fair, reflecting the band's playful yet scholarly approach to folklore. It's subtitle honors Reservoir Butler, a little-known folk singer whose name the band felt deserved preservation. This was Hutchings' final album with the group, marking the end of an era and the beginning of a new sonic direction. The production, overseen by Sandy Roberton, balances authenticity with studio sophistication. With textured gatefold packaging and extensive liner notes, the original was a labor of love-so much so that the band lost money on each copy sold. Ten Man Mop remains a collector's treasure, prized for it's historical depth and musical integrity. Ideal for fans of Fairport Convention and Pentangle, it's a cornerstone of the UK folk revival. A timeless blend of tradition and innovation, this album continues to resonate with discerning listeners.

Part of Universal Japan's 'Everything Jazz - Vol. 3 Concord Edition' reissue campaign. Features the high-fidelity UHQCD . Green color tag coating. Universal. 2025.
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