Aldo del Rio - El Bardo - COMPACT DISCS [CD]

Elvis Costello & the Attractions - InchSpanish ModelInch - Elvis Costello and award-winning producer, Sebastian Krys, have brought together a stunning international cast of some of the biggest Latin rock and pop artists from around the globe to interpret Elvis Costello and The Attractions' album, This Year's Model, entirely in Spanish. The inspired Spanish-language adaptations are set to the band's classic studio performances, culled from the original master recordings, which have been newly mixed by Krys. Available on black Vinyl. Album Tracks 1. No Action 2. (Yo No Quiero Ir a) Chelsea ((I Don't Want to Go to) Chelsea) 3. Yo Te VI (The Beat) 4. Pump It Up 5. Detonantes (Little Triggers) 6. Tu Eres Para Mi (You Belong to Me) 7. Hand in Hand 8. La Chica de Hoy (This Year's Girl) 1. Mentira (Lip Service) 2. Viviendo en El Paraiso (Living in Paradise) 3. Lipstick Vogue 4. La Turba (Night Rally) 5. Llorar (Big Tears) 6. Radio Radio 7. Crawling to the U.S.A 8. Se Esta Perdiendo la Inocencia (Running Out of Angels)

One of underground rock's most extraordinary enigmas. The Quietus. First time on Double Silver Vinyl. Critical praise from Pitchfork, Clash, The Wire, Q Magazine and more upon . New inverted Limited Edition artwork. Fire re-issue Bardo Pond's eponymous eighth studio album from 2010, their debut for Fire from way back when. A lysergic brain wrestler in which the Pennsylvanian drone outfit perfect their modal sound. Teasing the artistry of LaMonte Young and Terry Riley into a guitar shaped cauldron, the album's compulsive reverbed guitar shapes slowly simmer behind Isobel Sollenberger's esoteric vocals InchLike hearing a tannoy at a station in the voice of Jesus.Inch The Quietus.1 Just Once 2 Don't Know About You 3 Sleeping 4 Undone 5 Cracker Wrist 6 The Stars Behind 7 Wayne's Tune

Semele is a masterpiece. For what else can one call a drama in which the perfect symbiosis of text and music conjures up such suggestive power? 'To hold the mind, the ears and the eyes equally spellbound' this recommendation by La Bruyère (Les Caractères 'Les ouvrages de l'esprit') refers to the 'machine plays' so adored by the public in the Baroque period. But even without machinery or indeed without sets or real staging, Handel's oratorio involves us in the tragic fate of his heroine with supreme skill.