Ale Dee - Mine de Rien - COMPACT DISCS [CD]

Ceberio Ale - Pleno [COMPACT DISCS] Argentina - Import date 08/27/2013

In the Summer of 1989, word was out that The Grateful Dead were recording their summer tour for an upcoming live album. Thankfully, word later spread that they were also recording the magnificent Fall Tour of 1989. And then the equally great Spring Tour of 1990. Just before the Dead split for Europe in the Fall of 1990, they surprised their fans with the of the long-awaited live album, showing off their late-Brent era excellence. Mixed from the 24-track analog master tapes, the album was a sonic wonder, filled with some of the best material played by the Dead on the last tours featuring Brent Mydland, who would pass away before the album was completed. Included on the album is a beautiful rendition of Dear Mr. Fantasy, a late addition to the track list, as a tribute to Brent, to whom the album is dedicated. Also of note is the famous InchEyes Of The WorldInch from Nassau Coliseum with Branford Marsalis, a ripping InchChina Cat SunflowerInch InchI Know You Rider,Inch and classic first set material from the era, including InchAlthea,Inch InchCassidy,Inch and InchLet It Grow.Inch A sonic masterpiece and energetic tour de force. - 3LPs of live Dead! Over two hours of historic performances from October 1989-April 1990. Newly Mastered by GRAMMY® Award-winning engineer David Glasser. Produced for by David Lemieux.

Grammy-nominated star saxophonist Amy Dickson returns with her most personal album yet, exploring connections between classical composers and the folk music of their homelands. From the red dirt of the Australian desert to the rolling green hills of the Scottish Highlands, In Circles celebrates folk music and the tremendous influence it has had on music around the world and throughout history. As Dickson says, InchFolk music breathes the very identity of a country, and in troubled times can be a source of solace, over and over again. At the core of folk music lies a beating heart of humanity to which we return again and again. The creation itself of this music requires personal, family and social connections - in a word kinship.Inch This sense of community and togetherness is amplified by the collaborations on this album. With celebrated composer and didgeridoo virtuoso William Barton, Dickson explores music by Australian composers Ross Edwards, Peter Sculthorpe and Barton himself. With acclaimed pianist Daniel de Borah she traverses Europe, from Brahms to Falla, Pessard and Vaughan Williams. With Nicholas Carter and the Adelaide Symphony Orchestra, she explores archetypes of traditional Scottish music in a world premiere recording of Sir James MacMillan's Saxophone Concerto, written specifically for Dickson. Dickson continues, InchIn today's frenetic digital age, folk music offers us a refuge the enduring simplicity and nostalgia embodied in this music provides timeless sanctuary from the relentless surge of modernity.Inch