Aleandri Farinelli - Sonate Per Violoncello E Piano - COMPACT DISCS [CD]

The Cappella Musicale of the Basilica di San Francesco is several centuries old; it's origin is very ancient and dates back to the first years of the thirteenth century, in direct connection with the particular stimulus given by St. Francis to singing the praise of God, an activity that was encouraged by a renovation of liturgical prayer, within the precepts of the Holy Roman Church. The main purpose of this is to present a retrospective view of the last two centuries of the Cappella Musicale of the Basilica Papale di San Francesco in Assisi, through the three musicians, friars of the Franciscan Order of the Convent Minorites, who are the best representatives of that period for the nineteenth century, Father Alessandro Borroni; for the period straddling the nineteenth and twentieth centuries, Father Domenico Stella; and for the most recent period, Father Antonio Alemanno. The reason for this proposal is above all the high artistic quality of the works presented, with respect to the fact they are very little known or have been almost completely forgotten. A further peculiarity of this production lies instead in the organic the three Assisi Chapel Masters are writing for, that is the classical chamber music ensemble for voice and piano that finds it's own peculiar space next to the large quantity of liturgical music production created by the composers as assigned by the InchBasilica del Sacro Convento.Inch

The Folk Implosion, Lou Barlow and John Davis's recently reactivated musical project, will Music For KIDS, a deluxe reissue of their original compositions that soundtracked Harmony Korine's 1995 cult classic film.

In 1738 the acclaimed violinist and composer Michele Mascitti (1664-1760) published in Paris his ninth collection of sonatas. The seventy-four-year-old Neapolitan musician was at the end of his long and celebrated career, but not of his creative powers. Dedicated to the Crozat family, which was to be Mascitti's patron until the end of his life, the twelve sonatas for violin and bass op.9 are fine examples of the graceful blend of Italian and French styles that made this composer so popular in France. With the world premiere of eight sonatas from Mascitti's op. 9, the Quartetto Vanvitelli carries on the rediscovery of this music that Hubert Le Blanc likened 'to the warbling of the nightingale'. After the success of their interpretation of Mascitti's op.8, greeted as 'a jewel of interpretation that exalts with grace, elegance and, more importantly, finesse of touch, the individual stylistic experimentation of Mascitti' (A111), the ensemble Vanvitelli makes with this recording another decisive step towards the full appreciation of this remarkable and unjustly forgotten composer.