Alejandro Del Angel - Puccini: Messa di Gloria; Capriccio sinfonico - COMPACT DISCS [CD]

When playing and hearing BEBOP RIDDLE II the virtuosity, flexibility, and energy of superstar jazz upright-bass players Charles Mingus, Ron Carter, and Ray Brown leap to ear and mind. This force, intersected with other specific musical perfumes formulate a unique sonic palette. Thomas said, InchI love how music talks with music.Inch Imagine the pointillistic intricacy and contrapuntal, conversational, interlocking-lines of J.S. Bach's keyboard music crisscrossed with Bill-Evans-and-Thelonious-Monk-like harmonies, then further overlapped with the energy of bebop's fast tempo, rapid chord changes, mood shifts, and instrumental flair. Thomas braids these auras (there are no musical quotes in the composition) into a personal, nuanced amalgam that captures the spirit of improvisation, at turns whimsical, soulful, vivacious, reflective, and animated. Thomas said, InchThere is a lifeforce when one musician speaks in music with another. Even if from time to time one musician is silent, there is still an animated spirit and energy.Inch She writes on her score, InchFull of spirit; Enthusiastic inner-life for each note, line, and hocket.Inch This refined composition is a 7-minute conversation between cello and piano as well as a conversation between composer and some of her musical idols. Thomas is composing a series of InchBebop RiddlesInch all of which are completely independent, unique works. Bebop Riddle I is for solo marimba. Thomas dedicates this work with admiration and gratitude to Ellen Highstein to honor her longstanding leadership of the Tanglewood Music Center. Commissioned by the Tanglewood Music Center and the Boston Symphony Orchestra.

G. Puccini - Messa Di Gloria / Preludio Sinfonico O Crisantemi [COMPACT DISCS] date 02/19/2002

Puccini's InchMessa di GloriaInch is one of the most popular settings of the Latin Mass, and is also featured on many concert programmes in the Puccini Year of 2024. The musical quality, energy and freshness of this youthful work ensured it's ever-growing popularity after it's rediscovery in the early 1950s. The composer even went on to quote some of the melodies in his famous operas, notably InchManon LescautInch. The InchMessa di GloriaInch was most recently performed on June 27, 2024 in the Herz-Jesu-Kirche in Munich by the Bavarian Radio Chorus and the Munchner Rundfunkorchester under it's chief conductor Ivan Repusic. To mark the 100th anniversary of the death of the great Italian composer, BR-KLASSIK is now presenting the live recording of this outstanding concert on CD.Giacomo Puccini wrote his InchMessa a quattro voci con orchestraInch (InchMass for Four Voices with OrchestraInch) between 1878 and 1880 as the final thesis of his music studies in his hometown of Lucca. The first preparatory work was done when he was just eighteen, and the young composer was only 21 when the work was first performed on July 12, 1880. The Mass remained unpublished during his lifetime but became immensely popular after it's rediscovery in the early 1950s. However, in the first printed edition and in later performances it was inaccurately described as a InchMessa di GloriaInch, a term that in fact refers to a (usually shorter) composition consisting only of Kyrie and Gloria; Puccini's Mass is in fact a full work, the complete setting of the Latin Ordinary with Kyrie, Gloria, Credo, Sanctus/Benedictus and Agnus Dei. Puccini had begun his work on the Credo as early as 1878. In the InchMessa di GloriaInch, the choir takes centre stage with increasingly beautiful melodies; the solo parts for tenor and baritone are sung by Tomislav Muzek and George Petean. The approximately 45-minute-lo