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Alison Murray - Robin Stevens: Orchestral Music, Vol. 1 - COMPACT DISCS [CD]

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The compositional career of Robin Stevens, Welsh-born (in 1958), and Manchester-based, is divided into two periods, separated by a period of illness. The first mainly produced chamber music and works for the church that employed him; restored to health, he found an appetite for larger forms, writing three substantial concertos and a number of other orchestral works - all now recorded for Toccata Classics. This first album sets his expansive Bassoon Concerto, amid three shorter works, each of them revealing how his command of orchestral colour and melodic line can suggest landscapes and narratives. In the slow movement of the Concerto in particular, there are passages of deep feeling and intensity, but Stevens also has a healthy sense of fun, which often emerges unexpectedly to energise his music.

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  • Genre
    Classical
    Description
    The compositional career of Robin Stevens, Welsh-born (in 1958), and Manchester-based, is divided into two periods, separated by a period of illness. The first mainly produced chamber music and works for the church that employed him; restored to health, he found an appetite for larger forms, writing three substantial concertos and a number of other orchestral works - all now recorded for Toccata Classics. This first album sets his expansive Bassoon Concerto, amid three shorter works, each of them revealing how his command of orchestral colour and melodic line can suggest landscapes and narratives. In the slow movement of the Concerto in particular, there are passages of deep feeling and intensity, but Stevens also has a healthy sense of fun, which often emerges unexpectedly to energise his music.
    Artist
    Alison Murray
    Title
    Robin Stevens: Orchestral Music, Vol. 1
    Format
    CD
    Label
    Toccata
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Alison Murray - Robin Stevens: Orchestral Music, Vol. 1   - COMPACT DISCS [CD]
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The compositional career of Robin Stevens, Welsh-born (in 1958), and Manchester-based, is divided into two periods, separated by a period of illness. The first mainly produced chamber music and works for the church that employed him; restored to health, he found an appetite for larger forms, writing three substantial concertos and a number of other orchestral works - all now recorded for Toccata Classics. This first album sets his expansive Bassoon Concerto, amid three shorter works, each of them revealing how his command of orchestral colour and melodic line can suggest landscapes and narratives. In the slow movement of the Concerto in particular, there are passages of deep feeling and intensity, but Stevens also has a healthy sense of fun, which often emerges unexpectedly to energise his music.

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The compositional career of Robin Stevens (1958-2026), Welsh-born and Manchester-based, was divided into two periods, separated by a period of illness. The first produced mainly chamber music and works for the church that employed him; restored to health (briefly, as it transpired), he found an appetite for larger forms, writing three substantial concertos and a number of other orchestral works. The tone-poem Mourning into Dancing was his first for large orchestra, but he handles the medium with virtuosic assurance, generating a wildly exciting showpiece, a kaleidoscope of colour and rhythm. Stevens never lived to complete the symphony he had in mind, but his expansive, four-movement Viola Concerto is symphonic in outline, with the viola soloist both initiating and commenting on the action-rather like a distant cousin of Berlioz's Harold en Italie. The more modest Concert Rondo for flute and small orchestra provides light relief between these two mighty scores.

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The compositional career of Robin Stevens, Welsh-born (in 1958) and Manchester-based, is divided into two periods, separated by a period of illness. The first mainly produced chamber music and works for the church that employed him; restored to health, he found an appetite for larger forms, writing three substantial concertos and a number of other orchestral works. Stevens' substantial, four-movement Cello Concerto is something of a symphony-with-cello, casting the orchestra in kaleidoscopic discussion with the soloist. Here the Concerto sits between a charming orchestral miniature and a searching symphonic poem.

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