All Hands_Make Light - Darling The Dawn - COMPACT DISCS [CD]
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All Hands_Make Light is the newly minted duo of Ariel Engle (La Force, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). AH_ML weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular synth work of recent years, imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. The result is a wholly compelling and spellbinding album of preternaturally genre-bending sonics and songwriting a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires, thrumming with alternately tender and serrated beauty. Sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs InchI wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulsesInch says Engle. For Menuck, the record started Inchwith an idea of making a long thing about 'THE DAWN', the different weights of it's radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept.Inch With guests Jessica Moss (Thee Silver Mt. Zion, Big Brave) on violins and Liam O'Neil (Suuns) on drums. Album Tracks 1. A Sparrows' Lift 2. We Live on a Fucking Planet and Baby That's the Sun 3. Waiting for the Light to Quit 4. A Workers' Graveyard (Poor Eternal) 5. The Sons and Daughters of Poor Eternal 6. Anchor 7. Lie Down in Roses Dear
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- GenreRockDescriptionAll Hands_Make Light is the newly minted duo of Ariel Engle (La Force, Broken Social Scene) and Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion). AH_ML weaves these two unique voices through lustrous tendrils of blown-out tones and drones, expanding on Menuck's eponymous modular synth work of recent years, imbued with an additionally searing, soulful warmth and melodicism through Engle's singing. The result is a wholly compelling and spellbinding album of preternaturally genre-bending sonics and songwriting a sort of electronic shoegaze suffused with freak-folk, kosmische, darkwave and post-industrial, conjuring traditionals sung in the haze of earliest light accompanied by overdriven circuit boards powered with ungrounded wires, thrumming with alternately tender and serrated beauty. Sleepless anxiety/euphoria and a sense of somatic channeling is vital to these songs InchI wanted the melodies to be immediate and to surprise me, not a laboured process; it's about being a weather vane, guided by preconscious impulsesInch says Engle. For Menuck, the record started Inchwith an idea of making a long thing about 'THE DAWN', the different weights of it's radiance, the way it kisses our dumb faces when we rise and leave the night behind, the heaviness of that light when you haven't slept.Inch With guests Jessica Moss (Thee Silver Mt. Zion, Big Brave) on violins and Liam O'Neil (Suuns) on drums. Album Tracks 1. A Sparrows' Lift 2. We Live on a Fucking Planet and Baby That's the Sun 3. Waiting for the Light to Quit 4. A Workers' Graveyard (Poor Eternal) 5. The Sons and Daughters of Poor Eternal 6. Anchor 7. Lie Down in Roses DearArtistAll Hands_Make LightTitleDarling The DawnFormatCDLabelConstellation
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Artists are hardly strangers to working in the wilderness but this project made that a requirement. Student performers from Allendale, Michigan - home to the ever-enterprising Grand Valley State University (GVSU) New Music Ensemble - and fearless composers from across the nation, went back-a-bush to listen, explore, and respond to some of our great environmental treasures. InchIn 2014 we started an ongoing project in which we commissioned composers to respond to our national parks. We then travelled to these parks and performed the music in the lands that inspired it. To date we have commissioned twenty composers and performed in fourteen national parks. This album is a collection of eleven of those works, as diverse and engaging as the parks they were based on Arches, Badlands, Capitol Reef, Grand Teton, Wind Cave, and Yellowstone. The music is deeply personal to the composers, who were each commissioned because of their strong connections to our natural environment. With performances in amphitheaters, visitor centers, lodges, and even deep in the wilderness, this music has reached thousands of park visitors and illustrated how incredible landscapes can impact creative artists.Inch - Bill Ryan, Director The intrepid artists on this album responded in various ways to their park experiences; from being awestruck by the silence and grandeur, to the geological transformations, misty rivers, bird song, Inchperfect mountainousness,Inch stargazing through rock formations, the resonance of caves, a Inchsonic time-lapse of the history of this land,Inch and a close encounter with a bear. The range of accomplished composers also includes two former ensemble members, demonstrating the fertile breeding ground of Michigan as well as the wealth of creative resources across the land. Based in Allendale, Michigan, the New Music Ensemble at Grand Valley State University promotes the
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