Allegri / Krenn / Chorus Sine Nomine / Hiemetsber - Miserere - VINYL LP
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• In it's latest project, the Chorus sine nomine, one ofAustria's leading choirs, under it's founder and directorJohannes Hiemetsberger has turned to a very special work the Miserere by Gregorio Allegri in an arrangement forsaxophone and three choirs a cappella by Vladimir Ivanoff.• The setting of the 51st Psalm from the 1630s, which isuniquely captivating due to it's simplicity, was a fixedcomponent of the liturgy of Easter week in the SixtineChapel in Rome for over 250 years and soon achieved cultstatus because of the high penalties on it's 'pirate copy'.• Here, the three-choir ensemble is in a subtle equilibriumwith the young saxophonist Michael Krenn and meets anytrace of sentimental mush with the respect due.• Recorded in the splendid Viennese acoustic of the OttoWagner designed Church am Steinhof, built in the firstdecade of the 20th c. on the grounds of the then LowerAustrian State Asylum. Album Tracks 1. 01. Miserere Mei 2. 02. Et Secundum 3. 03. Amplius 4. 04. Tibi Soli 5. 05. Ecce Enim 6. 06. Asperges Me 7. 07. Averte Faciem 8. 08. Cor Mundum 9. 09. Danza 10. 10. Quoniam Si Voluisses 11. 11. Tunc Acceptabis 12. 12. Sofferenza 13. 13. Tunc Imponent
- GenreClassicalDescription• In it's latest project, the Chorus sine nomine, one ofAustria's leading choirs, under it's founder and directorJohannes Hiemetsberger has turned to a very special work the Miserere by Gregorio Allegri in an arrangement forsaxophone and three choirs a cappella by Vladimir Ivanoff.• The setting of the 51st Psalm from the 1630s, which isuniquely captivating due to it's simplicity, was a fixedcomponent of the liturgy of Easter week in the SixtineChapel in Rome for over 250 years and soon achieved cultstatus because of the high penalties on it's 'pirate copy'.• Here, the three-choir ensemble is in a subtle equilibriumwith the young saxophonist Michael Krenn and meets anytrace of sentimental mush with the respect due.• Recorded in the splendid Viennese acoustic of the OttoWagner designed Church am Steinhof, built in the firstdecade of the 20th c. on the grounds of the then LowerAustrian State Asylum. Album Tracks 1. 01. Miserere Mei 2. 02. Et Secundum 3. 03. Amplius 4. 04. Tibi Soli 5. 05. Ecce Enim 6. 06. Asperges Me 7. 07. Averte Faciem 8. 08. Cor Mundum 9. 09. Danza 10. 10. Quoniam Si Voluisses 11. 11. Tunc Acceptabis 12. 12. Sofferenza 13. 13. Tunc ImponentArtistALLEGRI / KRENN / CHORUS SINE NOMINE / HIEMETSBERTitleMiserereFormatVINYLLabelGramola
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• In it's latest project, the Chorus sine nomine, one ofAustria's leading choirs, under it's founder and directorJohannes Hiemetsberger has turned to a very special work the Miserere by Gregorio Allegri in an arrangement forsaxophone and three choirs a cappella by Vladimir Ivanoff.• The setting of the 51st Psalm from the 1630s, which isuniquely captivating due to it's simplicity, was a fixedcomponent of the liturgy of Easter week in the SixtineChapel in Rome for over 250 years and soon achieved cultstatus because of the high penalties on it's 'pirate copy'.• Here, the three-choir ensemble is in a subtle equilibriumwith the young saxophonist Michael Krenn and meets anytrace of sentimental mush with the respect due.• Recorded in the splendid Viennese acoustic of the OttoWagner designed Church am Steinhof, built in the firstdecade of the 20th c. on the grounds of the then LowerAustrian State Asylum. Album Tracks 1. 01. Miserere Mei 2. 02. Et Secundum 3. 03. Amplius 4. 04. Tibi Soli 5. 05. Ecce Enim 6. 06. Asperges Me 7. 07. Averte Faciem 8. 08. Cor Mundum 9. 09. Danza 10. 10. Quoniam Si Voluisses 11. 11. Tunc Acceptabis 12. 12. Sofferenza 13. 13. Tunc Imponent
Chorus sine nomine, founded in 1991 by Johannes Hiemetsberger, is one of the most distinguished and innovative concert choirs in Austria. On this CD, the choir presents motets by Anton Bruckner. Bruckner simply called them sacred choruses, as the reason for their composition can usually be traced back to a liturgical occasion. The six works on the CD correspond to such liturgical interludes Graduale (Christus factus est, Locus iste, Os justi, Virga Jesse), Offertorium (Ave Maria) and a hymn for the Good Friday liturgy (Vexilla regis). As an organist, Bruckner was admired above all for his improvisations. He was particularly admired for his high contrapuntal skills, in which he demonstrated his craftsmanship in fugue and imitation. The style of the fugal parts of his improvisations was based on Baroque patterns (such as Handel), while in other, more imaginative parts the tonal language of his organ playing became increasingly typical of Bruckner. Martin Haselbock establishes this connection to Bruckner with his organ improvisations. Album Tracks 1. Ave Maria, Wab 6 2. Improvisation I 3. Virga Jesse, Wab 52 4. Os Justi, Wab 30 5. Improvisation II 6. Locus Iste, Wab 23 7. Improvisation III 8. Vexilla Regis, Wab 51 9. Improvisation IV 10. Christus Factus Est, Wab 11
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