Alvaro Cassuto - Symphonies 1 & 2 - COMPACT DISCS [CD]
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Bomtempo composed music for different musical ensembles. Among his works, the most important ones are, in addition to many compositions for the piano, his five concertos for piano and orchestra, his Requiem in Memory of Camões and the two symphonies here included, although early musicologists mention that he composed a total of six symphonies. Symphony No.1 shows the influence of Haydn and Mozart. It follows the classical form despite the fact that the second movement is a Menuet, and not the usual Andante. The first movement has a slow introduction and it's Allegro section follows sonata form. The Menuet has the usual contrasting Trio and the third movement (Andante sostenuto) develops along the lines of a free set of variations, with an emphasis on the use of the wind instruments. The work is scored for two flutes, two oboes, two clarinets, two bassoons, two horns and timpani. The oldest existing copy of the full orchestral score is in the handwriting of a copyist. Curiously, it has no trumpets. Since the timpani part is independent of that of the horns, and since the symphonies which directly influenced Bomtempo do not use timpani without trumpets, I have added two trumpets to the timpani part. The score and parts of this symphony were published in 1963 by the Calouste Gulbenkian Foundation in Lisbon. Symphony No. 2 is a work of much larger scope and dimension. It's musical style is clearly more Romantic than that of the first symphony and it's form much broader and more fluid. Of particular interest is the lyricisim of the Allegro moderato, which follows the slow introduction of the first movement. It's sheer size reminds us of Beethoven's Eroica Symphony. Equally original is the second movement, whose rhythmic character is interrupted by a theme which resembles more an operatic aria than the middle section of an orchestral slow movement. Also noteworthy is the ea
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- GenreClassicalDescriptionBomtempo composed music for different musical ensembles. Among his works, the most important ones are, in addition to many compositions for the piano, his five concertos for piano and orchestra, his Requiem in Memory of Camões and the two symphonies here included, although early musicologists mention that he composed a total of six symphonies. Symphony No.1 shows the influence of Haydn and Mozart. It follows the classical form despite the fact that the second movement is a Menuet, and not the usual Andante. The first movement has a slow introduction and it's Allegro section follows sonata form. The Menuet has the usual contrasting Trio and the third movement (Andante sostenuto) develops along the lines of a free set of variations, with an emphasis on the use of the wind instruments. The work is scored for two flutes, two oboes, two clarinets, two bassoons, two horns and timpani. The oldest existing copy of the full orchestral score is in the handwriting of a copyist. Curiously, it has no trumpets. Since the timpani part is independent of that of the horns, and since the symphonies which directly influenced Bomtempo do not use timpani without trumpets, I have added two trumpets to the timpani part. The score and parts of this symphony were published in 1963 by the Calouste Gulbenkian Foundation in Lisbon. Symphony No. 2 is a work of much larger scope and dimension. It's musical style is clearly more Romantic than that of the first symphony and it's form much broader and more fluid. Of particular interest is the lyricisim of the Allegro moderato, which follows the slow introduction of the first movement. It's sheer size reminds us of Beethoven's Eroica Symphony. Equally original is the second movement, whose rhythmic character is interrupted by a theme which resembles more an operatic aria than the middle section of an orchestral slow movement. Also noteworthy is the eaArtistAlvaro CassutoTitleSymphonies 1 & 2FormatCDLabelNaxos
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Bomtempo composed music for different musical ensembles. Among his works, the most important ones are, in addition to many compositions for the piano, his five concertos for piano and orchestra, his Requiem in Memory of Camões and the two symphonies here included, although early musicologists mention that he composed a total of six symphonies. Symphony No.1 shows the influence of Haydn and Mozart. It follows the classical form despite the fact that the second movement is a Menuet, and not the usual Andante. The first movement has a slow introduction and it's Allegro section follows sonata form. The Menuet has the usual contrasting Trio and the third movement (Andante sostenuto) develops along the lines of a free set of variations, with an emphasis on the use of the wind instruments. The work is scored for two flutes, two oboes, two clarinets, two bassoons, two horns and timpani. The oldest existing copy of the full orchestral score is in the handwriting of a copyist. Curiously, it has no trumpets. Since the timpani part is independent of that of the horns, and since the symphonies which directly influenced Bomtempo do not use timpani without trumpets, I have added two trumpets to the timpani part. The score and parts of this symphony were published in 1963 by the Calouste Gulbenkian Foundation in Lisbon. Symphony No. 2 is a work of much larger scope and dimension. It's musical style is clearly more Romantic than that of the first symphony and it's form much broader and more fluid. Of particular interest is the lyricisim of the Allegro moderato, which follows the slow introduction of the first movement. It's sheer size reminds us of Beethoven's Eroica Symphony. Equally original is the second movement, whose rhythmic character is interrupted by a theme which resembles more an operatic aria than the middle section of an orchestral slow movement. Also noteworthy is the ea
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Fernando Lopes-Graca was one of the most prolific Portuguese composers of the 20th century. His use of Portuguese folk-music to forge a personal style is represented in the Suite RUstica No. 1. More sombre moods are expressed in the dark atmosphere of December Poem, which contrasts with the extrovert Festival March. Neo-classical in it's extended structures and thematic development, Lopes-Graca's award-winning Symphony maintains an unmistakable connection with the colors and textures of his nation to create music of great expressive and dramatic depth. Ulvaro Cassuto is Portugal's foremost conductor. A recipient of the Koussevitzky Prize among many other honors, he has enjoyed a career of high international acclaim. He has been a frequent guest of many leading orchestras, including the London Symphony, the Royal Philharmonic, the London Philharmonic, the Philadelphia Orchestra, and dozens of others across the world.
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