This product doesn't have any reviews yet.
![American Modern Ensemble - Powerhouse Pianists - COMPACT DISCS [CD]](https://pisces.bbystatic.com/image2/BestBuy_US/images/products/7fe1261a-8879-4527-bed6-05e86b8e555c.jpg;maxHeight=422;maxWidth=264?format=webp)
Powerhouse Pianists is the American Modern Ensemble's first recording on the AMR tag and highlights two of it's members, pianists Blair McMillen and Stephen Gosling. Hailed by critics as 'Brilliant young stars... The dynamic duo of contemporary pianists' (The New York Times), this recording contains a selection of contemporary masterpieces by a few of America's greatest composers. Of special note on this recording is a work by Annie Gosfield in which Mr. McMillen plays the piano with a baseball mitt and baseballs. REVIEW FROM THE JUILLIARD JOURNAL An eclectic program... McMillen offers a rarity right off the bat, with Chester Biscardi's softly glittering Piano Sonata, then completely changes direction with Lee Hyla's stark Basic Training and Eric Moe's Where Branched Thoughts Murmur in the Wind, a brief, delicate essay. He ends with Brooklyn, October 5, 1941, Annie Gosfield's striking tribute to the Brooklyn Dodgers (played with baseballs and a mitt), in an unusual set delivered with tautness and finesse. Gosling begins with George Tsontakis's enigmatic Bagatelle, which at one point hovers over some very Brahmsian chords, followed by the darkly mysterious Episodes for Piano by Perry Townsend. Then Conlon Nancarrow bubbles into the mix with Tango?, brimming with wit. The cascade of notes continues with Joan Tower's Or Like a... an Engine, it's stammering title from a John Ashbery poem, and Gosling really floors the gas pedal for E-Machines, a hyperactive jolt by David Rakowski. Finally comes Five Études for Piano by Mischa Zupko, clearly influenced by Ligeti, and Gosling gives them a scientific accuracy, as if surveying their intricacies with a microscope. Engineer John Yannelli, capturing both pianists in the hall at Sarah Lawrence College, has given these dynamic artists a clear soundstage against which even the minutest details register in sharp focus. ••• The Amer

Limited vinyl LP repressing in gatefold jacket. Off the Wall is the fifth solo studio album by Michael Jackson. It was released on August 10, 1979, following Jackson's critically well-received film performance in The Wiz. While working on that project, Jackson and Quincy Jones had become friends, and Jones agreed to work with Jackson on his next studio album. Recording sessions took place between December 1978 and June 1979 at Allen Zentz Recording, Westlake Recording Studios, and Cherokee Studios in Los Angeles, California. Jackson collaborated with a number of other writers and performers such as Paul McCartney, Stevie Wonder and Rod Temperton. Five singles were released from the album. It was his first solo under Epic Records, the tag he would record on until his death roughly 30 years later. Album Tracks 1. Don't Stop 'Til You Get Enough 2. Rock with You 3. Workin' Day and Night 4. Get on the Floor 1. Off the Wall 2. Girlfriend 3. She's Out of My Life 4. I Can't Help It 5. It's the Falling in Love 6. Burn This Disco Out

Limited vinyl LP repressing in gatefold jacket. Thriller is the sixth solo studio album by Michael Jackson. It was released by Epic Records on November 30, 1982, as the follow-up to Jackson's critically and commercially successful 1979 album Off The Wall. Thriller explores similar genres to those of Off The Wall, including pop, post-disco, rock and funk. Recording sessions took place on April to November 1982 at Westlake Recording Studios in Los Angeles with a production budget of $750, 000, assisted by producer Quincy Jones. Seven singles were released from the album, all of which reached the Top 10 on the Billboard Hot 100. In just over a year, Thriller became-and currently remains-the best-selling album of all time, with estimated sales of 65 million copies worldwide. It has become the first album ever to be certified 32 times multi-platinum for U.S. sales, marking more than 32 million sales shipped. The album won a record-breaking eight Grammy Awards in 1984, including for Album of the Year. Album Tracks 1. Wanna Be Startin' Somethin' Jackson, Michael 6 03 2. Baby Be Mine Jackson, Michael 4 20 3. The Girl Is Mine Jackson, Michael with Paul McCartney 3 42 4. Thriller Jackson, Michael 5 58 1. Beat It (Single Version) Jackson, Michael 4 18 2. Billie Jean (Single Version) Jackson, Michael 4 53 3. Human Nature Jackson, Michael 4 05 4. P.Y.T. (Pretty Young Thing) Jackson, Michael 3 59 5. The Lady in My Life Jackson, Michael 4 57

Limited vinyl LP repressing in gatefold jacket. Bad is the seventh solo studio album by Michael Jackson. It was released on August 31, 1987, nearly five years after Jackson's previous studio album, Thriller. Bad was recorded during the first half of 1987. The lyrical themes on the record relate to media bias, paranoia, racial profiling, romance, self-improvement and world peace. The album is widely regarded as having cemented Jackson's status as one of the most successful artists of the 1980s, as well as enhancing his solo career and being one of the best musical projects of his career. Five of the singles hit #1 in the United States, while a sixth charted within the Top Ten, and a seventh charted within the Top Twenty on the Hot 100. Bad peaked at #1 in thirteen countries and charted within the Top Twenty in other territories. Album Tracks 1. Bad 2. The Way You Make Me Feel 3. Speed Demon 4. Liberian Girl 5. Just Good Friends 1. Another Part of Me 2. Man in the Mirror 3. I Just Can't Stop Loving You - Michael Jackson Feat. Siedah Garrett 4. Dirty Diana 5. Smooth Criminal
| Pros for American Modern Ensemble - Powerhouse Pianists - COMPACT DISCS [CD] | |||
|---|---|---|---|
| There were no pros for this product— | There were no pros for this product— | Sound Quality | There were no pros for this product— |