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Andrea Dieci - Simone Fontanelli: Strings of an Imaginary Theatre - COMPACT DISCS [CD]

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All the works on this CD share a constant feature the musical Inchgesture,Inch which is at the origin of each piece.This InchgestureInch may appear in several ways. It may be brief and concise, as in the opening of Inch.a riveder le stelle,Inch or more complex and extensive, as in the beginning of InchMosaico.InchIn all cases, however, the InchgestureInch creates a InchfigureInch and a InchsituationInch that sets off a process of transformation.As in a theatrical scene, even a short one, the instrument is like a character who acts through this or that Inchgesture,Inch expressing speech through articulated transforming figures. Just like a monologue or, in other cases, like a dialogue.A guitar, a violin, a harp, or a cello are not just musical instruments. They are InchcharactersInch with their own personality and a story to tell. Furthermore, each piece is a story where several situations occur and memories from the past return.InchNarrationInch is another basic element of my way of composing. It can take different routes, reaching different destinations. The last part of InchYouth,Inch written for harp, rediscovers the vague memory of a 70s song that I loved when I was a teenager. The end of Inch.a riveder le stelleInch and InchMosaicoInch are concluding moments of a journey where many things had happened, and where now, looking back, we can understand the sense of them and the sense of the journey itself.At no point are the direction and the destination set at the beginning. They are InchfoundInch along the way, for what is important is the journey.Simone Fontanelli
  • Details
    • Genre: Classical
    • Description: All the works on this CD share a constant feature the musical Inchgesture,Inch which is at the origin of each piece.This InchgestureInch may appear in several ways. It may be brief and concise, as in the opening of Inch.a riveder le stelle,Inch or more complex and extensive, as in the beginning of InchMosaico.InchIn all cases, however, the InchgestureInch creates a InchfigureInch and a InchsituationInch that sets off a process of transformation.As in a theatrical scene, even a short one, the instrument is like a character who acts through this or that Inchgesture,Inch expressing speech through articulated transforming figures. Just like a monologue or, in other cases, like a dialogue.A guitar, a violin, a harp, or a cello are not just musical instruments. They are InchcharactersInch with their own personality and a story to tell. Furthermore, each piece is a story where several situations occur and memories from the past return.InchNarrationInch is another basic element of my way of composing. It can take different routes, reaching different destinations. The last part of InchYouth,Inch written for harp, rediscovers the vague memory of a 70s song that I loved when I was a teenager. The end of Inch.a riveder le stelleInch and InchMosaicoInch are concluding moments of a journey where many things had happened, and where now, looking back, we can understand the sense of them and the sense of the journey itself.At no point are the direction and the destination set at the beginning. They are InchfoundInch along the way, for what is important is the journey.Simone Fontanelli
    • Artist: Andrea Dieci
    • Title: Simone Fontanelli: Strings of an Imaginary Theatre
    • Format: CD
    • Label: Stradivarius
    • Release Date: 03/20/2026
    • Genre: Classical
    • Number Of Discs: 1
  • Other
    • Product Name: Andrea Dieci - Simone Fontanelli: Strings of an Imaginary Theatre - COMPACT DISCS
    • UPC: 8011570373540
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Andrea Dieci - Simone Fontanelli: Strings of an Imaginary Theatre   - COMPACT DISCS [CD]
Andrea Dieci - Simone Fontanelli: Strings of an Imaginary Theatre - COMPACT DISCS [CD]

All the works on this CD share a constant feature the musical Inchgesture,Inch which is at the origin of each piece.This InchgestureInch may appear in several ways. It may be brief and concise, as in the opening of Inch.a riveder le stelle,Inch or more complex and extensive, as in the beginning of InchMosaico.InchIn all cases, however, the InchgestureInch creates a InchfigureInch and a InchsituationInch that sets off a process of transformation.As in a theatrical scene, even a short one, the instrument is like a character who acts through this or that Inchgesture,Inch expressing speech through articulated transforming figures. Just like a monologue or, in other cases, like a dialogue.A guitar, a violin, a harp, or a cello are not just musical instruments. They are InchcharactersInch with their own personality and a story to tell. Furthermore, each piece is a story where several situations occur and memories from the past return.InchNarrationInch is another basic element of my way of composing. It can take different routes, reaching different destinations. The last part of InchYouth,Inch written for harp, rediscovers the vague memory of a 70s song that I loved when I was a teenager. The end of Inch.a riveder le stelleInch and InchMosaicoInch are concluding moments of a journey where many things had happened, and where now, looking back, we can understand the sense of them and the sense of the journey itself.At no point are the direction and the destination set at the beginning. They are InchfoundInch along the way, for what is important is the journey.Simone Fontanelli

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