Anthony Braxton - BX-0 NO-47A - COMPACT DISCS [CD]
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A deluxe edition celebrating visionary composer and multi-instrumentalist Anthony Braxton's 80th birthday. The definitive remastered edition of his second studio album, restored and mastered from the original tapes. Presented in a deluxe gatefold digi-sleeve that reflects the aesthetics of the original LP, complete with a printed inner wallet and a 16-page booklet featuring exclusive notes by author and jazz specialist Kevin Le Gendre.The birth of the Association for The Advancement of Creative Musicians (AACM) in Chicago was a significant cultural event at the tail end of the 60s. As the name suggests it was a grouping of artists who prioritized originality, and saxophonist-composer Anthony Braxton was one of the most significant individuals in it's ranks. For the subsequent 50 years he would prove daringly adventurous in his concepts and performances, and B-X0 NO-47A remains a classic title in his vast discography.The album saw him lead a group that included fellow AACM members, trumpeter Leo Smith (before he took the name Wadada), drummer Steve McCall and violinist Leroy Jenkins, yet there was such a wide array of instruments used on the session that the small group had a big sound. Anything from chimes and logs to harmonica and darbuka, as well as the intriguingly named 'sound machine', enabled the quartet to fashion a singular textural palette. Anthony Braxton and his colleagues were set to become pivotal figures in the avant-garde or 'New thing' movement that had broken with the prevailing conventions of the jazz industry. This definitive remastered version of the album provides an opportunity to enjoy the unique nature of Braxton's vision as never heard as well as the priceless chemistry between him, Smith, Jenkins and McCall. They made historic music which has stood the test of time.
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- GenreJazzDescriptionA deluxe edition celebrating visionary composer and multi-instrumentalist Anthony Braxton's 80th birthday. The definitive remastered edition of his second studio album, restored and mastered from the original tapes. Presented in a deluxe gatefold digi-sleeve that reflects the aesthetics of the original LP, complete with a printed inner wallet and a 16-page booklet featuring exclusive notes by author and jazz specialist Kevin Le Gendre.The birth of the Association for The Advancement of Creative Musicians (AACM) in Chicago was a significant cultural event at the tail end of the 60s. As the name suggests it was a grouping of artists who prioritized originality, and saxophonist-composer Anthony Braxton was one of the most significant individuals in it's ranks. For the subsequent 50 years he would prove daringly adventurous in his concepts and performances, and B-X0 NO-47A remains a classic title in his vast discography.The album saw him lead a group that included fellow AACM members, trumpeter Leo Smith (before he took the name Wadada), drummer Steve McCall and violinist Leroy Jenkins, yet there was such a wide array of instruments used on the session that the small group had a big sound. Anything from chimes and logs to harmonica and darbuka, as well as the intriguingly named 'sound machine', enabled the quartet to fashion a singular textural palette. Anthony Braxton and his colleagues were set to become pivotal figures in the avant-garde or 'New thing' movement that had broken with the prevailing conventions of the jazz industry. This definitive remastered version of the album provides an opportunity to enjoy the unique nature of Braxton's vision as never heard as well as the priceless chemistry between him, Smith, Jenkins and McCall. They made historic music which has stood the test of time.ArtistAnthony BraxtonTitleBX-0 NO-47AFormatCDLabelByg
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To paraphrase the old stock brokerage commercial InchWhen Anthony Braxton plays, people listenInch. And they have been doing so for decades, through dozens of recordings spanning an evolution that is remarkable for it's independence and virtuosity. Braxton's first two albums, InchThree Compositions of New JazzInch (1968, DMK #415) and InchFor AltoInch (1969, DMK #420) were released on Delmark, and it's only fitting that the present rare quartet version of his self-described InchGhost Trance MusicInch be released more than thirty years later on the same tag. Features Anthony Braxton on woodwinds, Kevin Uehlinger on piano/melodica, Keith Witty on bass, and Noam Schatz on percussion.
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