Antonio Carlos & Jocafi - Antonio Carlos & Jocafi Jid026 - VINYL LP
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Antonio Carlos & Jocafi, the legendary duo from Bahia whose music has embodied the soul of Brasil for over five decades, return with a bold new collaboration Jazz Is Dead 026. Introduced to Adrian Younge and Ali Shaheed Muhammad by Beto Barreto of Baiana System, the meeting was instant magic. InchThe first time we met, it was like family,Inch they recall. That kinship led Younge and Muhammad to invite the duo to Los Angeles, where they carried a handful of ideas and created new songs on the spot-an intuitive, improvisatory process that defines the Jazz Is Dead ethos.The story of Antonio Carlos & Jocafi begins in Salvador at the close of the 1960s, when the pair first joined forces as composers and performers. In 1971, their debut album Muita Zorra! Introduced Brasil to a sound that was both rooted in Bahia's folk traditions and attuned to the modern pulse of samba, funk, and MPB. From that record came Você Abusou, an anthem that became one of the most recorded songs in the history of Brasilian popular music. The duo quickly distinguished themselves through their ability to channel the everyday life, humor, and struggles of Bahia into universal songs that resonated across the country and beyond.Through the 1970s and 1980s, Antônio Carlos & Jocafi wrote and recorded music that blended the sacred and the profane, Afro-Brasilian traditions and urban funk, biting satire and joyous celebration. Their compositions were picked up by some of the greatest voices of their generation Clara Nunes, Gal Costa, Maria Creuza, and Sérgio Mendes among them. They also contributed to television and cinema, writing theme songs that became part of Brasil's cultural fabric. Despite their success, they remained deeply tied to Bahia, drawing constant inspiration from Salvador's streets, the Mercado Modelo, the rhythms of candomblé, and the irreverent humor of the people.Now, with Jazz Is Dea
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VINYL- GenreJazzDescriptionAntonio Carlos & Jocafi, the legendary duo from Bahia whose music has embodied the soul of Brasil for over five decades, return with a bold new collaboration Jazz Is Dead 026. Introduced to Adrian Younge and Ali Shaheed Muhammad by Beto Barreto of Baiana System, the meeting was instant magic. InchThe first time we met, it was like family,Inch they recall. That kinship led Younge and Muhammad to invite the duo to Los Angeles, where they carried a handful of ideas and created new songs on the spot-an intuitive, improvisatory process that defines the Jazz Is Dead ethos.The story of Antonio Carlos & Jocafi begins in Salvador at the close of the 1960s, when the pair first joined forces as composers and performers. In 1971, their debut album Muita Zorra! Introduced Brasil to a sound that was both rooted in Bahia's folk traditions and attuned to the modern pulse of samba, funk, and MPB. From that record came Você Abusou, an anthem that became one of the most recorded songs in the history of Brasilian popular music. The duo quickly distinguished themselves through their ability to channel the everyday life, humor, and struggles of Bahia into universal songs that resonated across the country and beyond.Through the 1970s and 1980s, Antônio Carlos & Jocafi wrote and recorded music that blended the sacred and the profane, Afro-Brasilian traditions and urban funk, biting satire and joyous celebration. Their compositions were picked up by some of the greatest voices of their generation Clara Nunes, Gal Costa, Maria Creuza, and Sérgio Mendes among them. They also contributed to television and cinema, writing theme songs that became part of Brasil's cultural fabric. Despite their success, they remained deeply tied to Bahia, drawing constant inspiration from Salvador's streets, the Mercado Modelo, the rhythms of candomblé, and the irreverent humor of the people.Now, with Jazz Is DeaArtistAntonio Carlos & JocafiTitleAntonio Carlos & Jocafi Jid026FormatVINYLLabelJazz Is Dead
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Antonio Carlos & Jocafi, the legendary duo from Bahia whose music has embodied the soul of Brasil for over five decades, return with a bold new collaboration Jazz Is Dead 026. Introduced to Adrian Younge and Ali Shaheed Muhammad by Beto Barreto of Baiana System, the meeting was instant magic. InchThe first time we met, it was like family,Inch they recall. That kinship led Younge and Muhammad to invite the duo to Los Angeles, where they carried a handful of ideas and created new songs on the spot-an intuitive, improvisatory process that defines the Jazz Is Dead ethos.The story of Antonio Carlos & Jocafi begins in Salvador at the close of the 1960s, when the pair first joined forces as composers and performers. In 1971, their debut album Muita Zorra! Introduced Brasil to a sound that was both rooted in Bahia's folk traditions and attuned to the modern pulse of samba, funk, and MPB. From that record came Você Abusou, an anthem that became one of the most recorded songs in the history of Brasilian popular music. The duo quickly distinguished themselves through their ability to channel the everyday life, humor, and struggles of Bahia into universal songs that resonated across the country and beyond.Through the 1970s and 1980s, Antônio Carlos & Jocafi wrote and recorded music that blended the sacred and the profane, Afro-Brasilian traditions and urban funk, biting satire and joyous celebration. Their compositions were picked up by some of the greatest voices of their generation Clara Nunes, Gal Costa, Maria Creuza, and Sérgio Mendes among them. They also contributed to television and cinema, writing theme songs that became part of Brasil's cultural fabric. Despite their success, they remained deeply tied to Bahia, drawing constant inspiration from Salvador's streets, the Mercado Modelo, the rhythms of candomblé, and the irreverent humor of the people.Now, with Jazz Is Dea

Antonio Carlos & Jocafi, the legendary duo from Bahia whose music has embodied the soul of Brasil for over five decades, return with a bold new collaboration Jazz Is Dead 026. Introduced to Adrian Younge and Ali Shaheed Muhammad by Beto Barreto of Baiana System, the meeting was instant magic. InchThe first time we met, it was like family,Inch they recall. That kinship led Younge and Muhammad to invite the duo to Los Angeles, where they carried a handful of ideas and created new songs on the spot-an intuitive, improvisatory process that defines the Jazz Is Dead ethos.The story of Antonio Carlos & Jocafi begins in Salvador at the close of the 1960s, when the pair first joined forces as composers and performers. In 1971, their debut album Muita Zorra! Introduced Brasil to a sound that was both rooted in Bahia's folk traditions and attuned to the modern pulse of samba, funk, and MPB. From that record came Você Abusou, an anthem that became one of the most recorded songs in the history of Brasilian popular music. The duo quickly distinguished themselves through their ability to channel the everyday life, humor, and struggles of Bahia into universal songs that resonated across the country and beyond.Through the 1970s and 1980s, Antônio Carlos & Jocafi wrote and recorded music that blended the sacred and the profane, Afro-Brasilian traditions and urban funk, biting satire and joyous celebration. Their compositions were picked up by some of the greatest voices of their generation Clara Nunes, Gal Costa, Maria Creuza, and Sérgio Mendes among them. They also contributed to television and cinema, writing theme songs that became part of Brasil's cultural fabric. Despite their success, they remained deeply tied to Bahia, drawing constant inspiration from Salvador's streets, the Mercado Modelo, the rhythms of candomblé, and the irreverent humor of the people.Now, with Jazz Is Dea

Antonio Carlos Jobim - Sinfonia Do Rio De Janeiro [VINYL LP] Colored Vinyl date 05/15/2026

Recorded in Los Angeles, California in 1965, The Wonderful World of Antonio Carlos Jobim was Jobim's second album to be recorded outside of Brazil, following The Composer of Desafinado, Plays, which had been taped in 1963. While for his first American venture Jobim counted with arrangements by Claus Ogerman, for this second effort he relied on the multiple talents of the great Nelson Riddle, who had a longstanding career working with Frank Sinatra, Nat King Cole, and Ella Fitzgerald, to name a few. All of the compositions here are by Jobim, who plays piano, guitar, and also sings. Along with well-known compositions such as InchA Felicidade,Inch InchAgua de BeberInch or InchDindiInch, this album introduced two new songs InchBonitaInch and InchSurfboardInch. Album Tracks 1. She's a Carioca 2. Agua de Beber 3. Surfboard 4. Useless Landscape 5. So Tinha de Ser Com Você 6. A Felicidade 7. Bonita 8. Favela 9. Valsa de Porto Das Caixas 10. Samba Do Aviao 11. Por Toda a Minha Vida 12. Dindi
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