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Polyphonic 14th-century Italian secular music seems to emerge out of nowhere in the history of music. Nevertheless, this tradition - which often goes by the name Ars Nova - fits seamlessly into the history of Italian culture. Our knowledge of it has been pieced together from relatively few sources, which nevertheless reveal three distinct phases. In it's first phase, Italian Ars Nova spread out from universities, including those of Padua and Bologna, which had strong links with the dominant and contemporaneous French Ars Nova. In the second phase, the centre of 14th-century Italian polyphony seems to shift markedly to Florence. The final phase, which bridged the late 1300s and early 1400s, shows the influence of intense cultural exchange brought about by an international circulation of musicians and poets caused by the political instability of the papacy's return from Avignon to Rome and the consequent heightened mobility among the various courts and their entourages. This phase is reflected in such sources as the renowned Squarcialupi Codex. Compiled in Florence around 1415, it contains over 350 compositions (madrigals, ballate and cacce) and is the source of the majority of the tracks on this album. Francesco Landini (c.1325/35-1397) is represented by five of his 141 ballate and the virelai 'Adiu, adiu dous dame'. Also from the Codex are one ballata by Andrea da Firenze (c.1350-1415) and two ballate and a caccia by Antonio 'Zacara' da Teramo (1355-1416). Three instrumental tracks complete the album, two of them from the 'London' Manuscript (British Library) compiled in Florence, probably in Medici circles. In addition to mostly polyphonic music by Landini and other Florentine composers, this tome features several anonymous instrumental works including the lively dances 'Chominciamento di gioia' and 'Tre fontane'. The madrigal 'Aquila altera' has a different backgrou
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Polyphonic 14th-century Italian secular music seems to emerge out of nowhere in the history of music. Nevertheless, this tradition - which often goes by the name Ars Nova - fits seamlessly into the history of Italian culture. Our knowledge of it has been pieced together from relatively few sources, which nevertheless reveal three distinct phases. In it's first phase, Italian Ars Nova spread out from universities, including those of Padua and Bologna, which had strong links with the dominant and contemporaneous French Ars Nova. In the second phase, the centre of 14th-century Italian polyphony seems to shift markedly to Florence. The final phase, which bridged the late 1300s and early 1400s, shows the influence of intense cultural exchange brought about by an international circulation of musicians and poets caused by the political instability of the papacy's return from Avignon to Rome and the consequent heightened mobility among the various courts and their entourages. This phase is reflected in such sources as the renowned Squarcialupi Codex. Compiled in Florence around 1415, it contains over 350 compositions (madrigals, ballate and cacce) and is the source of the majority of the tracks on this album. Francesco Landini (c.1325/35-1397) is represented by five of his 141 ballate and the virelai 'Adiu, adiu dous dame'. Also from the Codex are one ballata by Andrea da Firenze (c.1350-1415) and two ballate and a caccia by Antonio 'Zacara' da Teramo (1355-1416). Three instrumental tracks complete the album, two of them from the 'London' Manuscript (British Library) compiled in Florence, probably in Medici circles. In addition to mostly polyphonic music by Landini and other Florentine composers, this tome features several anonymous instrumental works including the lively dances 'Chominciamento di gioia' and 'Tre fontane'. The madrigal 'Aquila altera' has a different backgrou

Standard vinyl LP pressing. Digitally remixed 50th Anniversary edition of The Beatles' musical masterpiece. This Abbey Road features the new stereo album mix, sourced directly from the original eight-track session tapes. To produce the mix, Giles Martin working with Sam Okell, was guided by the album's original stereo mix supervised by his father, George Martin. It is time to experience Abbey Road again! Album Tracks 1. Come Together 2. Something 3. Maxwell's Silver Hammer 4. Oh! Darling 5. Octopus's Garden 6. I Want You (She's So Heavy) 1. Here Comes the Sun 2. Because 3. You Never Give Me Your Money 4. Sun King 5. Mean Mr Mustard 6. Polythene Pam 7. She Came in Through the Bathroom Window 8. Golden Slumbers 9. Carry That Weight 10. The End 11. Her Majesty

Limited splatter colored vinyl LP pressing. Meteora, Linkin Park's ground-breaking second album, was released in March 2003 and includes the global hit singles InchSomewhere I BelongInch, InchFaintInch, InchNumbInch, InchBreaking The HabitInch and InchFrom The Inside.Inch It has sold over 8 million copies in the US and has been certified multi-platinum, platinum, or gold in 15 countries.

Around the Fur the follow-up to Deftones' passionate, aggressive Adrenaline, sees the California quartet expanding on the sheer rage of their earlier work, adding new, more sinister shades to their already extreme sound. The opening InchMy Own Summer (Shove It),Inch serves as an introduction to the album's sonic theme sinewy guitars and eerie whispers alternate with fast, violent crunch. Sepultura's Max Cavallero contributes guitar and vocals to InchHeadup,Inch while InchMXInch finds singer Chino trading off vocal lines with Annalynn Cunningham, (wife of Deftones' drummer Abe) in an acerbic take on the rock star mentality. Vocal acrobat Moreno attacks a variety of styles his breathy, psychotic recitations sound downright industrial, while the album's calmer, more brooding moments show his gift for haunting melody. Behind him, guitarist Stephen Carpenter's heavy wall of sound is astoundingly muscular, yet inspiringly agile. When Deftones' hellish fury hits full tilt, as it always does on this album, Moreno's voice erupts into screams which are best described as otherworldly, transforming this intense musical firestorm into a hurtling juggernaut of aggression. This LP version comes pressed on 180 gram vinyl. Album Tracks 1. My Own Summer (Shove It) 2. Lhabia 3. Mascara 4. Around the Fur 5. Rickets 6. Be Quiet and Drive (Far Away) 7. Lotion 8. Dai the Flu 9. Headup 10. MX
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