Armand Hammer & Alchemist - Haram - VINYL LP
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Looking back more than four years later at Haram, it is easier to see the forest forthe trees. At the time, much of the attention fell on how this outsider duo would fareunder the bright lights- which was fair, Armand Hammer had never done a singleproducer record before- and here they were working with a living legend. Now,with a little distance, it's easier to see how Alchemist stepped out of his comfortzone to meet them where they were, and how all three artists then absconded forparts unknown. The flashbulb energy of InchBring The Stars OutInch, asymmetric droneof InchChicharronesInch, fugue-bounce of InchGod's FeetInch, and good luck finding analoguesfor InchPeppertreeInch or InchStonefruitInch. Haram doesn't sound like anything else in theALC discography, nor in Armand Hammer's, for that matter. Haram was a one-shot kill that somehow contained some of the most accessible work ELUCID andbilly woods had ever done, as well as some of their most experimental, and it allsounded cohesive.Needless to say, they didn't do this alone; KAYANA's golden voice upps thewattage on InchBlack Sunlight,Inch while Fielded's sultry alto gets chopped and screwedon InchAubergineInch. Earl Sweatshirt's cameo on the sun-soaked InchFalling Out the SkyInchis already a classic. Curly Castro, Amani, and Quelle Chris all turn up the heat whencalled upon.But since we are talking about retrospect here, the thing about Haram isn't that itstill sounds as good as it did when it came out. The amazing thing is that it actuallysounds even better than it did then. You don't have to take our word for it either, runit up one time, with the lights low and something on ice, see if it doesn't take yousomewhere new, again. Album Tracks 1. Sir Benni Miles 2. Roaches Don't Fly 3. Black Sunlight 4. Indian Summer 5. Aubergine 6. God's Feet 7. Peppertree 8. Scaffolds 9. Falling Out the Sky
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VINYLSpecifications
- GenreDance and electronicDescriptionLooking back more than four years later at Haram, it is easier to see the forest forthe trees. At the time, much of the attention fell on how this outsider duo would fareunder the bright lights- which was fair, Armand Hammer had never done a singleproducer record before- and here they were working with a living legend. Now,with a little distance, it's easier to see how Alchemist stepped out of his comfortzone to meet them where they were, and how all three artists then absconded forparts unknown. The flashbulb energy of InchBring The Stars OutInch, asymmetric droneof InchChicharronesInch, fugue-bounce of InchGod's FeetInch, and good luck finding analoguesfor InchPeppertreeInch or InchStonefruitInch. Haram doesn't sound like anything else in theALC discography, nor in Armand Hammer's, for that matter. Haram was a one-shot kill that somehow contained some of the most accessible work ELUCID andbilly woods had ever done, as well as some of their most experimental, and it allsounded cohesive.Needless to say, they didn't do this alone; KAYANA's golden voice upps thewattage on InchBlack Sunlight,Inch while Fielded's sultry alto gets chopped and screwedon InchAubergineInch. Earl Sweatshirt's cameo on the sun-soaked InchFalling Out the SkyInchis already a classic. Curly Castro, Amani, and Quelle Chris all turn up the heat whencalled upon.But since we are talking about retrospect here, the thing about Haram isn't that itstill sounds as good as it did when it came out. The amazing thing is that it actuallysounds even better than it did then. You don't have to take our word for it either, runit up one time, with the lights low and something on ice, see if it doesn't take yousomewhere new, again. Album Tracks 1. Sir Benni Miles 2. Roaches Don't Fly 3. Black Sunlight 4. Indian Summer 5. Aubergine 6. God's Feet 7. Peppertree 8. Scaffolds 9. Falling Out the SkyArtistArmand Hammer & AlchemistTitleHaramFormatVINYLLabelRhymesayers
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Looking back more than four years later at Haram, it is easier to see the forest forthe trees. At the time, much of the attention fell on how this outsider duo would fareunder the bright lights- which was fair, Armand Hammer had never done a singleproducer record before- and here they were working with a living legend. Now,with a little distance, it's easier to see how Alchemist stepped out of his comfortzone to meet them where they were, and how all three artists then absconded forparts unknown. The flashbulb energy of InchBring The Stars OutInch, asymmetric droneof InchChicharronesInch, fugue-bounce of InchGod's FeetInch, and good luck finding analoguesfor InchPeppertreeInch or InchStonefruitInch. Haram doesn't sound like anything else in theALC discography, nor in Armand Hammer's, for that matter. Haram was a one-shot kill that somehow contained some of the most accessible work ELUCID andbilly woods had ever done, as well as some of their most experimental, and it allsounded cohesive.Needless to say, they didn't do this alone; KAYANA's golden voice upps thewattage on InchBlack Sunlight,Inch while Fielded's sultry alto gets chopped and screwedon InchAubergineInch. Earl Sweatshirt's cameo on the sun-soaked InchFalling Out the SkyInchis already a classic. Curly Castro, Amani, and Quelle Chris all turn up the heat whencalled upon.But since we are talking about retrospect here, the thing about Haram isn't that itstill sounds as good as it did when it came out. The amazing thing is that it actuallysounds even better than it did then. You don't have to take our word for it either, runit up one time, with the lights low and something on ice, see if it doesn't take yousomewhere new, again. Album Tracks 1. Sir Benni Miles 2. Roaches Don't Fly 3. Black Sunlight 4. Indian Summer 5. Aubergine 6. God's Feet 7. Peppertree 8. Scaffolds 9. Falling Out the Sky

Grand Theft Auto VI: The Album on clear pink with purple splatter vinyl. The 2LP, gatefold jacket includes a Best Buy exclusive 12x24 poster. Atlantic Records and Rockstar Games announce Grand Theft Auto VI: The Album, the upcoming official soundtrack album from the biggest, most immersive evolution of the groundbreaking Grand Theft Auto series yet; Grand Theft Auto VI. Launching November 19 alongside the hotly anticipated game, Grand Theft Auto VI: The Album features 34 original tracks that capture the electric energy of Grand Theft Auto VI’s world of Vice City and Leonida, with a genre-defying roster of the most exciting and preeminent artists in the world.

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